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Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for A Night With Janis Joplin

AWARDS SEASON 2014: Drama League Awards Nominees

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Judith Light and Christopher Sieber announced the Drama League Award nominees this morning. The full list of nominees appears below.

Awards Announced: May 16 at 11:30 AM, hosted by Jesse Tyler Ferguson

Follow all of the awards coverage as we live blog,tweetfacebook or view a summary of all things awards at The Broadway Musical Home.

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY PLAY
All That Fall
All The Way
Casa Valentina
Domesticated
Mothers and Sons
Mr. Burns, A Post-Electric Play
The Open House
The Realistic Joneses

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful: The Carole King Musical
The Bridges of Madison County
Bullets Over Broadway
Fun Home
A Gentleman’s Guide To Love And Murder
Murder For Two
Rocky

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY PLAY
The Cripple of Inishmaan
The Glass Menagerie
Good Person of Szechwan
The Mutilated
Of  Mice and Men
A Raisin in the Sun
Twelfth Night, or What You Will
Waiting For Godot

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY MUSICAL
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar and Grill
Les Misérables
Violet

DISTINGUISHED PERFORMANCE AWARD
Reed Birney, Casa Valentina
Steven Boyer, Hand to God
Zach Braff, Bullets Over Broadway
Arnie Burton, The Mystery of Irma Vep
Michael Cerveris, Fun Home
Nick Cordero, Bullets Over Broadway
Bryan Cranston, All the Way
Alan Cumming, Cabaret
Tyne Daly, Mothers and Sons
Mary Bridget Davies, A Night With Janis Joplin
Gabriel Ebert, Casa Valentina
Carson Elrod, The Heir Apparent
Jesse Tyler Ferguson, The Comedy of Errors
Sutton Foster, Violet
James Franco, Of Mice and Men
Peter Friedman, The Open House
Michael C. Hall, The Realistic Joneses
Lena Hall, Hedwig and the Angry Inch
Neil Patrick Harris, Hedwig and the Angry Inch
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
LaTanya Richardson Jackson, A Raisin in the Sun
Ramin Karimloo, Les Misérables
Andy Karl, Rocky
Adriane Lenox, After Midnight
Tracy Letts, The Realistic Joneses
Zachary Levi, First Date
Sydney Lucas, Fun Home
Taylor Mac, Good Person of Szechwan
Jefferson Mays, A Gentleman’s Guide To Love And Murder
Idina Menzel, If/Then
Laurie Metcalf, Domesticated
Jessie Mueller, Beautiful: The Carole King Musical
Chris O’Dowd, Of Mice and Men
Kelli O’Hara, The Bridges of Madison County
Estelle Parsons, The Velocity of Autumn
Steven Pasquale, The Bridges of Madison County
Jeremy Pope, Choir Boy
Zachary Quinto, The Glass Menagerie
Daniel Radcliffe, The Cripple of Inishmaan
Ruben Santiago-Hudson, How I Learned What I Learned
Margo Seibert, Rocky
Robert Sella, The Mystery of Irma Vep
Tony Shalhoub, Act One
Jennifer Simard, Disaster!
Brian J. Smith, The Glass Menagerie
Patrick Stewart, Waiting for Godot
John Douglas Thompson, Satchmo at the Waldorf
Denzel Washington, A Raisin in the Sun
Michelle Williams, Cabaret

The Drama League also wishes to acknowledge the previous recipients of the Distinguished Performance Award who appeared in New York productions this season.  As the Award can only be won once in a performer’s lifetime, they are ineligible this season.  Their exemplary work, however, is recognized and applauded.

Eileen Atkins, All That Fall
Norbert Leo Butz, Big Fish
Kathleen Chalfant, Somewhere Fun/Tales From Red Vienna
Cherry Jones, The Glass Menagerie
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Ian McKellen, Waiting For Godot/No Man’s Land
Frank Langella, King Lear
Mary-Louise Parker, The Snow Geese
Mark Rylance, Twelfth Night, Or What You Will/Richard III

DISTINGUISHED ACHIEVEMENT IN MUSICAL THEATRE
Barbara Cook in recognition of her contribution to the musical theatre.

UNIQUE CONTRIBUTION TO THE THEATRE
Key Brand Entertainment/Broadway Across America for their vital work of bringing New York productions to theaters across America.

FOUNDERS AWARD FOR EXCELLENCE IN DIRECTING
John Tiffany

PLEASE NOTE: The Roundabout Theatre Company production of Cabaret received The Drama League’s Outstanding Revival of a Musical Award in 1998, during its original engagement.  Therefore, it is ineligible for a production nomination this season.  However, it was determined that the cast of the production would be eligible for consideration.

The Reviews for A NIGHT WITH JANIS JOPLIN are In…

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The reviews are in for the latest Jukebox musical to hit the Great White Way – A Night With Janis Joplin - and once again the critics are split. Those who loved the show found Mary Bridget Davies’ vocals and energetic performance spot-on and intoxicating, while others were left loving the singing, but wondering how the life of such an extreme personality could be told in such a sentimental, vanilla way. They all agree the show was supported by a fantastic cast, costumes, sound, lighting, choreography, projections and effects – elements that try to raise this show above it’s mediocre book – and that in the end, despite the truth about its subject, it’s a fabulous concert about a woman who just loves and wants to sing the blues.

NEW YORK TIMES

“Mary Bridget Davies['] uncanny vocal impersonation of Joplin keeps the house rocking for much of the show’s running time…[but] if the real Joplin had the kind of sensible perspective on her life and career that she exhibits in this show — happily reminiscing about her youthful love of painting, or giving a learned docent tour of blues history — she would probably not have died of an overdose of heroin and alcohol at 27….Still, if the Janis who waxes nostalgic while partaking sparingly of the bottle does not quite match our image of the fiercely needy, heedless young woman who sang and partied with reckless abandon, frankly, it’s a bit of a relief. The default setting of biographical shows about performers who lived loose and imploded early often borders on the ghoulish…Her ability to match Joplin’s highly emotive style could probably give members of the audience who saw the real woman something close to a contact high — or maybe a nostalgia high is the better term.”

Read the Full Review

BROADWAY WORLD

“I doubt if the walls of the classic Beaux-Arts showplace have ever felt any vibrations like the powerful full-throated wails of soulful orgasmic psychodelia emoted from Mary Bridget Davies in the title role of A Night With Janis Joplin…Writer/director Randy Johnson’s concert-style musical is not to be lumped in the same category with that trio of Beatles imitation concerts that have played Times Square or other such shows that rely solely on mimicry. The ambition is a little higher here, and while A Night With Janis Joplinhas its flaws as drama, as a raucous, hyper-energized tribute to one of American music’s great icons, it’s a joyful explosion…[Davies'] emotional commitment to the material is so forceful and sincere that by the first act curtain you may find yourself less concerned with Janis Joplin and anxious to see more of A Night With Mary Bridget Davies…Between songs Davies’ Joplin is an adorable, cherubic-faced gal sharing with the audience her preference for dive bars and gritty blues and bits of her life story through amusing patter…But A Night With Janis Joplin is about the good times, and there are plenty of them to be enjoyed in this rowdy and heartfelt celebration.”

Read the Full Review

ASSOCIATED PRESS

“Legendary blues and soul singer Janis Joplin was an astounding force of nature onstage and off. A new concert musical on Broadway provides a rockin’ good time while imaginatively evoking her impassioned, thrilling talent…Soulful and genuine, Davies gives a lively, energetic performance. She captures much of the exuberance and uniquely raspy wailing that made Joplin a musical legend, though she lacks Joplin’s raw onstage sexuality and brash, raunchy persona…Johnson’s book sentimentalizes Joplin, whitewashing her hard-drinking, drug-fueled lifestyle and focusing instead on her enthusiasm and passion for her music…With dynamic use of lighting, projections, sound design and the choreography of Patricia Wilcox, Johnson creates a high-caliber spectacle around the compelling story of a uniquely talented singer-songwriter who embodied her generation’s passionate attitudes.”

Read the Full Review

HOLLYWOOD REPORTER

“Mary Bridget Davies will take longtime Joplin fans on a trip, but she deserves a sturdier showcase than this discursive salute to the artist and her influences…if you’re after a contextualized bio-musical to provide insight into rock’s first undisputed queen, writer-director Randy Johnson’s sanitized concert tribute, A Night With Janis Joplin, is not the place to look…In terms of the physical production, the show has a time-capsule authenticity. What feels more artificial is the tidily retrospective mood of the protagonist…In the overwritten patter for Joplin that links the songs, Johnson appears to be aiming to tap the collective spirit of oppressed womanhood thirsting for liberation across the decades. But that theme is expressed too mechanically to resonate, and great as she is on the vocals, Davies is not a good enough actor to smooth out the script’s many clunky transitions…Whatever this tame tribute lacks in scope, it has a considerable saving grace in Davies’ electric renditions of the songs – wild and joyously raucous one minute and ragged with sorrow the next.”

Read the Full Review

VARIETY

“As a musical biography, “A Night With Janis Joplin” is pretty much a bust. The book by Randy Johnson, who also helmed, skims lightly over the singer’s Texas childhood and her tenure with Big Brother and the Holding Company, with nary a word about her personal life or the booze and drugs that cut it short…there’s not a hint of personal data in the show’s book…Davies, who looks like Joplin, sings like Joplin, howls like Joplin and has been touring the country in a show and a role-of-a-lifetime that she owns…As a concert, the well-wrought production should satisfy any rabid fan of Joplin’s musical brand of the blues.  But for anyone expecting an honest portrait of Janis — or of the hedonistic Sixties era she personified — you can just cry, cry baby.”

Read the Full Review

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