The Broadway Musical Blog – Musical theater news and gossip from the Great White Way
Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.2010 Olivier Award Nominations Announced

The West End’s Olivier Awards nominations are out and lots of trans-Pacific transfers are on the list, including the Broadway transfer of Spring Awakening, now on the West End, and the West-End transfers of A Little Night Music and Billy Elliot, now on Broadway.
The official awards ceremony will take place on March 21, and we’ll be announcing winners live on Twitter and on the blog here.
Here are the categories that include musicals (see a full list of this years nominees):
BEST MUSICAL REVIVAL
ANNIE GET YOUR GUN
HELLO DOLLY!
A LITTLE NIGHT MUSIC
OLIVER!
BEST NEW MUSICAL
DREAMBOATS AND PETTICOATS
PRISCILLA QUEEN OF THE DESERT THE MUSICAL
SPRING AWAKENING
SISTER ACT
BEST ACTRESS IN A MUSICAL OR ENTERTAINMENT
Melanie C, BLOOD BROTHERS
Patina Miller, SISTER ACT
Samantha Spiro, HELLO DOLLY!
Hannah Waddingham, A LITTLE NIGHT MUSIC
Charlotte Wakefield, SPRING AWAKENING
BEST ACTOR IN A MUSICAL OR ENTERTAINMENT
Rowan Atkinson, OLIVER!
Aneurin Barnard, SPRING AWAKENING
Bob Golding, MORECAMBE
Alexander Hanson, A LITTLE NIGHT MUSIC
Tony Sheldon, PRISCILLA QUEEN OF THE DESERT THE MUSICAL
BEST SUPPORTING PERFORMANCE IN A MUSICAL OR ENTERTAINMENT
Sheila Hancock, SISTER ACT
Maureen Lipman, A LITTLE NIGHT MUSIC
Kelly Price, A LITTLE NIGHT MUSIC
Iwan Rheon, SPRING AWAKENING
BEST THEATRE CHOREOGRAPHER
Matthew Bourne, OLIVER!
Bill T Jones,r SPRING AWAKENING
Anthony Van Laast, SISTER ACT
Stephen Mear, HELLY DOLLY!
BEST LIGHTING DESIGN
BURNT BY THE SUN, Mark Henderson
ENRON, Mark Henderson
SPRING AWAKENING, Kevin Adams
THREE DAYS OF RAIN, Jon Clark
BEST COSTUME DESIGN
HELLO DOLLY!, Peter McKintosh
MADAME DE SADE, Christopher Oram
THE MISANTHROPE, Amy Roberts
PRISCILLA, QUEEN OF THE DESERT- THE MUSICAL, Tim Chappel and Lizzy Gardiner
BEST SOUND DESIGN
EVERY GOOD BOY DESERVES FAVOUR, Christopher Shutt
JERUSALEM, Ian Dickinson
MOTHER COURAGE AND HER CHILDREN, Andrew Bruce and Nick Lidster
SPRING AWAKENING, Brian Ronan
THE AUDIENCE AWARD FOR MOST POPULAR SHOW
BILLY ELLIOT
THE PHANTOM OF THE OPERA
WAR HORSE
WE WILL ROCK YOU
WICKED
Broadway’s La Cage Aux Folles announces additional casting

The West End transfer of La Cage Aux Folles, which opens April 18 at the Longacre Theater, previously announced its headliners Kelsey Grammer and Douglas Hodge.
Today, producers have added some additional names to the cast list, including: Tony Award nominees Veanne Cox (Company) and Robin de Jesus (In the Heights), Christine Andreas (Oklahoma!), A.J. Shively, Elena Shaddow (Nine), Chris Hoch (Shrek), Heather Lindell (Hairspray), Bill Nolte (The Secret Garden, Joseph, 1776), David Nathan Perlow, and Nick Adams (Guys and Dolls, A Chorus Line).
You’ve seen the artwork. How do you think the show is going to be received by theater-goers?
Spring Awakening’s Duncan Sheik tapped to pen a musical version of American Psycho

According to Variety, Duncan Sheik (Spring Awakening) has been tapped to write 80s-style music and lyrics for an adaptation of the book and film, American Psycho, alongside librettist Roberto Aguirre-Sacasa.
No cast or creatives have yet been announced, as the project is still in its infancy and Sheik is still busy preparing Whisper House for Broadway, but the project is already generating a lot of excitement…
What do you think? Is there an audience for something like this?
A sneak peak of some music from Andrew Llyod Webber’s Phantom of the Opera sequel, Love Never Dies

I got my hands on a song sample from Andrew Lloyd Webber’s new sequel to Phantom of the Opera, Love Never Dies:
Till I Hear You Sing Once More
What do you think?
Cast for the Broadway Mounting of Green Day’s American Idiot Will Include John Gallagher Jr., Stark Sands and Michael Esper

Producers just announced that John Gallagher Jr. (Spring Awakening), Stark Sands and Michael Esper will star in Broadway’s American Idiot, the new Green Day musical opening April 20 at the St. James Theatre.
Director Michael Mayer (Spring Awakening) co-wrote the book with Green Day’s Billie Joe Armstrong. Music and lyrics are all by Green Day, with songs taken from their albums “American Idiot” and “21st Century Breakdown.”
The other creative team members include two-time Tony Award-winning composer and orchestrator Tom Kitt (Next to Normal), Olivier Award-winning choreographer Steven Hoggett, Tony nominated scenic designer Christine Jones (Spring Awakening), costume designer Andrea Lauer, two-time Tony Award-winning lighting designer Kevin Adams (Hair), Obie Award-winning sound designer Brian Ronan (Cabaret), video designer Darrel Maloney and music director Carmel Dean.
Gallagher Jr., Sands and Esper are joined by Rebecca Naomi Jones (Passing Strange), Christina Sajous (The Wild Party), Mary Faber (Avenue Q) and Tony Vincent (Jesus Christ Superstar) as well as an ensemble that includes: Declan Bennett (Rent), Andrew Call (Cry-Baby), Gerard Canonico (Spring Awakening), Miguel Cervantes (The 25th Annual Putnam County Spelling Bee), Joshua Henry (In the Heights), Van Hughes (Hairspray), Brian Charles Johnson (Spring Awakening), Joshua Kobak (Rent), Lorin Latarro (Movin’ Out), Omar Lopez-Cepero, Leslie McDonel (Hairspray), Chase Peacock, Theo Stockman (Hair), Ben Thompson, Alysha Umphress, Aspen Vincent and Libby Winters.
The cast will be appearing with Green Day at the Grammy Awards, singing “21 Guns.” (The Grammys will air on CBS on Jan 31 at 8-11:30 PM).
Can’t wait for this one to hit the Great White Way! Apparently, it’s turning musical theater on its head.
Bye Bye “Birdie,” Hello New Work and New Horizons
Bye Bye “Birdie”
The universally panned production of Bye Bye Birdie, starring John Stamos and Gina Gershon, closed on Broadway on Jan 24 after playing 117 performances. Though selling at 90% capacity, producers decided the show’s success would dwindle upon the departure of its stars and so closed as planned, rather than extending its run.
Hello New Work
Wildhorn’s Wonderland

An exciting new musical that’s been getting lots of buzz in the social media sphere Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernel, The Civil War) and Jack Murphy’s (The Civil War) Wonderland, a new take on Lewis Carol’s “Alice in Wonderland.” The show opened on Jan 20 at the Alley Theatre in Houston.
The cast includes a lot of Broadway names, including Janet Dacal (In the Heights, Good Vibrations), Jose Llana (The 25th Annual Putnam County Spelling Bee), Karen Mason (Sunset Boulevard, Mamma Mia!), Darren Ritchie (Dracula: The Musical), Nikki Snelson (Legally Blonde), Ed Staudenmayer (Forbidden Broadway) and Tad Wilson (Rock of Ages).
This show definitely has Broadway aspirations, though no dates or official plans have yet been announced. Cross your fingers that its sooner rather than later.
Duncan Sheik’s The Whisper House

Spring Awakening’s Dunkan Sheik celebrated the world premiere of Whisper House, which opened Jan. 21 at the Old Globe Theatre in San Diego. The show, which features a hauntingly beautiful score, has hopes of making it to Broadway sometime in the next couple of years.
The Pee Wee Herman Show

Another show with Broadway aims is the Pee Wee Herman Show, which opened on Jan 20 at the Los Angeles’ Club Nokia @ L.A. LIVE. Paul Reubens stars the title role he created back in the 1980s and looks to be having just as much fun today as he did back then. Though more a show with music than a musical, I couldn’t not include it on the blog here. I mean, it’s Pee Wee Herman!
A Spice Girls Musical?

Yep. Pee Wee Herman isn’t the only pop-culture icon to be brought to the stage. Mamma Mia! producer Judy Craymer is turning her attention to a jukebox musical that will use the songs (and we can only hope, the personalities) of that crazy English girl-group of the 90s – the Spice Girls.
New Horizons
Original Foursome will Make their Broadway Debuts with Million Dollar Quartet
The original foursome from the Chicago production of the musical Million Dollar Quartet, Eddie Clendening, Lance Guest, Levi Kreis and Rob Lyons, will reprise their roles in the show’s Broadway premiere, all making their Broadway premieres. They will be joined by two Broadway veterans: Hunter Foster (Urinetown, Little Shop of Horrors) and Elizabeth Stanley (Cry-Baby, Company).
Showtime to Document the Process of Taking a Musical from Concept to Broadway

If you’ve kept up with the blog here, you know that Speilberg is producing a new Showtime series tracing the evolution of a new musical.
Composers Marc Shaiman and Scott Wittman (Hairspray, Catch Me If You Can) were previously announced as being on board, and now a writer has surfaced – Theresa Rebeck – the author who penned the recent off-Broadway hit the Understudy and has a fair number of TV shows under her belt.
I don’t know about you, but I’m excited to see this show get off the ground, and if the success of Glee and the long string of casting shows series, I’m not the only one that’ll be eating it up.
Norbert Leo Butz on TV
Norbert Leo Butz (Dirty Rotten Scoundrels, Wicked, The Last Five Years) is starring as Rowdy Kaiser on ABC’s “The Deep End,” a new drama series about five first-year lawyers starting out at a top firm. If you missed last week’s premiere – check it out on ABC’s website.
Why “Fela!” is Such a Winnah! (A guest blog from Broadway & Me)

Every Broadway show is a crapshoot. No one knows for sure what audiences will like and what they won’t. Still, the odds seemed higher than usual against the new musical Fela! Its score—a throbbing mix of jazz, funk and traditional African rhythms known as Afrobeat—is as far away from the show tune as Lagos is from Long Island. Its book—the life story of the controversial Nigerian musician and political activist Fela Anikulapo-Kuti—isn’t the usual Broadway fare either. And there are no celebrity names in the cast. But Fela! has turned out to be a winner.
You can tell that by the fact that it’s selling out about 95% of its seats while shows that seemed surer bets have been closing left and right. Or by the way the audience members literally dance in the aisles at the Eugene O’Neill Theatre, where the show seems likely to enjoy a good run. Or by the smile that spread across the face of my niece Jennifer, who is only 30 but has been going to Broadway shows for over 25 years and is as jaded as they come. As the show ended, Jennifer turned to me with a grin. “Yeah, yeah,” she said, nodding her head and pumping her fists in time to the music as she echoed Fela’s trademark exclamation of approval.
For despite its potentially downer subject matter (Fela is jailed, his wives—he was married to as many as 12 of them at a time in real life—tortured, his mom, their country’s leading feminist, is killed) Fela! may be the feel-good show of the season. The music, performed by the Brooklyn-based Afrobeat band Antibalas, is infectiously joyous, the dancing is amazing (a BIG shoutout to the tireless troupe of hip-shaking dancers), many of the jokes provoke belly laughs and the show plays into the fascination with Africa that is currently influencing fashion and art (click here to read a New York Times story about the trend).
I first saw Fela! when it played at the 37 Arts Theatre in the fall of 2008 and was wowed by it even though, at three hours, the show was waaaaay too long and its story more than a bit confusing. The credit for its now streamlined success has to go to Bill T. Jones, the Tony-winning choreographer for Spring Awakening, who not only conceived, directed and choreographed Fela! but hired Lillias White to sing the hell out of the songs given to Fela’s mother and persuaded the rapper-mogul Jay-Z and the movie star-moguls Will and Jada Pinkett Smith to invest in the show and lend their names to it as over-the-title producers. Jones has also promoted the show relentlessly (click just about anywhere on the internet, TV or radio to read or hear him give his spiel or click here ).
What I most loved when I saw the show at 37 Arts was the star-making performance by Sahr Ngaujah as Fela. As I said in my review back then (click here to read what I said) I couldn’t imagine anyone else in the role. Fela sings, dances and narrates the entire show (no one else even speaks). It’s an exhausting job. So Ngaujah now shares the role with Kevin Mambo. My heart sank when I saw the insert announcing that Mambo was playing the part the night Jennifer and I attended the show. But while it’s true that Mambo may not have Ngaujah’s charisma, he’s no slouch either.
The man sitting across the aisle from me rushed in just before the show began. He carried an expensive-looking brief case and wore an expensive-looking suit. I took him to be a lawyer or a lower-level, not-getting-quite-a-billion-dollars-bonus investment banker. He boogied at every opportunity (there are moments when the audience is invited to stand up and dance along) and even snuck in a few extra wiggles while in his seat. I wager that if you could find him and ask him, he’d say that Fela! offers as good a bet as they come, a fine return on your ticket-price investment.
Broadway & Me: news and reviews from a theater lover with a point of view.






















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