The Broadway Musical Blog – Musical theater news and gossip from the Great White Way

Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for Bloody Bloody Andrew Jackson

What Do You Think of the 2011 Tony Award Nominees?

The 2011 Tony Award nominees have been announced. So what do you think? You gonna tune in to the ceremony on June 12 to see who wins?

Best Musical
The Book of Mormon
Catch Me If You Can
The Scottsboro Boys
Sister Act

Best Play
Good People
Jerusalem
The Motherf**ker with the Hat
War Horse 

Best Book of a Musical
Bloody Bloody Andrew Jackson Alex Timbers
The Book of Mormon Trey Parker, Robert Lopez and Matt Stone
The Scottsboro Boys David Thompson
Sister Act Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane

Best Original Score (Music and/or Lyrics) Written for the Theatre
The Book of Mormon Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone
The Scottsboro Boys Music & Lyrics: John Kander and Fred Ebb
Sister Act Music: Alan Menken, Lyrics: Glenn Slater
Women on the Verge of a Nervous Breakdown Music & Lyrics: David Yazbek

Best Revival of a Play
Arcadia
The Importance of Being Earnest
The Merchant of Venice
The Normal Heart

Best Revival of a Musical
Anything Goes
How to Succeed in Business Without Really Trying

Best Performance by an Actor in a Leading Role in a Play
Brian Bedford The Importance of Being Earnest
Bobby Cannavale The Motherf**ker with the Hat
Joe Mantello The Normal Heart
Al Pacino The Merchant of Venice
Mark Rylance Jerusalem

Best Performance by an Actress in a Leading Role in a Play
Nina Arianda Born Yesterday
Frances McDormand Good People
Lily Rabe The Merchant of Venice
Vanessa Redgrave Driving Miss Daisy
Hannah Yelland Brief Encounter

Best Performance by an Actor in a Leading Role in a Musical
Norbert Leo Butz Catch Me If You Can
Josh Gad The Book of Mormon
Joshua Henry The Scottsboro Boys
Andrew Rannells The Book of Mormon
Tony Sheldon Priscilla Queen of the Desert

Best Performance by an Actress in a Leading Role in a Musical
Sutton Foster Anything Goes
Beth Leavel Baby It’s You!
Patina Miller Sister Act
Donna Murphy The People in the Picture

Best Performance by an Actor in a Featured Role in a Play
Mackenzie Crook Jerusalem
Billy Crudup Arcadia
John Benjamin Hickey The Normal Heart
Arian Moayed Bengal Tiger at the Baghdad Zoo
Yul Vázquez The Motherf**ker with the Hat

Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin The Normal Heart
Edie Falco The House of Blue Leaves
Judith Light Lombardi
Joanna Lumley La Bête
Elizabeth Rodriguez The Motherf**ker with the Hat

Best Performance by an Actor in a Featured Role in a Musical
Colman Domingo The Scottsboro Boys
Adam Godley Anything Goes
John Larroquette How to Succeed in Business Without Really Trying
Forrest McClendon The Scottsboro Boys
Rory O’Malley The Book of Mormon

Best Performance by an Actress in a Featured Role in a Musical
Laura Benanti Women on the Verge of a Nervous Breakdown
Tammy Blanchard How to Succeed in Business Without Really Trying
Victoria Clark Sister Act
Nikki M. James The Book of Mormon
Patti LuPone Women on the Verge of a Nervous Breakdown

Best Direction of a Play
Marianne Elliott and Tom Morris War Horse
Joel Grey & George C. Wolfe The Normal Heart
Anna D. Shapiro The Motherf**ker with the Hat
Daniel Sullivan The Merchant of Venice

Best Direction of a Musical
Rob Ashford How to Succeed in Business Without Really Trying
Kathleen Marshall Anything Goes
Casey Nicholaw and Trey Parker The Book of Mormon
Susan Stroman The Scottsboro Boys

Best Choreography
Rob Ashford How to Succeed in Business Without Really Trying
Kathleen Marshall Anything Goes
Casey Nicholaw The Book of Mormon
Susan Stroman The Scottsboro Boys

Best Orchestrations
Doug Besterman How to Succeed in Business Without Really Trying
Larry Hochman The Scottsboro Boys
Larry Hochman and Stephen Oremus The Book of Mormon
Marc Shaiman & Larry Blank Catch Me If You Can

Best Scenic Design of a Play
Todd Rosenthal The Motherf**ker with the Hat
Rae Smith War Horse
Ultz Jerusalem
Mark Wendland The Merchant of Venice

Best Scenic Design of a Musical
Beowulf Boritt The Scottsboro Boys
Derek McLane Anything Goes
Scott Pask The Book of Mormon
Donyale Werle Bloody Bloody Andrew Jackson

Best Costume Design of a Play
Jess Goldstein The Merchant of Venice
Desmond Heeley The Importance of Being Earnest
Mark Thompson La Bête
Catherine Zuber Born Yesterday

Best Costume Design of a Musical
Tim Chappel & Lizzy Gardiner Priscilla Queen of the Desert
Martin Pakledinaz Anything Goes
Ann Roth The Book of Mormon
Catherine Zuber How to Succeed in Business Without Really Trying

Best Lighting Design of a Play
Paule Constable War Horse
David Lander Bengal Tiger at the Baghdad Zoo
Kenneth Posner The Merchant of Venice
Mimi Jordan Sherin Jerusalem

Best Lighting Design of a Musical
Ken Billington The Scottsboro Boys
Howell Binkley How to Succeed in Business Without Really Trying
Peter Kaczorowski Anything Goes
Brian MacDevitt The Book of Mormon

Best Sound Design of a Play
Acme Sound Partners & Cricket S. Myers Bengal Tiger at the Baghdad Zoo
Simon Baker Brief Encounter
Ian Dickinson Autograph Jerusalem
Christopher Shutt War Horse

Best Sound Design of a Musical
Peter Hylenski The Scottsboro Boys
Steve Canyon Kennedy Catch Me If You Can
Brian Ronan Anything Goes
Brian Ronan The Book of Mormon

Special Tony Award® for Lifetime Achievement in the Theatre
Athol Fugard
Philip J. Smith

Regional Theatre Tony Award®
Lookingglass Theatre Company (Chicago, Ill.)

Isabelle Stevenson Award
Eve Ensler

Special Tony Award
Handspring Puppet Company

Tony Honors for Excellence in the Theatre
William Berloni
The Drama Book Shop
Sharon Jensen and Alliance for Inclusion in the Arts

Hurry Up and See Some Shows…Closing Soon on Broadway…

January usually marks the ending of many a Broadway show, but this season has more than the usual number of closings. Some have celebrated long runs but a few literally just opened; either way, if you were hoping to catch any of these, get moving!


The Scottsboro Boys

Closes Dec 12
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Bloody Bloody Andrew Jackson

Closes Jan 2
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Fela!

Closes Jan 2
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West Side Story

Closes Jan 2
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Promises, Promises

Closes Jan 2
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Elf

Closes Jan 2
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In the Heights

Closes Jan 9
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A Little Night Music

Closes Jan 9
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Next to Normal

Closes Jan 16
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Women on the Verge of a Nervous Breakdown

Closes Jan 23
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And if you’re looking for gift suggestions for the Broadway musical lover in your life, be sure to check out our holiday gift guide. Happy holidays everyone!

The reviews for Bloody Bloody Andrew Jackson are in…

The newest Off-Broadway transfer to hit the Great White Way – the satirical rock musical, Bloody Bloody Andrew Jackson – has opened on Broadway and the critics are loving it. It’s John Stewart meets American Idiot in the style of an SNL music video. Though a bit sophomoric at times and perhaps better fit for its original downtown home, critics cannot deny the show’s appeal. Featuring a fantastic original score and lyrics dripping with irony, this young cast, led by the brilliant Benjamin Walker, is dishing up something completely new and completely now.

Here’s what the major critics had to say:

THE NEW YORK TIMES

This invigorating production…is hardly a work of fine-grained naturalism…It’s an anachronism-cluttered emo-rock musical, for heaven’s sake — that is, when it’s not being a smart-aleck collegiate revue or a folkie song fest with a furrowed brow…Yet [BBAJ] feels unconditionally (and alarmingly) of the moment…Unlike other rock musicals in Midtown…this one doesn’t deliver big, clean, throbbing emotions. Irony is woven into its fabric. Read the full review

ASSOCIATED PRESS

The whole thing is just plain odd: This show walks a fine line between parody and sincerity, between mocking musicals and yet embracing them, between promoting stereotypes and yet laughing at them, between respect for history and having none at all, and between making fun of rock stars and yet producing one. It sometimes falters, yet never loses it’s swagger – unlike that hogtied horse dangling from the balcony. Read the full review

VARIETY

With their bloody-good “Bloody Bloody Andrew Jackson,” director-librettist Alex Timbers and composer-lyricist Michael Friedman have woven a scathing and topical satire on matters patriotic and political, and they’ve done it with the sound of emo rock, which might be hard to swallow for some traditional theatergoers. Downtown hit could prove a tough sell in a Broadway house…Word of mouth will loom large with this one. Read the full review

ENTERTAINMENT WEEKLY

[Benjamin Walker]‘s charismatic turn in the title role of Bloody Bloody Andrew Jackson…remains the single biggest reason to see the show now that it’s moved uptown for a Broadway run…. Aside from the change in venue and a few minor tweaks to the supporting cast and staging, though, Bloody Bloody Andrew Jackson is presented more or less exactly as it was at the Public. That is not a complaint. Many of those who have already discovered this unique show will no doubt jump at the chance to experience it all over again. If you haven’t seen it yet, what are you waiting for? Shows this weird and wonderful don’t make it to Broadway every day. Read the full review

THE CHICAGO TRIBUNE

Bloody Bloody Andrew Jackson, the fractured, intermittently juvenile and wholly fearless and arresting new Broadway rock musical about the seventh president of the United States, is the consummate musical for the Wikipedia age…. In its best moments, mostly its dramatic moments, “Bloody Bloody” impresses with the sheer force of its commitment to its central idea and the way it tracks and explicates that peculiarly American hybrid of celebrity-leader…There will be many hands wringing over whether this 90-minute show belongs on Broadway. The score (which features better music than lyrics) will feel less than sufficient to some, and the excessive campery early in the show is genuinely irritating and smug…But this is still one of those shows that capture a moment, an old moment, a new moment. Read the Full Review

Have you seen the show? What did you think?

An Exciting New Season Begins!


I hope you all had a wonderful summer. I escaped to Maine and I’m afraid summer-stock ate up all of my free time, so that (and the lack of any real exciting Broadway news) has keep the blog pretty quiet this summer. But never-fear, I’m back again and vow to maintain a more consistent posting schedule this Broadway season.

We’ve got some gems opening in the next year, lots of movie adaptations, Off-Broadway transfers and a couple infamous big-spenders who’ll soon be making splashes. Here’s the line-up:

  • Bloody Bloody Andrew Jackson – October 13
  • The Scottsboro Boys – October 31
  • Women on the Verge of a Nervous Breakdown – November 4
  • The Pee-Wee Herman Show – November 11
  • Elf – November 14
  • Zorba – Fall 2011
  • Spider-Man: Turn Off the Dark – Dec 21
  • How to Succeed in Business Without Really Trying – March 27
  • The Book of Mormon – March 2011
  • Priscilla, Queen of the Desert – March 2011
  • Anything Goes – April 7
  • Wonderland – April 17
  • Phantom: Love Never Dies – April 2011
  • Sister Act – April 2011
  • Catch Me If You Can – Spring 2011
  • Unchain My Heart – Spring 2011

I’ll be tweeting live from Broadway on Broadway, where a couple new shows will be performing for the first time alongside many of the long-running hits.

There’s a lot of star power behind a lot of these shows, but unlike last season, it appears (for the most part) to be homegrown Broadway talent, rather than Hollywood ringers – exciting news for those who got up-in-arms around Tony Award time last year.

What are you most excited about in this upcoming season?

I’ll be back next week with an update about cast changes and announcements.

Opening, Closing, Cast Changes and Albums: A Summer News Roundup

Summers are generally fairly slow on Broadway, with many recovering or reveling in the Tony Award results, hot weather and summer tourists; there’s still plenty going on, but not much in the way of news. There have been a couple exciting announcements, which are well worth sharing (thus this entry). If you want to get more frequent updates, follow us on Facebook or Twitter; I’ll post the juicy bits there and do another roundup here before the summer is out.

Opening Soon

Anything Goes starring Sutton Foster will officially open on Broadway on April 7th at the Stephen Sondheim Theatre. Directed by two-time Tony Award winner Kathleen Marshall, this old-fashioned dance-heavy musical has the Broadway community buzzing. The revival will feature a new book by Timothy Crouse and John Weidman.

The other big news item is that How to Succeed in Business Without Really Trying will open on Broadway on March 27. The show will star Daniel Radcliffe, who, unless you’ve been hiding under a rock, you know as Harry Potter, and if you’ve been living in a theatre as that kid who got naked last season in Equus. The movie version of this show, starring Robert Morse, continues to be one of my favorites in the genre. Can’t wait to see what Mr. Radcliffe does with the role of Finch.

And then we’ve got the Off-Broadway transfers: Bloody Bloody Andrew Jackson announced that it will hit Broadway on September 21 and The Scottsboro Boys that it will open on October 31. We can only hope they enjoy as much success on Broadway as they did off.

Big Casting Changes

Bernadette Peters and Elaine Stritch have taken over the lead roles in A Little Night Music and everyone is raving about their performances. Check out Peters’ performance of “Send in the Clowns”:

Two others, Marin Mazzie and Jason Danieley, have also stepped into some big shoes – the real life married couple are now playing Diana and Dan Goodman in Next to Normal on Broadway. Yes, they’re big shoes, but if Twitter buzz counts for anything, it sounds as though the show is in more than capable hands.

Closing Soon

In sadder news, Come Fly Away has announced that its final performance will be on September 5. This production, though short-lived on Broadway, does have plans to tour the US, so if you didn’t have the chance to see it on the Great White Way, you’ll have other opportunities.

Cast Albums

The revival cast of La Cage Aux Folles will be recording their work for their fans. The album will be released sometime in September. Pre-order it on amazon.com now.

And I don’t know about you, but I’m loving the newly released albums for Everyday Rapture and Promises, Promises, available online here and here. Trust me – these are albums you won’t regret buying.

2010 Drama Desk Award Winners – Memphis and La Cage Aux Folles Take Home the Big Prizes

The 2010 Drama Desk Award ceremony took place tonight. Thanks for joining us for the live-update. This year’s winners for the categories whose nominees included musicals are below:

Outstanding Musical
Memphis

Outstanding Revival of a Musical
La Cage Aux Folles

Outstanding Actress in a Musical
Montego Glover, Memphis
AND
Catherine Zeta-Jones, A Little Night Music

Outstanding Actor in a Musical
Douglas Hodge, La Cage Aux Folles

Outstanding Musical Revue
Sondheim on Sondheim

Outstanding Set Design
Phelim McDermott, Julian Crouch, Basil Twist, The Addams Family

Outstanding Sound Design
Acme Sound Partners, Ragtime

Outstanding Lighting Design
Neil Austin, Red

Outstanding Costume Design
Matthew Wright, La Cage aux Folles

Outstanding Featured Actress in a Musical
Katie Finneran, Promises, Promises

Outstanding Featured Actor in a Musical
Christopher Fitzgerald, Finian’s Rainbow

Special Drama Desk Award
Jerry Herman (for more than half a century of exuberant music and heartfelt lyrics)

Outstanding Director of a Musical
Michael Mayer, American Idiot

Outstanding Choreography
Twyla Tharp, Come Fly Away

Outstanding Orchestrations
Daryl Waters & David Bryan, Memphis

Outstanding Book of a Musical
Alex Timbers, Bloody Bloody Andrew Jackson

Outstanding Lyrics
John Kander & Fred Ebb, The Scottsboro Boys

Oustanding Musical Score
David Bryan, Memphis

The 2010 Outer Critics Circle Award Winners

The first award-winners of the season have been announced. There were a couple of big surprises, including the big win for Memphis in the Outstanding New Musical category. The committee also decided on ties for Outstanding Off-Broadway Musical, Outstanding Actress in a Musical and Outstanding Choreography. What do you think of their selections?

Outstanding New Broadway Musical
Memphis

Outstanding New Off-Broadway Musical
Bloody Bloody Andrew Jackson
AND
The Scottsboro Boys

Outstanding New Score (Broadway or Off-Broadway)
Memphis

Outstanding Revival of a Musical (Broadway or Off-Broadway)
La Cage aux Folles

Outstanding Director of a Musical
Terry Johnson, La Cage aux Folles

Outstanding Choreographer
Bill T. Jones, Fela!
AND
Sergio Trujillo, Memphis

Outstanding Set Design (Play or Musical)
Phelim McDermott & Julian Crouch, The Addams Family

Outstanding Costume Design (Play or Musical)
Matthew Wright, La Cage aux Folles

Outstanding Lighting Design (Play or Musical)
Kevin Adams, American Idiot

Outstanding Actor in a Musical
Douglas Hodge, La Cage aux Folles

Outstanding Actress in a Musical
Montego Glover, Memphis
AND
Catherine Zeta-Jones, A Little Night Music

Outstanding Featured Actor in a Musical
Levi Kreis, Million Dollar Quartet

Outstanding Featured Actress in a Musical
Katie Finneran, Promises, Promises

View the full list of noiminees

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