The Broadway Musical Blog – Musical theater news and gossip from the Great White Way

Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for La Cage aux Folles

The 2010 Outer Critics Circle Award Winners

The first award-winners of the season have been announced. There were a couple of big surprises, including the big win for Memphis in the Outstanding New Musical category. The committee also decided on ties for Outstanding Off-Broadway Musical, Outstanding Actress in a Musical and Outstanding Choreography. What do you think of their selections?

Outstanding New Broadway Musical
Memphis

Outstanding New Off-Broadway Musical
Bloody Bloody Andrew Jackson
AND
The Scottsboro Boys

Outstanding New Score (Broadway or Off-Broadway)
Memphis

Outstanding Revival of a Musical (Broadway or Off-Broadway)
La Cage aux Folles

Outstanding Director of a Musical
Terry Johnson, La Cage aux Folles

Outstanding Choreographer
Bill T. Jones, Fela!
AND
Sergio Trujillo, Memphis

Outstanding Set Design (Play or Musical)
Phelim McDermott & Julian Crouch, The Addams Family

Outstanding Costume Design (Play or Musical)
Matthew Wright, La Cage aux Folles

Outstanding Lighting Design (Play or Musical)
Kevin Adams, American Idiot

Outstanding Actor in a Musical
Douglas Hodge, La Cage aux Folles

Outstanding Actress in a Musical
Montego Glover, Memphis
AND
Catherine Zeta-Jones, A Little Night Music

Outstanding Featured Actor in a Musical
Levi Kreis, Million Dollar Quartet

Outstanding Featured Actress in a Musical
Katie Finneran, Promises, Promises

View the full list of noiminees

And Finally…The 2010 Tony Award Nominees

The nominees for the big one – the Tony Awards – were announced this morning. The only telecast ceremony of the bunch, these are the awards the average person on the street has heard of and oftentimes have a lot to do with whether a show continues its run for years or closes the next week. We will be announcing the winners live on Twitter and Facebook during the ceremony on Sunday, June 13, so be sure to follow or like us to stay posted and join the conversation. Here are the nominated musicals:

Best Musical
American Idiot
Fela!
Memphis
Million Dollar Quartet

Best Book of a Musical
Dick Scanlan and Sherie Rene Scott, Everyday Rapture
Jim Lewis & Bill T. Jones, Fela!
Joe DiPietro, Memphis
Colin Escott and Floyd Mutrux, Million Dollar Quartet

Best Original Score (Music and/or Lyrics) Written for the Theatre
Andrew Lippa, The Addams Family
Adam Cork and Lucy Prebble, Enron
Branford Marsalis, Fences
Joe DiPietro and David Bryan, Memphis

Best Revival of a Musical
Finian’s Rainbow
La Cage aux Folles
A Little Night Music
Ragtime

Best Performance by a Leading Actor in a Musical
Kelsey Grammer, La Cage aux Folles
Sean Hayes, Promises, Promises
Douglas Hodge, La Cage aux Folles
Chad Kimball, Memphis
Sahr Ngaujah, Fela!

Best Performance by a Leading Actress in a Musical
Kate Baldwin, Finian’s Rainbow
Sherie Rene Scott, Everyday Rapture
Montego Glover, Memphis
Christiane Noll, Ragtime
Catherine Zeta-Jones, A Little Night Music

Best Performance by a Featured Actor in a Musical
Kevin Chamberlin, The Addams Family
Robin De Jesús, La Cage aux Folles
Christopher Fitzgerald, Finian’s Rainbow
Levi Kreis, Million Dollar Quartet
Bobby Steggert, Ragtime

Best Performance by a Featured Actress in a Musical
Barbara Cook, Sondheim on Sondheim
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Karine Plantadit, Come Fly Away
Lillias White, Fela!

Best Direction of a Musical
Christopher Ashley, Memphis
Marcia Milgrom Dodge, Ragtime
Terry Johnson, La Cage aux Folles
Bill T. Jones, Fela!

Best Choreography
Rob Ashford, Promises, Promises
Bill T. Jones, Fela!
Lynne Page, La Cage aux Folles
Twyla Tharp, Come Fly Away

Best Orchestrations
Jason Carr, La Cage aux Folles
Aaron Johnson, Fela!
Jonathan Tunick, Promises, Promises
Daryl Waters & David Bryan, Memphis

Best Scenic Design of a Musical
Marina Draghici, Fela!
Christine Jones, American Idiot
Derek McLane, Ragtime
Tim Shortall, La Cage aux Folles

Best Costume Design of a Musical
Marina Draghici, Fela!
Paul Tazewell, Memphis
Matthew Wright, La Cage aux Folles
Santo Loquasto, Ragtime (Why was this nominee removed?)

Best Lighting Design of a Musical
Kevin Adams, American Idiot
Donald Holder, Ragtime
Nick Richings, La Cage aux Folles
Robert Wierzel, Fela!

Best Sound Design of a Musical
Jonathan Deans, La Cage aux Folles
Robert Kaplowitz, Fela!
Dan Moses Schreier and Gareth Owen, A Little Night Music
Dan Moses Schreier, Sondheim on Sondheim

2010 Drama Desk Award Nominations

As award season continues, another round of announcements are out – these for the coveted Drama Desk Awards, which include Broadway, Off-Broadway and Off-Off-Broadway productions. Without further ado, here are the nominees for the categories that include musicals:

Special Award
Jerry Herman

Outstanding Musical
American Idiot
Everyday Rapture
Memphis
The Addams Family
The Scottsboro Boys
Yank!

Outstanding Revival of a Musical
A Little Night Music
Finian’s Rainbow
La Cage Aux Folles
Promises, Promises
Ragtime

Outstanding Actor in a Musical
Brandon Victor Dixon, The Scottsboro Boys
Douglas Hodge, La Cage Aux Folles
Cheyenne Jackson, Finian’s Rainbow
Chad Kimball, Memphis
Nathan Lane, The Addams Family
Bobby Steggert, Yank!

Outstanding Actress in a Musical
Kate Baldwin, Finian’s Rainbow
Montego Glover, Memphis
Jayne Houdyshell, Coraline
Christiane Noll, Ragtime
Sherie Rene Scott, Everyday Rapture
Catherine Zeta-Jones, A Little Night Music

Outstanding Featured Actor in a Musical
Kevin Chamberlin, The Addams Family
Robin De Jesus, La Cage Aux Folles
Jeffry Denman, Yank!
Christopher Fitzgerald, Finian’s Rainbow
Jeremy Morse, Bloodsong of Love
Bobby Steggert, Ragtime

Outstanding Featured Actress in a Musical
Carolee Carmello, The Addams Family
Carrie Cimma, Lizzie Borden
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Kenita Miller, Langston in Harlem
Terri White, Finian’s Rainbow

Outstanding Choreography
Warren Carlyle, Finian’s Rainbow
Marcia Milgrom Dodge, Ragtime
Lynne Page, La Cage Aux Folles
Susan Stroman, The Scottsboro Boys
Twyla Tharp, Come Fly Away
Sergio Trujillo, Memphis

Outstanding Music
David Bryan, Memphis
Michael Friedman, Bloody Bloody Andrew Jackson
Joe Iconis, Bloodsong of Love
John Kander & Fred Ebb, The Scottsboro Boys
Andrew Lippa, The Addams Family
Joseph Zellnik, Yank!

Outstanding Lyrics
Rick Crom, Newsical The Musical
Kevin Del Aguila, Click, Clack, Moo
John Kander & Fred Ebb, The Scottsboro Boys
Dillie Keane and Adèle Anderson, Fascinating Aïda Absolutely Miraculous!
Andrew Lippa, The Addams Family
David Zellnik, Yank!

Outstanding Book of a Musical
Joe DiPietro, Memphis
Joe Iconis, Bloodsong of Love
Dick Scanlan & Sherie Rene Scott, Everyday Rapture
David Thompson, The Scottsboro Boys
Alex Timbers, Bloody Bloody Andrew Jackson
David Zellnik, Yank!

Outstanding Orchestrations
William David Brohn, Ragtime
Larry Hochman, The Scottsboro Boys
Tom Kitt, American Idiot
Tom Kitt, Everyday Rapture
John Oddo, All About Me
Daryl Waters & David Bryan, Memphis

Outstanding Musical Revue
Fascinating Aïda Absolutely Miraculous!
Million Dollar Quartet
Newsical The Musical
Simon Green: Traveling Light
Sondheim on Sondheim

Outstanding Set Design
Sandra Goldmark, The Boys in the Band
Phelim McDermott, Julian Crouch & Basil Twist, The Addams Family
Derek McLane, Ragtime
Christopher Oram, Red
Jay Rohloff, Underground
Karen Tennent, Hansel and Gretel

Outstanding Costume Design
Antonia Ford-Roberts & Bob Flanagan, The Emperor Jones
Santo Loquasto, Ragtime
Clint Ramos, So Help Me God!
Bobby Frederick Tilley II, Lizzie Borden
Matthew Wright, La Cage Aux Folles
David Zinn, In the Next Room or the vibrator play

Outstanding Lighting Design in a Play
Neil Austin, Hamlet
Neil Austin, Red
Christian M. DeAngelis, Lizzie Borden
Maruti Evans, John Ball’s In the Heat of the Night
Natasha Katz, The Addams Family
Dane Laffrey, The Boys in the Band

Outstanding Sound Design in a Musical
Acme Sound Partners, Ragtime
Jonathan Deans, La Cage Aux Folles
Ashley Hanson, Kurt Eric Fischer & Brian Ronan, Everyday Rapture
Peter Hylenski, The Scottsboro Boys
Scott Lehrer, Finian’s Rainbow
Brian Ronan, Promises, Promises

April News Roundup

An awful lot has happened this month on the Great White Way – numerous shows have opened, squeezing in just in time for award consideration, and there’s been lots of exciting announcements and good old controversy. If you’ve been hiding under a rock, here’s what you’ve missed:

The Addams Family opened to dismal reviews, while the critics ate up the La Cage Aux Folles revival and had mixed things to say about American Idiot, Million Dollar Quartet, Sondheim on Sondheim and Promises, Promises.

Everyday Rapture, the last minute Sherie Rene Scott showcase, opens tomorrow night and released a very fun cast recording pre-opening. The buzz so far is that those who love the woman will adore the production, while others may be left scratching their heads. We’ll see what the critics have to say tomorrow.

There’s quite a break before the next round of shows look to make their way to Broadway. The big official announcements are that Catch Me If You Can, which had an out-of-town-tryout last year in Seattle, is looking at a spring 2011 Broadway opening. However, Jack O’Brien and Jerry Mitchell, who were involved in the Seattle mounting are already tied up in Phantom: Love Never Dies, which was pushed back to the spring in response to Andrew Lloyd Webber’s health problems, so everyone’s wondering which production they’ll stick with.

The other exciting spring openings are How to Succeed in Business Without Really Trying, which will feature Harry Potter star Daniel Radcliffe, The Book of Mormon, from South Park creators Trey Parker and Matt Stone and Avenue Q composer and co-creator Robert Lopez and the Australian/West End transfer of Priscilla, Queen Of The Desert, whose producers are reportedly talking to Matthew Cavanaugh (West Side Story) and Will Swenson (Hair) about joining Tony Sheldon in the production.

The doomed Spider-Man: Turn Off the Dark ran into another hiccup, when it’s only remaining headliner, Alan Cumming, bailed on the production. Originally slotted to open in the fall of last year, then in February of this year, the show now has no official start date or stars, save for the newcomer, Reeve Carney, who Taymor selected to play Spidey…

Plenty of rumors have popped up this month too. Rumor is that Gwyneth Paltrow and her mother Blythe Danner may be taking over for Catherine Zeta Jones and Angela Lansbury in A Little Night Music, when they depart the production in June. And Disney acquired the domain names DumboOnBroadway.com and NewsiesOnBroadway.com. The Post already told us about a potential Dumbo mounting on Broadway, but the Newsies purchase has sparked some positive buzz among our Twitter and Facebook followers.

Another adaptation of film to the stage is officially in the works – as producer Matt Murphy has acquired the stage rights for a musical adaptation of Dances With Wolves. Murphy, who is pulling together a creative team now, is looking to team the composer “with a Native American musical expert to lend authenticity to the score.” And the NFL has invested in their first Broadway show, Lombardi, which will star Dan Lauria (“The Wonder Years”) and is slated to open at Circle in the Square on Oct. 21, 2010.

The biggest controversy this month was that Next to Normal took home the Pulitzer Prize for Drama, even though it was not among the nominees. The board members are reputed to have attended the show the night before making their decision and Charles McNulty of the Los Angeles Times cried foul while others sat wondering “what’s with all the N2N hate?” The show did just recoup its investment – a very exciting achievement that many hope will help producers see they don’t have to rely on Hollywood stars and spectacle to make a success – a good show will get “butts in seats.”

In other award news, nominees for the Outer Critics Circle Awards and Drama League Awards have been announced. The Drama Desk nominees will be out on May 3rd and the Tony Award nominees on May 4th. Here’s when all of the award ceremonies will take place:

Drama League Awards: May 21, 2010
Drama Desk Awards: May 23, 2010
Outer Critics Circle Awards: May 27, 2010
Theatre World Awards: June 8, 2010
Tony Awards: June 13, 2010

Cast albums are out for Everyday Rapture, American Idiot and A Little Night Music and The Addams Family, Fela! and Memphis all recently went into the studio to record their own. The Off-Broadway (and suspected soon-to-transfer-to-Broadway) production of The Scottsboro Boys also ducked into the studio to record an album.

In casting news, Brian d’Arcy James, who originated the role of Dan in Next to Normal‘s original Off-Broadway run, will be rejoining the cast, this time on Broadway.  J. Robert Spencer leaves the show on May 16 and James will start his run in the show the following day.

And the final bit of excitement I’ll leave with you is official confirmation that shooting for the In the Heights movie, directed by Kenny Ortega and starring Lin-Manuel Miranda,  begins this August.

2010 Outer Critics Circle Nominations

Yesterday, Hunter and Sutton Foster announced the nominees for the 60th annual Outer Critics Circle Awards, which honor the best in Broadway and Off-Broadway theatre. Winners will be announced on May 27 here on the blog. Here are this year’s musical theater nominees:

Outstanding New Broadway Musical
American Idiot
Come Fly Away
Fela!
Memphis
Sondheim on Sondheim

Outstanding New Off-Broadway Musical
Bloody Bloody Andrew Jackson
The Scottsboro Boys
Tin Pan Alley Rag
Yank!

Outstanding New Score (Broadway or Off-Broadway)
Bloody Bloody Andrew Jackson
Memphis
The Scottsboro Boys
Yank!

Outstanding Revival of a Musical (Broadway or Off-Broadway)
La Cage aux Folles
Finian’s Rainbow
A Little Night Music
Promises, Promises

Outstanding Director of a Musical
Christopher Ashley, Memphis
Terry Johnson, La Cage aux Folles
Susan Stroman, The Scottsboro Boys
Alex Timbers, Bloody Bloody Andrew Jackson

Outstanding Choreographer
Rob Ashford, Promises, Promises
Bill T. Jones, Fela!
Susan Stroman, The Scottsboro Boys
Sergio Trujillo, Memphis

Outstanding Set Design (Play or Musical)
John Lee Beatty, The Royal Family
Beowulf Boritt, Sondheim on Sondheim
Phelim McDermott & Julian Crouch, The Addams Family
Donyale Werle, Bloody Bloody Andrew Jackson

Outstanding Costume Design (Play or Musical)
Jane Greenwood, Present Laughter
Martin Pakledinaz, Lend Me a Tenor
Matthew Wright, La Cage aux Folles
Catherine Zuber, The Royal Family

Outstanding Lighting Design (Play or Musical)
Kevin Adams, American Idiot
Kevin Adams, The Scottsboro Boys
Ken Billington, Sondheim on Sondheim
Justin Townsend, Bloody Bloody Andrew Jackson

Outstanding Actor in a Musical
Brandon Victor Dixon, The Scottsboro Boys
Sean Hayes, Promises, Promises
Douglas Hodge, La Cage aux Folles
Chad Kimball, Memphis
Nathan Lane, The Addams Family

Outstanding Actress in a Musical
Kate Baldwin, Finian’s Rainbow
Barbara Cook, Sondheim on Sondheim
Montego Glover, Memphis
Bebe Neuwirth, The Addams Family
Catherine Zeta-Jones, A Little Night Music

Outstanding Featured Actor in a Musical
Kevin Chamberlin, The Addams Family
Christopher Fitzgerald, Finian’s Rainbow
Levi Kreis, Million Dollar Quartet
Dick Latessa, Promises, Promises
Bobby Steggert, Ragtime

Outstanding Featured Actress in a Musical
Carolee Carmello, The Addams Family
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Cass Morgan, Memphis
Terri White, Finian’s Rainbow

2010 Drama League Nominations

The 2010 Drama League nominees have been announced. Chosen by a group of theater professionals and patrons, these include both On and Off-Broadway New York productions. Winners will be announced on May 21. Without further ado, here are the musical theater nominees:

Distinguished Production of a Musical

The Addams Family
American Idiot
Bloody Bloody Andrew Jackson
Brief Encounter

Come Fly Away
Memphis
Million Dollar Quartet
The Scottsboro Boys
Sondheim on Sondheim

Distinguished Revival of a Musical

A Little Night Music
Finian’s Rainbow
La Cage aux Folles
Promises, Promises
Ragtime

Distinguished Performance Award

Barbara Cook, Sondheim on Sondheim
Brandon Victor Dixon, The Scottsboro Boys
Katie Finneran, Promises, Promises
John Gallagher Jr., American Idiot
Montego Glover, Memphis
Kelsey Grammer, La Cage aux Folles
Lance Guest, Million Dollar Quartet
Dean Hayes, Promises, Promises
The Ensemble of Brief Encounter
Douglas Hodge, La Cage aux Folles
Levi Kreis, Million Dollar Quartet
Nathan Lane, The Addams Family
Angela Lansbury, A Little Night Music
Jim Norton, Finian’s Rainbow
Karine Plantadit, Come Fly Away
Bobby Steggert, Ragtime, Yank!
Tony Vincent, American Idiot
Benjamin Walker, Bloody Bloody Andrew Jackson
Vanessa Williams, Sondheim on Sondheim
Catherine Zeta-Jones, A Little Night Music

Distinguished Achievement in Musical Theatre

Nathan Lane

The reviews for La Cage Aux Folles are in…and they adored it!

The verdict is unanimous: This scaled-down mounting of La Cage Aux Folles, a transfer from London’s Mernier Chocolate Factory, is a lovely, fun and nuanced take on the campy original. Doglass Hodge lived up to all expectations – blowing away every reviewer, particularly in his performance of “I Am What I Am” – and Kelsey Grammer exceeded what had been expected from him – using his voice (which is far better than anyone had supposed) and subtlety to balance Hodge’s (appropriately) over-the-top performance. And the two stars are backed up by a solid ensemble and hilarious supporting cast. As one reviewer said, this show leaves you feeling that “the best of times IS now.”

New York Times

“The ladies of the chorus from “La Cage aux Folles” have never looked more appealing than they do in the warm, winning production that opened Sunday night at the Longacre Theater… This deliberately disheveled show…is a far cry from the high-gloss original production of 1983 or the glamorous, soulless revival that opened less than six years ago… That’s partly because of the stylish yin and yang of its stars… Mr. Hodge, who originated the part [of Albin] in the London revival, brings a fluttery hyperintensity to the role that recharges it… You don’t realize how much pain and anger have gone into this self-construction until you hear him do “I Am What I Am,” the show’s signature anthem, at the end of the first act. Mr. Hodge breathes fire here, his hitherto scratchy, campy voice growing into a white-hot blaze. It is — and who’d a thunk it? — the most electric interpretation of a song on Broadway right now. Mr. Grammer provides the ideal counterpoint to this hysterical creature, in a cool, modest performance that has its own sneaky charm. That his singing voice is correspondingly quiet, with no muscle-flexing baritone bravado, makes Georges’s over-ripe sentimental ballads (“Look Over There,” “Song on the Sand”) palatable and even touching in their unaffected sincerity.” Read the full La Cage Aux Folles review.

Associated Press

“[Douglas Hodge] is giving the most exuberant musical-comedy performance of the season. Hodge is the primary reason this riotously funny and, yes, emotionally affecting revival of the Jerry Herman-Harvey Fierstein musical has returned to Broadway only five years after its last New York appearance. Yet there is more to the show than Hodge’s star-making performance. “La Cage,” which opened Sunday at Broadway’s Longacre Theatre, has been imaginatively reconceived by director Terry Johnson… Grammer has a surprisingly sturdy singing voice and an ingratiating stage manner, just right for the calm — well, relatively calm — voice of reason in the chorus of quirky, high-spirited characters who populate Fierstein’s plot of filial devotion.” Read the full La Cage Aux Folles review.

Variety

“Why bring back “La Cage aux Folles” — a major hit musical of the 1983-84 Broadway season, but certainly not a classic like “Gypsy” or “Fiddler on the Roof” — only five years after its first Broadway revival? Especially when that 2004-05 stint proved a tired and unnecessary affair, suggesting that the original production (with its six Tony Awards) was stronger than the material. The producers of this new edition, which premiered at London’s Menier Chocolate Factory in 2007, have a convincing answer: It’s funny, heartwarming and terrific.” Read the full La Cage Aux Folles review.

USA Today

“Attending a performance of this La Cage, which opened Sunday at the Longacre Theatre, is a bit like spending an afternoon with an overactive but thoroughly charming child. An import of London’s Menier Chocolate Factory, the production retains one of its original stars: the British trouper Douglas Hodge, who won an Olivier Award for his portrayal of Albi… But if Hodge has some beautifully nuanced moments, he can also milk Zaza’s camp value, and that of the show, to distraction… Fortunately, Grammer settles into a more natural, endearing interpretation, and he and Hodge, for all their winking gestures, capably illustrate the affection and devotion binding this couple. They’re abetted, under Terry Johnson’s giddy direction, by a number of entertaining supporting performances… They all seem to be having a swell time, as will you — so long as you can keep up with them.” Read the full La Cage Aux Folles review.

Entertainment Weekly

“The show, newly revived on Broadway under the thoughtful direction of Terry Johnson, proves to be surprisingly sturdy… Hodge is practically perfect as the fey Albin, a tricky role in which an actor could easily slip into caricature or sentimentality. Hodge manages a careful balance, delivering a performance that is both hilarious and heartfelt; his character is admittedly over the top, but he always feels real. As his partner, the La Cage manager Georges, Kelsey Grammer proves to be an equal partner in carrying the show… Hodge and Grammer provide a solid grounding for the show, but the rest of the cast offers all the flourishes you’d expect from a show rooted in drag performance.” Read the full La Cage Aux Folles review.

Bloomberg

“The chorus of six long-limbed drag queens in the latest Broadway revival of Jerry Herman’s “La Cage aux Folles” is half that of two earlier outings… Yet unlike the shrunken revivals of other big Broadway musicals, this one makes sense. Terry Johnson’s smart, tight, rough-edged and slightly tacky production gets closer to the sort of scene one might actually find in a transvestite club on the French Riviera… The box-office draw is Kelsey Grammer, of TV’s “Frasier,” as Georges, the soigne master of ceremonies. The main reason for seeing the show is Douglas Hodge as Albin, the aging headliner and Georges’s partner of 20 years.” Read the full La Cage Aux Folles review.

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