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Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for April, 2014

AWARDS SEASON 2014: Tony Awards Nominees

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Lucy Liu and Jonathan Groff announced the Tony Award nominees this morning. The full list of nominees appears below.

Awards Announced: June 8 at 8/7 C on CBS, Hosted by Hugh Jackman

Follow all of the awards coverage as we live blogtweetfacebook or view a summary of all things awards at The Broadway Musical Home.

Best Musical
After Midnight
Aladdin
Beautiful – The Carole King Musical
A Gentleman’s Guide to Love and Murder

Best Play
Act One
All the Way
Casa Valentina
Mothers and Sons
Outside Mullingar

Best Revival of a Musical
Hedwig and the Angry Inch
Les Miserables
Violet

Best Revival of a Play
The Cripple of Inishmaan
The Glass Menagerie
A Raisin in the Sun
Twelfth Night

Best Performance by an Actor in a Leading Role in a Musical
Neil Patrick Harris, Hedwig and the Angry Inch
Ramin Karimloo, Les Miserables
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love and Murder
Bryce Pinkham, A Gentleman’s Guide to Love and Murder

Best Performance by an Actress in a Leading Role in a Musical
Mary Bridget Davies, A Night with Janis Joplin
Sutton Foster, Violet
Idina Menzel, If/Then
Jesse Mueller, Beautiful – The Carole King Musical
Kelly O’Hara, The Bridges of Madison County

Best Performance by an Actor in a Leading Role in a Play
Samuel Barnett, Twelfth Night
Bryan Cranston, All the Way
Chris O’Dowd, Of Mice and Men
Mark Rylance, Richard III
Tony Shalhoub, Act One

Best Performance by an Actress in a Leading Role in a Play
Tyne Daly, Mothers and Sons
LaTanya Richardson Jackson, A Raisin in the Sun
Cherry Jones, The Glass Menagerie
Audra McDonald, Lady Day at Emerson’s Bar & Grill
Estelle Parsons, The Velocity of Autumn

Best Performance by an Actor in a Featured Role in a Musical
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Jarrod Spector, Beautiful – The Carole King Musical

Best Performance by an Actress in a Featured Role in a Musical
Linda Emond, Cabaret
Lena Hall, Hedwig and the Angry Inch
Anika Larsen, Beautiful – The Carole King Musical
Adriane Lenox, After Midnight
Lauren Worsham, A Gentleman’s Guide to Love and Murder

Best Performance by an Actor in a Featured Role in a Play
Reed Birney, Casa Valentina
Paul Chahidi, Twelfth Night
Stephen Fry, Twelfth Night
Mark Rylance, Twelfth Night
Brian J. Smith, The Glass Menagerie

Best Performance by an Actress in a Featured Role in a Play
Sarah Greene, The Cripple of Inishmaan
Celia Keenan-Bolger, The Glass Menagerie
Sophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

Best Book of a Musical
Chad Beguelin, Aladdin
Douglas McGrath, Beautiful – The Carole King Musical
Woody Allen, Bullets Over Broadway
Robert L. Friedman, A Gentleman’s Guide to Love and Murder

Best Original Score (Music and/or Lyrics) Written for the Theater
Aladdin (Music: Alan Menkin; Lyrics: Howard Ashman, Tim Rice and Chad Begeulin)
The Bridges of Madison County (Music & Lyrics: Jason Robert Brown)
A Gentleman’s Guide to Love and Murder (Music: Steven Lutvak; Lyrics: Robert L. Freedman and Steven Lutvak)
If/Then (Music: Tom Kitt; Lyrics: Brian Yorkey)

Best Choreography
Warren Carlyle, After Midnight
Steven Hoggett and Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

Best Orchestrations
Doug Besterman, Bullets Over Broadway
Jason Robert Brown, The Bridges of Madison County
Steve Sidwell, Beautiful – The Carole King Musical
Jonathan Tunick, A Gentleman’s Guide to Love and Murder

Best Scenic Design of a Play
Beowulf Boritt, Act One
Bob Crowley, The Glass Menagerie
Es Devlin, Machinal
Christopher Oram, The Cripple of Inishmaan

Best Scenic Design of a Musical
Christopher Barreca, Rocky
Julian Crouch, Hedwig and the Angry Inch
Alexander Dodge, A Gentleman’s Guide to Love and Murder
Santo Loquasto, Bullets Over Broadway

Best Costume Design of a Play
Jane Greenwood, Act One
Michael Krass, Machinal
Rita Ryack, Casa Valentina
Jenny Tiramani, Twelfth Night

Best Costume Design of a Musical
Linda Cho, A Gentleman’s Guide to Love and Murder
William Ivey Long, Bullets Over Broadway
Arianne Philips, Hedwig and the Angry Inch
Isabel Toledo, After Midnight

Best Sound Design of a Play
Alex Baranowski, The Cripple of Inishmaan
Steve Canyon Kennedy, Lady Day at Emerson’s Bar & Grill
Dan Moses Schreier, Act One
Matt Tierney, Machinal

Best Sound Design of a Musical
Peter Hylenski, After Midnight
Tim O’Heir, Hedwig and the Angry Inch
Mick Potter, Les Miserables
Brian Ronan, Beautiful – The Carole King Musical

Best Lighting Design of a Play
Paule Constable, The Cripple of Inishmaan
Jane Cox, Machinal
Natasha Katz, The Glass Menagerie
Japhy Wideman, Of Mice and Men

Best Lighting Design of a Musical
Kevin Adams, Hedwig and the Angry Inch
Christopher Akerlind, Rocky
Howell Binkley, After Midnight
Donald Holder, The Bridges of Madison County

Best Direction of a Play
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
Kenny Leon, A Raisin in the Sun
John Tiffany, The Glass Menagerie

Best Direction of a Musical
Warren Carlyle, After Midnight
Michael Mayer, Hedwig and the Angry Inch
Leigh Silverman, Violet
Darko Tresnjak, A Gentleman’s Guide to Love and Murder

Special Tony Award for Lifetime Achievement in the Theatre
Jane Greenwood

Regional Theatre Award
Signature Theatre

Isabelle Stevenson Award
Rosie O’Donnell

Tony Honors for Excellence in the Theatre
Joseph P. Benincasa
Joan Marcus
Charlotte Wilcox

AWARDS SEASON 2014: Drama Desk Award Nominees

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Nominations for the 2014 Annual Drama Desk Awards were announced April 25 at 54 Below by Robert Lopez and Kristen Anderson-Lopez and Fran Drescher.

Awards Announced: June 1, Hosted by Laura Benanti

Follow all of the awards coverage as we live blog, tweet, facebook or view a summary of all things awards at The Broadway Musical Home.

Here are all the nominees:

Outstanding Play
Nell Benjamin, The Explorers Club
Steven Levenson, Core Values
Conor McPherson, The Night Alive
Richard Nelson, Regular Singing
Bruce Norris, Domesticated
Robert Schenkkan, All The Way
John Patrick Shanley, Outside Mullingar

Outstanding Musical
A Gentleman’s Guide to Love and Murder
Aladdin
Beautiful: The Carole King Musical
Fun Home
Love’s Labour’s Lost
Rocky
The Bridges of Madison County

Outstanding Revival of a Play
I Remember Mama
London Wall
No Man’s Land
Of Mice and Men
The Cripple of Inishmaan
The Model Apartment
Twelfth Night (Shakespeare’s Globe Production)

Outstanding Revival of a Musical
Hedwig and the Angry Inch
Les Misérables
Violet

Outstanding Actor in a Play
Bryan Cranston, All The Way
Hamish Linklater, The Comedy of Errors
Ian McKellen, No Man’s Land
David Morse, The Unavoidable Disappearance of Tom Durnin
Chris O’Dowd, Of Mice and Men
Daniel Radcliffe, The Cripple of Inishmaan
Denzel Washington, A Raisin in the Sun

Outstanding Actress in a Play
Barbara Andres, I Remember Mama
Tyne Daly, Mothers and Sons
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Laurie Metcalf, Domesticated
J. Smith-Cameron, Juno and the Paycock
Harriet Walter, Julius Caesar

Outstanding Actor in a Musical
Neil Patrick Harris, Hedwig and the Angry Inch
Adam Jacobs, Aladdin
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love and Murder
Steven Pasquale, The Bridges of Madison County
Bryce Pinkham, A Gentleman’s Guide to Love and Murder

Outstanding Actress in a Musical
Sutton Foster, Violet
Idina Menzel, If/Then
Jessie Mueller, Beautiful: The Carole King Musical
Kelli O’Hara, The Bridges of Madison County
Margo Seibert, Tamar of the River
Barrett Wilbert Weed, Heathers: The Musical

Outstanding Featured Actor in a Play
Reed Birney, Casa Valentina
Chuck Cooper, Choir Boy
Peter Maloney, Outside Mullingar
Bobby Moreno, Year of the Rooster
Bill Pullman, The Jacksonian
Brian J. Smith, The Glass Menagerie

Outstanding Featured Actress in a Play
Betty Buckley, The Old Friends
Julia Coffey, London Wall
Diane Davis, The Model Apartment
Celia Keenan-Bolger, The Glass Menagerie
Jan Maxwell, The Castle
Sophie Okonedo, A Raisin in the Sun

Outstanding Featured Actor in a Musical
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway: The Musical
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Rory O’Malley, Nobody Loves You
Bobby Steggert, Big Fish

Outstanding Featured Actress in a Musical
Stephanie J. Block, Little Miss Sunshine
Anika Larsen, Beautiful: The Carole King Musical
Adriane Lenox, After Midnight
Sydney Lucas, Fun Home
Laura Osnes, The Threepenny Opera
Jennifer Simard, Disaster!
Lauren Worsham, A Gentleman’s Guide to Love and Murder

Outstanding Director of a Play
Joe Calarco, A Christmas Carol
Tim Carroll, Twelfth Night
Thomas Kail, Family Furniture
Bill Rauch, All The Way
Anna D. Shapiro, Domesticated
Julie Taymor, A Midsummer Night’s Dream

Outstanding Director of a Musical
Sam Gold, Fun Home
Michael Mayer, Hedwig and the Angry Inch
Bartlett Sher, The Bridges of Madison County
Susan Stroman, Bullets Over Broadway: The Musical
Alex Timbers, Rocky
Darko Tresnjak, A Gentleman’s Guide to Love and Murder

Outstanding Choreography
Warren Carlyle, After Midnight
Steven Hoggett, Kelly Devine, Rocky
Danny Mefford, Love’s Labour’s Lost
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway: The Musical
Sonya Tayeh, Kung Fu

Outstanding Music
Jason Robert Brown, The Bridges of Madison County
Andrew Lippa, Big Fish
Steven Lutvak, A Gentleman’s Guide to Love and Murder
Alan Menken, Aladdin
Kevin Murphy and Laurence O’Keefe, Heathers: The Musical
Jeanine Tesori, Fun Home

Outstanding Lyrics
Howard Ashman, Tim Rice, and Chad Beguelin, Aladdin
Jason Robert Brown, The Bridges of Madison County
Robert L. Freedman and Steven Lutvak, A Gentleman’s Guide to Love and Murder
Michael Friedman, Love’s Labour’s Lost
Michael Korie, Far from Heaven
Lisa Kron, Fun Home

Outstanding Book of a Musical
Chad Beguelin, Aladdin
Robert L. Freedman, A Gentleman’s Guide to Love and Murder
Joe Kinosian and Kellen Blair, Murder for Two
Lisa Kron, Fun Home
Douglas McGrath, Beautiful: The Carole King Musical
Marsha Norman, The Bridges of Madison County

Outstanding Orchestrations
Jason Robert Brown, The Bridges of Madison County
John Clancy, Fun Home
Larry Hochman, Big Fish
Steve Sidwell, Beautiful: The Carole King Musical
Michael Starobin, If/Then
Jonathan Tunick, A Gentleman’s Guide to Love and Murder

Outstanding Music in a Play
Lewis Flinn, The Tribute Artist
Elliot Goldenthal, A Midsummer Night’s Dream
Rob Kearns, The Life and Sort of Death of Eric Argyle
Tom Kochan, Almost, Maine
Nico Muhly, The Glass Menagerie
Duncan Sheik, A Man’s a Man

Outstanding Revue
After Midnight
I’m a Stranger Here Myself: Musik from the Weimar and Beyond
Le Jazz Hot: How the French Saved Jazz
Til Divorce Do Us Part
What’s It All About? Bacharach Reimagined

Outstanding Set Design
Christopher Barreca, Rocky
Alexander Dodge, A Gentleman’s Guide to Love and Murder
Richard Hoover, Small Engine Repair
Santo Loquasto, Bullets Over Broadway: The Musical
Ian MacNeil, A Doll’s House
Donyale Werle, The Explorers Club

Outstanding Costume Design
Constance Hoffman, A Midsummer Night’s Dream
William Ivey Long, Bullets Over Broadway: The Musical
Zane Pihlstrom, Nutcracker Rouge
Loren Shaw, The Mysteries
Jenny Tiramani, Twelfth Night
David C. Woolard, The Heir Apparent

Outstanding Lighting Design
Christopher Akerlind, Rocky
Jane Cox, Machinal
David Lander, The Civil War
Peter Mumford, King Lear
Brian Tovar, Tamar of the River
Japhy Weideman, Macbeth

Outstanding Projection Design
Robert Massicotte and Alexis Laurence, Cirkopolis
Sven Ortel, A Midsummer Night’s Dream
Aaron Rhyne, A Gentleman’s Guide to Love and Murder
Shawn Sagady, All The Way
Austin Switser, Sontag: Reborn Ben Rubin, Arguendo

Outstanding Sound Design in a Musical
Kai Harada, Fun Home
Peter Hylenski, Bullets Over Broadway: The Musical
Peter Hylenski, Rocky
Brian Ronan, Beautiful: The Carole King Musical
Dan Moses Schreier, A Gentleman’s Guide to Love and Murder
Jon Weston, The Bridges of Madison County

Outstanding Sound Design in a Play
M.L. Dogg, The Open House
Katie Down, The Golden Dragon
Paul James Prendergast, All The Way
Dan Moses Schreier, Act One
Christopher Shutt, Love and Information
Matt Tierney, Machinal

Outstanding Solo Performance
David Barlow, This is My Office
Jim Brochu, Character Man
Hannah Cabell, Grounded
Debra Jo Rupp, Becoming Dr. Ruth
Ruben Santiago-Hudson, August Wilson’s How I Learned What I Learned
John Douglas Thompson, Satchmo at the Waldorf

Unique Theatrical Experience
Charlatan Cirkopolis
Mother Africa
Nothing to Hide
Nutcracker Rouge
The Complete and Condensed Stage Directions of Eugene O’Neill Vol. 2

Special Awards:

Soho Rep: For nearly four decades of artistic distinction, innovative production, and provocative play selection.

Veanne Cox: For her ability to express the eccentricities, strengths, and vulnerabilities of a range of characters, and notably for her comedic flair as evidenced in this season’s The Old Friends and The Most Deserving.

Ed Sylvanus Iskandar, the Sam Norkin Off-Broadway Award: For his visionary directorial excellence. This season’s The Golden Dragon and The Mysteries exemplify his bold and strikingly original imagination.

To the ensembles of Off-Broadway’s The Open House and Broadway’s The Realistic Joneses and to the creator of both plays, Will Eno: For two extraordinary casts and one impressively inventive playwright.

The Open House: Hannah Bos, Michael Countryman, Peter Friedman Danny McCarthy, and Carolyn McCormick

The Realistic Joneses: Toni Collette, Michael C. Hall, Tracy Letts and Marisa Tomei

A few notes from the Drama Desk: As the current revival of Cabaret replicates the 1998 production, the Board deemed the show ineligible in the Outstanding Revival of a Musical category, as were performers, creative team members, and technical personnel associated with the earlier incarnation in their respective categories. Soul Doctor was considered for its Off-Broadway production in the 2012-13 season. Under Drama Desk rules, only new elements in its transfer to Broadway were eligible this season. Finally, Billy Crystal’s 700 Sundays was deemed ineligible because it was a return engagement of the 2005 Drama Desk winning show.

The Reviews for Cabaret are In…

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Cabaret has opened in Studio 54, and while the decadent, pre-World War II, night club musical is enjoyed highly by all, most critics needed to pinch themselves to make sure they hadn’t traveled back in time to 1998.  The Roundabout Theater Company production that won such praise the first time around is back and almost entirely unchanged — if you missed it in then, now is your chance to see what all the fuss is/was about!  Alan Cumming returns to play the Emcee, a role for which he won a Tony in 1998, and his performance is every bit as delicious this go around.  Other highlights include the awesome onstage band and the 360-degree design of the Kit Kat Klub setting.  If you didn’t see this production over a decade ago, head to Studio 54. Even if you did see this production over a decade ago, head to Studio 54 — ten years is a long time and you could always use more Cabaret.

NEW YORK TIMES

“Hot diggity dachshund, it’s old home week on the campus at Weimar Berlin, otherwise known as the Kit Kat Klub. And if we take off our glasses and squint, we can pretend that life is just as divinely, dangerously decadent as it was when we were all 16 years younger. Why, here’s that adorably creepy M.C., a little softer around the jaw, maybe (aren’t we all?), but still such a cutup. Look at him pretending to have sex with the school slut. (Or one of them; there were so many.) And isn’t that Sally Bowles over there in the pink boa? Looking good, Sal; love the platinum bob. But why so uptight? Don’t forget what you always said: “Life is … .” Uh, what was it you said again? A little more than 16 years after it first opened, and only a decade after it closed, it feels as if the popular Roundabout Theater Company production of Cabaret never left Studio 54, where it reopened on Thursday night.”

Read the Full Review

TIME OUT NEW YORK

Cabaret is on Broadway again: Willkommen home, you magnificent beast. Originally staged in 1966, then brought to a sordid cinematic life in Bob Fosse’s (heavily adapted) 1972 film, the Kander and Ebb classic was revived and reconfigured anew in Roundabout Theatre Company’s triumphant 1998 account. Now that version has returned with its original star: the supreme Alan Cumming as the Emcee of the Kit Kat Klub, a decadent nightclub in Berlin’s Weimar period. Why so soon? A better question might be: Why not? This Cabaret is a superb production of one of the great Broadway musicals of all time—an exhilarating, harrowing masterpiece.”

Read the Full Review

NBC NEW YORK

“Theatergoers walking into Studio 54 for the now-opened revival of Cabaret might be struck with a case of déjà vu. That’s because the Roundabout Theatre Company has produced an exact restaging of Sam Mendes and Rob Marshall’s 1998 Tony-winning production. From the Playbill cover design to the fringe on the lamps of the tables of the Kit Kat Klub, you’ll feel as if you’ve stepped into a time machine. That’s not necessarily a bad thing. There’s a reason the ‘98 revival was such a big hit, after all. Mendes and Marshall had reimagined John Kander and Fred Ebb’s classic musical, stripping away any glitz and glamor leftover from the 1972 film. Together with book writer Joe Masteroff, they gave us a dark, gritty take on Cabaret that amped up the asexual undertones in John Van Druten’s original play and Christopher Isherwood’s stories, forcing us to see the material in a whole new light.”

Read the Full Review

VARIETY

“Alan Cumming must have sold his soul to the devil to acquire his divinely debauched persona as the Emcee of the Kit Kat Klub in Cabaret. It seemed nuts, but proved shrewd of Sam Mendes and Rob Marshall to retool their dazzling 1998 revival of the Kander and Ebb masterpiece, fit Cumming with a new trenchcoat for his triumphant return, and bring the decadent netherworld of 1920s Berlin back to Studio 54, the revival’s ideal venue. Inspiration flagged, however, in casting Michelle Williams, so soft and vulnerable in My Week With Marilyn, as wild and reckless party girl Sally Bowles. Smoking is verboten at Studio 54. The wait staff is not as scantily clad as the louche boys and girls at the Kit Kat Klub. The patrons aren’t even doing lines on the tables. But other aspects of this infamous club’s setting — the glitzy design of the house, the cabaret seating and drinks service, and the superb audio system for the fantastic onstage band — contribute to the show’s illusion that going out clubbing can still mean living dangerously.”

Read the Full Review

ASSOCIATED PRESS

“Barely sneaking in under the Tony Award nomination deadline this season is a dear old friend to Broadway, the decadent Cabaret. The only appropriate salutation is: willkommen. Not a revival so much as a revival of a revival, this Cabaret — again produced by the Roundabout Theatre Company — opened Thursday night, with only hours to spare before its eligibility expired. Whatever it’s called, it’s as thrilling as ever, a marvel of staging that hasn’t lost its punch. If it looks a lot like the version that ran from 1998-2004, that’s understandable: Alan Cumming is back in his Tony Award-winning role as Emcee and director Sam Mendes and co-director and choreographer Rob Marshall are again pulling the strings on this show about life in pre-World War II Berlin. Orchestrations and costumes — what little there are — also are the same.”

Read the Full Review

HUFFINGTON POST

“Sometimes the melancholy metaphor that claims “You can’t go home again” comes to mind unexpectedly. I’m sorry to say it has too recently occurred to me. It happened at the Studio 54 revival of the 1998 Cabaret so beautifully engineered then by Sam Mendes, Rob Marshall and Cynthia Onrubia. That’s the one that introduced the extraordinary Alan Cumming (also currently Eli Gold on The Good Wife) to Broadway. Let me quickly specify that Cumming, repeating the role that brought him a Tony 16 years ago, is every juicy leer as good now as he was then in his role of the deliciously decadent compere at the Third Reich’s Kit Kat Klub in Berlin, where, we’re assured, life is beautiful and the girls are beautiful. A decade and a half later, he uses the intervening years to supply the slinky fellow with a hint of the weariness that descends after cajoling too many patrons to cheer up over too many cheerless nights.”

Read the Full Review

AWARDS SEASON 2014: Drama League Awards Nominees

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Judith Light and Christopher Sieber announced the Drama League Award nominees this morning. The full list of nominees appears below.

Awards Announced: May 16 at 11:30 AM, hosted by Jesse Tyler Ferguson

Follow all of the awards coverage as we live blog,tweetfacebook or view a summary of all things awards at The Broadway Musical Home.

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY PLAY
All That Fall
All The Way
Casa Valentina
Domesticated
Mothers and Sons
Mr. Burns, A Post-Electric Play
The Open House
The Realistic Joneses

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful: The Carole King Musical
The Bridges of Madison County
Bullets Over Broadway
Fun Home
A Gentleman’s Guide To Love And Murder
Murder For Two
Rocky

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY PLAY
The Cripple of Inishmaan
The Glass Menagerie
Good Person of Szechwan
The Mutilated
Of  Mice and Men
A Raisin in the Sun
Twelfth Night, or What You Will
Waiting For Godot

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY MUSICAL
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar and Grill
Les Misérables
Violet

DISTINGUISHED PERFORMANCE AWARD
Reed Birney, Casa Valentina
Steven Boyer, Hand to God
Zach Braff, Bullets Over Broadway
Arnie Burton, The Mystery of Irma Vep
Michael Cerveris, Fun Home
Nick Cordero, Bullets Over Broadway
Bryan Cranston, All the Way
Alan Cumming, Cabaret
Tyne Daly, Mothers and Sons
Mary Bridget Davies, A Night With Janis Joplin
Gabriel Ebert, Casa Valentina
Carson Elrod, The Heir Apparent
Jesse Tyler Ferguson, The Comedy of Errors
Sutton Foster, Violet
James Franco, Of Mice and Men
Peter Friedman, The Open House
Michael C. Hall, The Realistic Joneses
Lena Hall, Hedwig and the Angry Inch
Neil Patrick Harris, Hedwig and the Angry Inch
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
LaTanya Richardson Jackson, A Raisin in the Sun
Ramin Karimloo, Les Misérables
Andy Karl, Rocky
Adriane Lenox, After Midnight
Tracy Letts, The Realistic Joneses
Zachary Levi, First Date
Sydney Lucas, Fun Home
Taylor Mac, Good Person of Szechwan
Jefferson Mays, A Gentleman’s Guide To Love And Murder
Idina Menzel, If/Then
Laurie Metcalf, Domesticated
Jessie Mueller, Beautiful: The Carole King Musical
Chris O’Dowd, Of Mice and Men
Kelli O’Hara, The Bridges of Madison County
Estelle Parsons, The Velocity of Autumn
Steven Pasquale, The Bridges of Madison County
Jeremy Pope, Choir Boy
Zachary Quinto, The Glass Menagerie
Daniel Radcliffe, The Cripple of Inishmaan
Ruben Santiago-Hudson, How I Learned What I Learned
Margo Seibert, Rocky
Robert Sella, The Mystery of Irma Vep
Tony Shalhoub, Act One
Jennifer Simard, Disaster!
Brian J. Smith, The Glass Menagerie
Patrick Stewart, Waiting for Godot
John Douglas Thompson, Satchmo at the Waldorf
Denzel Washington, A Raisin in the Sun
Michelle Williams, Cabaret

The Drama League also wishes to acknowledge the previous recipients of the Distinguished Performance Award who appeared in New York productions this season.  As the Award can only be won once in a performer’s lifetime, they are ineligible this season.  Their exemplary work, however, is recognized and applauded.

Eileen Atkins, All That Fall
Norbert Leo Butz, Big Fish
Kathleen Chalfant, Somewhere Fun/Tales From Red Vienna
Cherry Jones, The Glass Menagerie
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Ian McKellen, Waiting For Godot/No Man’s Land
Frank Langella, King Lear
Mary-Louise Parker, The Snow Geese
Mark Rylance, Twelfth Night, Or What You Will/Richard III

DISTINGUISHED ACHIEVEMENT IN MUSICAL THEATRE
Barbara Cook in recognition of her contribution to the musical theatre.

UNIQUE CONTRIBUTION TO THE THEATRE
Key Brand Entertainment/Broadway Across America for their vital work of bringing New York productions to theaters across America.

FOUNDERS AWARD FOR EXCELLENCE IN DIRECTING
John Tiffany

PLEASE NOTE: The Roundabout Theatre Company production of Cabaret received The Drama League’s Outstanding Revival of a Musical Award in 1998, during its original engagement.  Therefore, it is ineligible for a production nomination this season.  However, it was determined that the cast of the production would be eligible for consideration.

The Reviews for Hedwig and the Angry Inch are In…

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And now for something completely different!  The reviewers give the Broadway premier of Hedwig and the Angry Inch two emphatic rock ‘n roll horns and one long, outstretched Gene Simmons tongue.  Neil Patrick Harris owns the central role in this hard rock musical about the gender-mysterious lead singer of a German rock band.  His charisma, confidence, and showmanship match the energy of the ultra-crazy tech effects and his adept handling of struggles balances a personality to which almost no one is similar but everyone can relate.  The John Cameron Mitchell and Stephen Trask musical plays at the Belasco Theatre and is nirvana for those seeking a Broadway night out of a totally different (and much more hard rockin’ and glitter-laden) variety.

NEW YORK TIMES

“Do not be alarmed by recent reports that Neil Patrick Harris, an irresistibly wholesome television presence, has fallen deeply and helplessly into the gap that separates men from women, East from West, and celebrity from notoriety. There’s no need to fear for his safety, much less his identity. Quite the contrary. Playing an “internationally ignored song stylist” of undefinable gender in Hedwig and the Angry Inch, Mr. Harris is in full command of who he is and, most excitingly, what he has become with this performance. That’s a bona fide Broadway star, the kind who can rule an audience with the blink of a sequined eyelid.”

Read the Full Review

TIME OUT NEW YORK

“The omnitalented Neil Patrick Harris plays the titular crotch-botched German rock singer in the first Broadway production of John Cameron Mitchell and Stephen Trask’s genre-bending 1998 rock musical. Transitioning from child star to adult gay icon, sitcom prince and social-media wizard, Neil Patrick Harris always seemed to be a cultural rock star. But in his latest reinvention, it turns out that the actor is, y’know, an actual rock star. As the imperious, spurned, fright-bewigged, sweaty glitterbomb at the heart of Hedwig and the Angry Inch, Harris makes Broadway rock harder than it ever has before.”

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NBC NEW YORK

“If David Belasco’s ghost really does haunt the balcony of his namesake theater off Sixth Avenue, as Neil Patrick Harris declares at the start of Hedwig and the Angry Inch, he is, by now, both deaf and blind. That’s not such a bad thing. If you’ve gotta lose two key senses, I can think of no more auspicious way to bid them auf wiedersehen than via the 95-minute stretch of ear-splitting rock and aggressive strobe-lighting that is the new take on Hedwig, the John Cameron Mitchell and Stephen Trask musical about a rock-and-roll band fronted by an East German singer disfigured in a botched sex change operation.”

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VARIETY

“The screaming starts when a bespangled Neil Patrick Harris parachutes onstage in Hedwig and the Angry Inch and doesn’t stop until he’s back in his dressing room. That’s the kind of rock-star performance he gives in this spectacular revival — helmed with fabulous flash by Michael Mayer — of the 1998 musical (and later movie) by John Cameron Mitchell (book) and Stephen Trask (music & lyrics). Harris’ Hedwig is an imperfectly transformed transvestite who grew up in East Berlin before the wall came down, resplendent in the punk drag of a nihilistic rocker but still concealing a heap of hurt under her wig.”

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AM NEW YORK

“Neil Patrick Harris, who appeared on Broadway three times before being scooped up by How I Met Your Mother for nine years, still managed to maintain a regular presence in the theater by hosting the Tony Awards no less than four times. Now that his long-running sitcom has ended, not only is Harris back onstage, he is tackling one of the most outsized, flamboyant and intense musical theater roles ever created in the first Broadway staging of Hedwig and the Angry Inch.”

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ASSOCIATED PRESS

“It’s obvious from the first moments of Hedwig and the Angry Inch that star Neil Patrick Harris is doing something special. And it’s not just trying on a new role. He is lowered to the stage in a jumpsuit and ferociously feathered blond wig and immediately begins the show’s first rock-punk song, getting down on all fours, grinding into the microphone stand or licking the guitarist’s strings. The crowd inside of the Belasco Theatre, where the show opened Tuesday, loses its mind, and why not? “Thank you! Thank you, you’re so sweet,” Harris says. “I do love a warm hand on my entrance.””

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AWARDS SEASON 2014: Outer Critics Circle Awards Nominees

occ

Cecily Tyson and Vanessa Williams announced the The Outer Critics Circle Award nominees this morning. Topping the list is A Gentleman’s Guide to Love and Murder with 11 nominations, followed by Aladdin with eight and Rocky with six. The full list of nominees appears below.

Awards Announced: May 13
Awards Dinner: May 22

Follow all of the awards coverage as we live blog, tweet, facebook or view a summary of all things awards at The Broadway Musical Home.

OUTSTANDING NEW BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful – The Carole King Musical
A Gentleman’s Guide to Love & Murder
Rocky

OUTSTANDING NEW BROADWAY PLAY
Act One
All the Way
Casa Valentina
Outside Mullingar
The Realistic Joneses

OUTSTANDING NEW OFF-BROADWAY MUSICAL
Far From Heaven
Fun Home
Murder for Two
Storyville
What’s It All About? Bacharach Reimagined

OUTSTANDING NEW OFF-BROADWAY PLAY
Appropriate
Choir Boy
The Explorer’s Club
The Heir Apparent
Stage Kiss

OUTSTANDING BOOK OF A MUSICAL (Broadway or Off-Broadway)
Aladdin
Beautiful – The Carole King Musical
Fun Home
A Gentleman’s Guide to Love & Murder
Rocky

OUTSTANDING NEW SCORE (Broadway or Off-Broadway)
Aladdin
The Bridges of Madison County
Fun Home
A Gentleman’s Guide to Love & Murder
If/Then

OUTSTANDING REVIVAL OF A PLAY (Broadway or Off-Broadway)
The Cripple of Inishmaan
The Glass Menagerie
Machinal
Twelfth Night
The Winslow Boy

OUTSTANDING REVIVAL OF A MUSICAL (Broadway or Off-Broadway)
Cabaret
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar & Grill
Les Misérables
Violet

OUTSTANDING DIRECTOR OF A PLAY
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
Lindsay Posner, The Winslow Boy
Bill Rauch, All the Way
Lyndsey Turner, Machinal

OUTSTANDING DIRECTOR OF A MUSICAL
Warren Carlyle, After Midnight
Laurence Connor & James Powell, Les Misérables
Sam Gold, Fun Home
Alex Timbers, Rocky
Darko Tresnjak, A Gentleman’s Guide to Love & Murder

OUTSTANDING CHOREOGRAPHER
Warren Carlyle, After Midnight
Peggy Hickey, A Gentleman’s Guide to Love & Murder
Steven Hoggett & Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

OUTSTANDING SET DESIGN (Play or Musical)
Christopher Barreca, Rocky
Beowulf Boritt, Act One
Bob Crowley, Aladdin
Es Devlin, Machinal
Alexander Dodge, A Gentleman’s Guide to Love & Murder

OUTSTANDING COSTUME DESIGN (Play or Musical)
Gregg Barnes, Aladdin
Linda Cho, A Gentleman’s Guide to Love & Murder
William Ivey Long, Bullets Over Broadway
Jenny Tiramani, Twelfth Night
Isabel Toledo, After Midnight

OUTSTANDING LIGHTING DESIGN (Play or Musical)
Kevin Adams, Hedwig and the Angry Inch
Howell Binkley, After Midnight
Paule Constable, Les Misérables
Natasha Katz, Aladdin
Philip S. Rosenberg, A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTOR IN A PLAY
Bryan Cranston, All the Way
Ian McKellen, No Man’s Land
Brían F. O’Byrne, Outside Mullingar
Mark Rylance, Twelfth Night
Tony Shalhoub, Act One

OUTSTANDING ACTRESS IN A PLAY
Tyne Daly, Mothers and Sons
Rebecca Hall, Machinal
Jessica Hecht, Stage Kiss
Cherry Jones, The Glass Menagerie
Estelle Parsons, The Velocity of Autumn

OUTSTANDING ACTOR IN A MUSICAL
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love & Murder
Bryce Pinkham, A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTRESS IN A MUSICAL
Sutton Foster, Violet
Audra McDonald, Lady Day at Emerson’s Bar & Grill
Jessie Mueller, Beautiful – The Carole King Musical
Kelli O’Hara, The Bridges of Madison County
Michelle Williams, Cabaret

OUTSTANDING FEATURED ACTOR IN A PLAY
Paul Chahidi, Twelfth Night
Michael Cyril Creighton, Stage Kiss
John McMartin, All the Way
Alessandro Nivola, The Winslow Boy
Brian J. Smith, The Glass Menagerie

OUTSTANDING FEATURED ACTRESS IN A PLAY
Barbara Barrie, I Remember Mama
Andrea Martin, Act One
Sophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

OUTSTANDING FEATURED ACTOR IN A MUSICAL
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Jarrod Specter, Beautiful – The Carole King Musical

OUTSTANDING FEATURED ACTRESS IN A MUSICAL
Judy Kuhn, Fun Home
Anika Larsen, Beautiful – The Carole King Musical
Sydney Lucas, Fun Home
Marin Mazzie, Bullets Over Broadway
Lisa O’Hare, A Gentleman’s Guide to Love & Murder

OUTSTANDING SOLO PERFORMANCE
Jim Brochu, Character Man
Debra Jo Rupp, Becoming Dr. Ruth
Ruben Santiago-Hudson, How I Learned What I Learned
Alexandra Silber, Arlington
John Douglas Thompson, Satchmo at the Waldorf

JOHN GASSNER AWARD (Presented for an American play)
Scott Z. Burns, The Library
Eric Dufault, Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife

The Reviews for Violet are in…

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The reviews are in, and the critics love Violet and Sutton Foster, version 2.0.  In many ways, Violet and Ms. Foster is an unlikely pair — a deeply emotional musical about a farm girl with a disfigured face doesn’t typically call for a twirling, big-grin, big-Broadway star.  In this story, though, Ms. Foster reveals an ability to capture her character from all angles, revealing hope, vulnerability, despair, defensiveness, and what most critics call prickliness. By all accounts she’s captivating.  The Jeanine Tesori and Brian Crawley musical is only made more special by the touching story and songs (influenced by the setting of the American South in 1964).  It’s not glitzy or glamorous, and it certainly doesn’t showcase the Sutton Foster you know, but Violet is unique on Broadway and not a show to be missed without good reason.

NEW YORK TIMES

“When Sutton Foster appears on Broadway, she’s usually boasting a sunbeam smile, flapping away in tap shoes, clowning around amiably and generally behaving like a girl determined to nail the talent competition in a beauty pageant, and maybe take home the Miss Congeniality award, too. But pep-allergic people will not need to steel themselves to see the terrific, heart-stirring revival of Violet, the musical by Jeanine Tesori and Brian Crawley that opened at the American Airlines Theater on Sunday night, starring Ms. Foster in a career-redefining performance. Portraying a young woman from North Carolina desperately hoping an evangelist can pray away the deep scar on her face, Ms. Foster moves into thornier territory than she has occupied before in frothy musicals like Thoroughly Modern MillieThe Drowsy Chaperone and the recent revival of Anything Goes. By the show’s conclusion, her familiar megawatt grin has been unfurled, but the journey to sunrise on this occasion allows Ms. Foster to reveal the full range of her expressive gifts as a musical theater performer. She dazzles with the bright sheen of her voice, yes, and slings wry jokes with the ease of a diner waitress slapping down plates of eggs and grits. But she also brings a prickly emotional intensity to the moving story of a woman grappling with shame, self-delusion and the fear that a deformity will forever leave her standing alone outside the circle of humanity. “

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TIME OUT NEW YORK

“It took 17 years, but Jeanine Tesori’s beloved musical about a woman with a facial deformity journeying through the 1960s South has made it to Broadway. Featuring the formidable talents of Sutton Foster and Colin Donnell (Anything Goes) and Joshua Henry (The Scottsboro Boys), this bittersweet period piece is directed by Leigh Silverman (Kung Fu). Adapted from Doris Betts’s short story The Ugliest Pilgrim, Jeanine Tesori and Brian Crawley’s 1997 musical follows the spiky title character on her trek to an Oklahoma faith healer who, she hopes, will remove the grotesque facial scar (invisible to us) that she received from an ax wound years before. It’s the darkest and richest role Foster has played, and she swings with marvelous speed from defensive prickliness to poignant hope.”

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NBC NEW YORK

“Those expecting to see Sutton Foster belting and tap-dancing her way through her latest Broadway leading-role should be warned: the 39-year-old actress, who won Tonys for her turns in Thoroughly Modern Millie and Anything Goes, provides a restrained, intricate performance inViolet, the Jeanine Tesori-Brian Crawley musical now open at the American Airlines Theatre. It’s a startling turn from the Foster we’re used to seeing, but one that will transfix you all the same. Stripped of any glitzy costumes, wigs or makeup, Foster stands on stage in a plain sundress, her hair uncombed and pushed behind her ears, and breaths life into a complicated, flawed, hopeful character. You’ll feel as though you’re witnessing a star being reborn, 18 years into her career.”

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HOLLYWOOD REPORTER

“Broad strokes and big effects often appear to be the default setting for Broadway musicals, so it’s always refreshing to see a modestly scaled show in which the cast and creative team trust in the value of emotional intimacy. Driven by a performance of incandescent yearning from Sutton Foster that’s all the more moving for its restraint, Violet is a delicate wildflower, craning toward the sun. Director Leigh Silverman’s spirited yet sensitive production of Jeanine Tesori and Brian Crawley’s country, bluegrass and gospel-flavored 1997 musical makes this poignant story of a facially disfigured farm girl’s journey to self-acceptance genuinely uplifting. The revival was hatched out of a one-night-only concert event last summer that drew love-letter reviews for Foster, a triple-threat Broadway baby seen here in a subdued mode. While the production retains a stripped-down feel, Roundabout Theatre Company has given it dimensions that are a perfect fit for the material, set in September 1964 in the American South.”

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ASSOCIATED PRESS

“Some musicals are big and brassy, calling out for attention with their razzle-dazzle and sassy sets. Others are more demure, letting their simple beauty shine. How appropriate then that a show about inner loveliness chose the latter path. Violet, which opened Sunday at the American Airlines Theatre, makes a Broadway debut with just a few chairs, a simple bed, no big costume changes and a score so rich and sublime that you’ll hardly notice anything is missing.”

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