Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.
Best Performance by an Actor in a Leading Role in a Play
Brian Bedford The Importance of Being Earnest
Bobby Cannavale The Motherf**ker with the Hat
Joe Mantello The Normal Heart
Al Pacino The Merchant of Venice
Mark Rylance Jerusalem
Best Performance by an Actress in a Leading Role in a Play
Nina Arianda Born Yesterday
Frances McDormand Good People
Lily Rabe The Merchant of Venice
Vanessa Redgrave Driving Miss Daisy
Hannah Yelland Brief Encounter
Best Performance by an Actor in a Featured Role in a Play
Mackenzie Crook Jerusalem
Billy Crudup Arcadia
John Benjamin Hickey The Normal Heart
Arian Moayed Bengal Tiger at the Baghdad Zoo
Yul Vázquez The Motherf**ker with the Hat
Best Performance by an Actress in a Featured Role in a Play
Ellen Barkin The Normal Heart
Edie Falco The House of Blue Leaves
Judith Light Lombardi
Joanna Lumley La Bête
Elizabeth Rodriguez The Motherf**ker with the Hat
Best Direction of a Play
Marianne Elliott and Tom Morris War Horse
Joel Grey & George C. Wolfe The Normal Heart
Anna D. Shapiro The Motherf**ker with the Hat
Daniel Sullivan The Merchant of Venice
Best Costume Design of a Play
Jess Goldstein The Merchant of Venice
Desmond Heeley The Importance of Being Earnest
Mark Thompson La Bête
Catherine Zuber Born Yesterday
Best Lighting Design of a Play
Paule Constable War Horse
David Lander Bengal Tiger at the Baghdad Zoo
Kenneth Posner The Merchant of Venice
Mimi Jordan Sherin Jerusalem
Best Sound Design of a Play
Acme Sound Partners & Cricket S. Myers Bengal Tiger at the Baghdad Zoo
Simon Baker Brief Encounter
Ian Dickinson Autograph Jerusalem
Christopher Shutt War Horse
January usually marks the ending of many a Broadway show, but this season has more than the usual number of closings. Some have celebrated long runs but a few literally just opened; either way, if you were hoping to catch any of these, get moving!
And if you’re looking for gift suggestions for the Broadway musical lover in your life, be sure to check out our holiday gift guide. Happy holidays everyone!
The newest Off-Broadway transfer to hit the Great White Way – the satirical rock musical, Bloody Bloody Andrew Jackson – has opened on Broadway and the critics are loving it. It’s John Stewart meets American Idiot in the style of an SNL music video. Though a bit sophomoric at times and perhaps better fit for its original downtown home, critics cannot deny the show’s appeal. Featuring a fantastic original score and lyrics dripping with irony, this young cast, led by the brilliant Benjamin Walker, is dishing up something completely new and completely now.
Here’s what the major critics had to say:
THE NEW YORK TIMES
This invigorating production…is hardly a work of fine-grained naturalism…It’s an anachronism-cluttered emo-rock musical, for heaven’s sake — that is, when it’s not being a smart-aleck collegiate revue or a folkie song fest with a furrowed brow…Yet [BBAJ] feels unconditionally (and alarmingly) of the moment…Unlike other rock musicals in Midtown…this one doesn’t deliver big, clean, throbbing emotions. Irony is woven into its fabric. Read the full review
ASSOCIATED PRESS
The whole thing is just plain odd: This show walks a fine line between parody and sincerity, between mocking musicals and yet embracing them, between promoting stereotypes and yet laughing at them, between respect for history and having none at all, and between making fun of rock stars and yet producing one. It sometimes falters, yet never loses it’s swagger – unlike that hogtied horse dangling from the balcony. Read the full review
VARIETY
With their bloody-good “Bloody Bloody Andrew Jackson,” director-librettist Alex Timbers and composer-lyricist Michael Friedman have woven a scathing and topical satire on matters patriotic and political, and they’ve done it with the sound of emo rock, which might be hard to swallow for some traditional theatergoers. Downtown hit could prove a tough sell in a Broadway house…Word of mouth will loom large with this one. Read the full review
ENTERTAINMENT WEEKLY
[Benjamin Walker]‘s charismatic turn in the title role of Bloody Bloody Andrew Jackson…remains the single biggest reason to see the show now that it’s moved uptown for a Broadway run…. Aside from the change in venue and a few minor tweaks to the supporting cast and staging, though, Bloody Bloody Andrew Jackson is presented more or less exactly as it was at the Public. That is not a complaint. Many of those who have already discovered this unique show will no doubt jump at the chance to experience it all over again. If you haven’t seen it yet, what are you waiting for? Shows this weird and wonderful don’t make it to Broadway every day. Read the full review
THE CHICAGO TRIBUNE
Bloody Bloody Andrew Jackson, the fractured, intermittently juvenile and wholly fearless and arresting new Broadway rock musical about the seventh president of the United States, is the consummate musical for the Wikipedia age…. In its best moments, mostly its dramatic moments, “Bloody Bloody” impresses with the sheer force of its commitment to its central idea and the way it tracks and explicates that peculiarly American hybrid of celebrity-leader…There will be many hands wringing over whether this 90-minute show belongs on Broadway. The score (which features better music than lyrics) will feel less than sufficient to some, and the excessive campery early in the show is genuinely irritating and smug…But this is still one of those shows that capture a moment, an old moment, a new moment. Read the Full Review
I hope you all had a wonderful summer. I escaped to Maine and I’m afraid summer-stock ate up all of my free time, so that (and the lack of any real exciting Broadway news) has keep the blog pretty quiet this summer. But never-fear, I’m back again and vow to maintain a more consistent posting schedule this Broadway season.
We’ve got some gems opening in the next year, lots of movie adaptations, Off-Broadway transfers and a couple infamous big-spenders who’ll soon be making splashes. Here’s the line-up:
I’ll be tweeting live from Broadway on Broadway, where a couple new shows will be performing for the first time alongside many of the long-running hits.
There’s a lot of star power behind a lot of these shows, but unlike last season, it appears (for the most part) to be homegrown Broadway talent, rather than Hollywood ringers – exciting news for those who got up-in-arms around Tony Award time last year.
What are you most excited about in this upcoming season?
I’ll be back next week with an update about cast changes and announcements.
Summers are generally fairly slow on Broadway, with many recovering or reveling in the Tony Award results, hot weather and summer tourists; there’s still plenty going on, but not much in the way of news. There have been a couple exciting announcements, which are well worth sharing (thus this entry). If you want to get more frequent updates, follow us on Facebook or Twitter; I’ll post the juicy bits there and do another roundup here before the summer is out.
Opening Soon
Anything Goes starring Sutton Foster will officially open on Broadway on April 7th at the Stephen Sondheim Theatre. Directed by two-time Tony Award winner Kathleen Marshall, this old-fashioned dance-heavy musical has the Broadway community buzzing. The revival will feature a new book by Timothy Crouse and John Weidman.
The other big news item is that How to Succeed in Business Without Really Trying will open on Broadway on March 27. The show will star Daniel Radcliffe, who, unless you’ve been hiding under a rock, you know as Harry Potter, and if you’ve been living in a theatre as that kid who got naked last season in Equus. The movie version of this show, starring Robert Morse, continues to be one of my favorites in the genre. Can’t wait to see what Mr. Radcliffe does with the role of Finch.
And then we’ve got the Off-Broadway transfers: Bloody Bloody Andrew Jackson announced that it will hit Broadway on September 21 and The Scottsboro Boys that it will open on October 31. We can only hope they enjoy as much success on Broadway as they did off.
Big Casting Changes
Bernadette Peters and Elaine Stritch have taken over the lead roles in A Little Night Music and everyone is raving about their performances. Check out Peters’ performance of “Send in the Clowns”:
Two others, Marin Mazzie and Jason Danieley, have also stepped into some big shoes – the real life married couple are now playing Diana and Dan Goodman in Next to Normal on Broadway. Yes, they’re big shoes, but if Twitter buzz counts for anything, it sounds as though the show is in more than capable hands.
Closing Soon
In sadder news, Come Fly Away has announced that its final performance will be on September 5. This production, though short-lived on Broadway, does have plans to tour the US, so if you didn’t have the chance to see it on the Great White Way, you’ll have other opportunities.
And I don’t know about you, but I’m loving the newly released albums for Everyday Rapture and Promises, Promises, available online here and here. Trust me – these are albums you won’t regret buying.
The 2010 Drama Desk Award ceremony took place tonight. Thanks for joining us for the live-update. This year’s winners for the categories whose nominees included musicals are below:
The first award-winners of the season have been announced. There were a couple of big surprises, including the big win for Memphis in the Outstanding New Musical category. The committee also decided on ties for Outstanding Off-Broadway Musical, Outstanding Actress in a Musical and Outstanding Choreography. What do you think of their selections?
Yesterday, Hunter and Sutton Foster announced the nominees for the 60th annual Outer Critics Circle Awards, which honor the best in Broadway and Off-Broadway theatre. Winners will be announced on May 27 here on the blog. Here are this year’s musical theater nominees:
Outstanding Director of a Musical
Christopher Ashley, Memphis
Terry Johnson, La Cage aux Folles
Susan Stroman, The Scottsboro Boys
Alex Timbers, Bloody Bloody Andrew Jackson
Outstanding Choreographer
Rob Ashford, Promises, Promises
Bill T. Jones, Fela!
Susan Stroman, The Scottsboro Boys
Sergio Trujillo, Memphis
Outstanding Set Design (Play or Musical)
John Lee Beatty, The Royal Family
Beowulf Boritt, Sondheim on Sondheim
Phelim McDermott & Julian Crouch, The Addams Family
Donyale Werle, Bloody Bloody Andrew Jackson
Outstanding Costume Design (Play or Musical)
Jane Greenwood, Present Laughter
Martin Pakledinaz, Lend Me a Tenor
Matthew Wright, La Cage aux Folles
Catherine Zuber, The Royal Family
Outstanding Lighting Design (Play or Musical)
Kevin Adams, American Idiot
Kevin Adams, The Scottsboro Boys
Ken Billington, Sondheim on Sondheim
Justin Townsend, Bloody Bloody Andrew Jackson
The 2010 Drama League nominees have been announced. Chosen by a group of theater professionals and patrons, these include both On and Off-Broadway New York productions. Winners will be announced on May 21. Without further ado, here are the musical theater nominees:
The companion site to... The Broadway Musical Home www.broadwaymusicalhome.com A directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.