The Broadway Musical Blog – Musical theater news and gossip from the Great White Way

Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for Everyday Rapture

Opening, Closing, Cast Changes and Albums: A Summer News Roundup

Summers are generally fairly slow on Broadway, with many recovering or reveling in the Tony Award results, hot weather and summer tourists; there’s still plenty going on, but not much in the way of news. There have been a couple exciting announcements, which are well worth sharing (thus this entry). If you want to get more frequent updates, follow us on Facebook or Twitter; I’ll post the juicy bits there and do another roundup here before the summer is out.

Opening Soon

Anything Goes starring Sutton Foster will officially open on Broadway on April 7th at the Stephen Sondheim Theatre. Directed by two-time Tony Award winner Kathleen Marshall, this old-fashioned dance-heavy musical has the Broadway community buzzing. The revival will feature a new book by Timothy Crouse and John Weidman.

The other big news item is that How to Succeed in Business Without Really Trying will open on Broadway on March 27. The show will star Daniel Radcliffe, who, unless you’ve been hiding under a rock, you know as Harry Potter, and if you’ve been living in a theatre as that kid who got naked last season in Equus. The movie version of this show, starring Robert Morse, continues to be one of my favorites in the genre. Can’t wait to see what Mr. Radcliffe does with the role of Finch.

And then we’ve got the Off-Broadway transfers: Bloody Bloody Andrew Jackson announced that it will hit Broadway on September 21 and The Scottsboro Boys that it will open on October 31. We can only hope they enjoy as much success on Broadway as they did off.

Big Casting Changes

Bernadette Peters and Elaine Stritch have taken over the lead roles in A Little Night Music and everyone is raving about their performances. Check out Peters’ performance of “Send in the Clowns”:

Two others, Marin Mazzie and Jason Danieley, have also stepped into some big shoes – the real life married couple are now playing Diana and Dan Goodman in Next to Normal on Broadway. Yes, they’re big shoes, but if Twitter buzz counts for anything, it sounds as though the show is in more than capable hands.

Closing Soon

In sadder news, Come Fly Away has announced that its final performance will be on September 5. This production, though short-lived on Broadway, does have plans to tour the US, so if you didn’t have the chance to see it on the Great White Way, you’ll have other opportunities.

Cast Albums

The revival cast of La Cage Aux Folles will be recording their work for their fans. The album will be released sometime in September. Pre-order it on amazon.com now.

And I don’t know about you, but I’m loving the newly released albums for Everyday Rapture and Promises, Promises, available online here and here. Trust me – these are albums you won’t regret buying.

Post-Tony Broadway News Recap

Whew … still recovering from the Tony Awards. Everyone thought Sean Hayes did a wonderful job as host (some ranking him higher than NPH), but overall found the ceremony to be a bit soul-less and not as much about Broadway as about celebrity (Hunter Foster has even created a Facebook group called GIVE THE TONYS BACK TO BROADWAY).

And word is out that next year the awards will be booted from the Radio City Music Hall, which they’ve called home for the past 13 years. Back when the Tony Awards were first televised in 1967 (and on through 1996) they were held in actual Broadway houses, rotating through to a different one each year. I’d personally love to see the Tonys return to this system, and the much less elaborate stagings of the musical numbers. Perhaps being kicked to the curb is a good thing and will require producers to rethink the whole event.

The Tonys did feature appearances by a number of the headliners who’ll appear in musicals slated to open next season, including Daniel Radcliff who’ll be starring as Finch in How to Succeed in Business Without Really Trying, Ricky Martin who’ll play Che in the West-End transfer of Evita and Antonio Bandares in the title role in Zorba. Here’s the full list of the musicals on the docket to open soon:

  • The Scottsboro Boys – October 31
  • Women on the Verge of a Nervous Breakdown – November 4
  • Unchain My Heart – November 7
  • The Pee-Wee Herman Show – November 11
  • Spider-Man: Turn Off the Dark – November 2011
  • Elf – November 2011
  • Zorba – Fall 2011
  • Anything Goes – February 2011
  • The Book of Mormon – March 2011
  • Priscilla, Queen of the Desert – March 2011
  • Phantom: Love Never Dies – April 2011
  • How to Succeed in Business Without Really Trying – Spring 2011
  • Catch Me If You Can – Spring 2011
  • Sister Act – Spring 2011
  • Annie – Fall 2012
  • Evita – Spring 2012
  • Yank! – TBA
  • Funny Girl – TBA
  • Godspell – TBA
  • Charlie and the Chocolate Factory – TBA

Meanwhile, Hair and Sondheim on Sondheim both closed their doors on June 27th. Everyday Rapture will be bowing out on July 11 and South Pacific on August 22. Surprisingly no shows have announced closings after suffering losses at the Tonys. Promises, Promises, which was trashed by the critics, got an unexpected boost from Sean’s emceeing and the big on-screen kiss with costar Kristin Chenoweth on the Tony Awards. And Addams Family, which didn’t even get to perform a number at the awards, is also doing very well in the box office. Seems the Tony Awards are no longer the predictor of audiences they used to be…

A number of big casting changes will be taking place next month. The biggest excitement is over the replacements for CZJ and Angela Lansbury in A Little Night Music. Rather than petering out after the stars’ departures, many are now predicting an increase in ticket sales, as their successors will be Broadway favorites Bernadette Peters and Elaine Stritch. Also exciting is that the real life married couple of Marin Mazzie and Jason Danieley will take over the roles of Diana Goodman and Dan in Broadway’s Next to Normal when Alice Ripley departs to join the show on its US Tour and Brian D’Arcy James to perform in Time Stands Still and a new HBO series. Kristin Chenoweth will be leaving Promises, Promises this September (don’t worry, they made sure to record a cast album first). Her replacement has not yet been announced.

A Preview of the 2010 Tony Awards

Tune into our LIVE coverage right now!

The Tony Awards are the only awards ceremony to be telecast nationally, which converts to free publicity for the out-of-town audience that makes up the bulk of Broadway ticket sales, and thus becomes a huge predictor of future success for the nominated shows. Tony wins often allow shows to run on for years – with audiences streaming in to catch this year’s Best Musical and performances by the best actors, while the losing shows sometimes fold the next day.

But the most exciting piece for me is that viewers get a chance to see performances of the big nominated musicals (with no expenses spared) plus all of the stars we’ve come to love (with tons of Hollywood celebrities thrown in this year!) all in one night. Sean Hayes, the star of the nominated Promises, Promises, will host the ceremony, which will feature the following performances:

  • A big opening number which will include Sherie Rene Scott’s “Up the Ladder” from her show Everyday Rapture and the cast of Memphis performing “Blue Suede Shoes,” among other bits of fun
  • Catherine Zeta-Jones’ rendition of “Send in the Clowns” from A Little Night Music
  • Performances from “Glee” stars Matthew Morrison and Lea Michele
  • A medley from Million Dollar Quartet
  • The title song from American Idiot, performed by the cast (and possibly Green Day)
  • Performance from the cast of Promises, Promises
  • Christiane Noll’s rendition of “Back to Before” from Ragtime
  • A medley from Memphis
  • A dance performance by the cast of Come Fly Away
  • Kelsey Grammer and Douglas Hodge performing “The Best of Times” from La Cage aux Folles
  • A montage of songs from Fela!

Presenters for the 64th Annual Tony Awards include many stars from Hollywood, television and the stage. They are (in alphabetical order): Paula Abdul, Antonio Banderas, Justin Bartha, Patrick Breen, Laura Benanti, Cate Blanchett, Laura Bell Bundy, Michael Cerveris, Kristin Chenoweth, Barbara Cook, Viola Davis, Michael Douglas, Kelsey Grammer, Rosemary Harris, Patrick Heusinger, Katie Holmes, Brian d’Arcy James, Scarlett Johansson, Angela Lansbury, Anthony LaPaglia, Laura Linney, Lucy Liu, Jane Maxwell, Idina Menzel, Lea Michele, Helen Mirren, Alfred Molina, Matthew Morrison, Chris Noth, Bernadette Peters, David Hyde Pierce, Daniel Radcliffe, Eddie Redmayne, Mark Sanchez, Liev Schreiber, Tony Shaloub, Will & Jada Pinkett Smith, Stanley Tucci, Denzel Washington and Racquel Welch.

I’ll be covering the ceremony live here on the blog, Twitter and Facebook. My coverage will start at 7 pm ET with the creative arts awards and continue until it ends late at night. Exasperated by or elated at the winners or losers? I wanna hear about it so don’t be shy about joining the conversation!

I don’t know about you, but I’m very much looking forward to this year’s Tony Awards!

Tune into our LIVE coverage right now!

And Finally…The 2010 Tony Award Nominees

The nominees for the big one – the Tony Awards – were announced this morning. The only telecast ceremony of the bunch, these are the awards the average person on the street has heard of and oftentimes have a lot to do with whether a show continues its run for years or closes the next week. We will be announcing the winners live on Twitter and Facebook during the ceremony on Sunday, June 13, so be sure to follow or like us to stay posted and join the conversation. Here are the nominated musicals:

Best Musical
American Idiot
Fela!
Memphis
Million Dollar Quartet

Best Book of a Musical
Dick Scanlan and Sherie Rene Scott, Everyday Rapture
Jim Lewis & Bill T. Jones, Fela!
Joe DiPietro, Memphis
Colin Escott and Floyd Mutrux, Million Dollar Quartet

Best Original Score (Music and/or Lyrics) Written for the Theatre
Andrew Lippa, The Addams Family
Adam Cork and Lucy Prebble, Enron
Branford Marsalis, Fences
Joe DiPietro and David Bryan, Memphis

Best Revival of a Musical
Finian’s Rainbow
La Cage aux Folles
A Little Night Music
Ragtime

Best Performance by a Leading Actor in a Musical
Kelsey Grammer, La Cage aux Folles
Sean Hayes, Promises, Promises
Douglas Hodge, La Cage aux Folles
Chad Kimball, Memphis
Sahr Ngaujah, Fela!

Best Performance by a Leading Actress in a Musical
Kate Baldwin, Finian’s Rainbow
Sherie Rene Scott, Everyday Rapture
Montego Glover, Memphis
Christiane Noll, Ragtime
Catherine Zeta-Jones, A Little Night Music

Best Performance by a Featured Actor in a Musical
Kevin Chamberlin, The Addams Family
Robin De Jesús, La Cage aux Folles
Christopher Fitzgerald, Finian’s Rainbow
Levi Kreis, Million Dollar Quartet
Bobby Steggert, Ragtime

Best Performance by a Featured Actress in a Musical
Barbara Cook, Sondheim on Sondheim
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Karine Plantadit, Come Fly Away
Lillias White, Fela!

Best Direction of a Musical
Christopher Ashley, Memphis
Marcia Milgrom Dodge, Ragtime
Terry Johnson, La Cage aux Folles
Bill T. Jones, Fela!

Best Choreography
Rob Ashford, Promises, Promises
Bill T. Jones, Fela!
Lynne Page, La Cage aux Folles
Twyla Tharp, Come Fly Away

Best Orchestrations
Jason Carr, La Cage aux Folles
Aaron Johnson, Fela!
Jonathan Tunick, Promises, Promises
Daryl Waters & David Bryan, Memphis

Best Scenic Design of a Musical
Marina Draghici, Fela!
Christine Jones, American Idiot
Derek McLane, Ragtime
Tim Shortall, La Cage aux Folles

Best Costume Design of a Musical
Marina Draghici, Fela!
Paul Tazewell, Memphis
Matthew Wright, La Cage aux Folles
Santo Loquasto, Ragtime (Why was this nominee removed?)

Best Lighting Design of a Musical
Kevin Adams, American Idiot
Donald Holder, Ragtime
Nick Richings, La Cage aux Folles
Robert Wierzel, Fela!

Best Sound Design of a Musical
Jonathan Deans, La Cage aux Folles
Robert Kaplowitz, Fela!
Dan Moses Schreier and Gareth Owen, A Little Night Music
Dan Moses Schreier, Sondheim on Sondheim

2010 Drama Desk Award Nominations

As award season continues, another round of announcements are out – these for the coveted Drama Desk Awards, which include Broadway, Off-Broadway and Off-Off-Broadway productions. Without further ado, here are the nominees for the categories that include musicals:

Special Award
Jerry Herman

Outstanding Musical
American Idiot
Everyday Rapture
Memphis
The Addams Family
The Scottsboro Boys
Yank!

Outstanding Revival of a Musical
A Little Night Music
Finian’s Rainbow
La Cage Aux Folles
Promises, Promises
Ragtime

Outstanding Actor in a Musical
Brandon Victor Dixon, The Scottsboro Boys
Douglas Hodge, La Cage Aux Folles
Cheyenne Jackson, Finian’s Rainbow
Chad Kimball, Memphis
Nathan Lane, The Addams Family
Bobby Steggert, Yank!

Outstanding Actress in a Musical
Kate Baldwin, Finian’s Rainbow
Montego Glover, Memphis
Jayne Houdyshell, Coraline
Christiane Noll, Ragtime
Sherie Rene Scott, Everyday Rapture
Catherine Zeta-Jones, A Little Night Music

Outstanding Featured Actor in a Musical
Kevin Chamberlin, The Addams Family
Robin De Jesus, La Cage Aux Folles
Jeffry Denman, Yank!
Christopher Fitzgerald, Finian’s Rainbow
Jeremy Morse, Bloodsong of Love
Bobby Steggert, Ragtime

Outstanding Featured Actress in a Musical
Carolee Carmello, The Addams Family
Carrie Cimma, Lizzie Borden
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Kenita Miller, Langston in Harlem
Terri White, Finian’s Rainbow

Outstanding Choreography
Warren Carlyle, Finian’s Rainbow
Marcia Milgrom Dodge, Ragtime
Lynne Page, La Cage Aux Folles
Susan Stroman, The Scottsboro Boys
Twyla Tharp, Come Fly Away
Sergio Trujillo, Memphis

Outstanding Music
David Bryan, Memphis
Michael Friedman, Bloody Bloody Andrew Jackson
Joe Iconis, Bloodsong of Love
John Kander & Fred Ebb, The Scottsboro Boys
Andrew Lippa, The Addams Family
Joseph Zellnik, Yank!

Outstanding Lyrics
Rick Crom, Newsical The Musical
Kevin Del Aguila, Click, Clack, Moo
John Kander & Fred Ebb, The Scottsboro Boys
Dillie Keane and Adèle Anderson, Fascinating Aïda Absolutely Miraculous!
Andrew Lippa, The Addams Family
David Zellnik, Yank!

Outstanding Book of a Musical
Joe DiPietro, Memphis
Joe Iconis, Bloodsong of Love
Dick Scanlan & Sherie Rene Scott, Everyday Rapture
David Thompson, The Scottsboro Boys
Alex Timbers, Bloody Bloody Andrew Jackson
David Zellnik, Yank!

Outstanding Orchestrations
William David Brohn, Ragtime
Larry Hochman, The Scottsboro Boys
Tom Kitt, American Idiot
Tom Kitt, Everyday Rapture
John Oddo, All About Me
Daryl Waters & David Bryan, Memphis

Outstanding Musical Revue
Fascinating Aïda Absolutely Miraculous!
Million Dollar Quartet
Newsical The Musical
Simon Green: Traveling Light
Sondheim on Sondheim

Outstanding Set Design
Sandra Goldmark, The Boys in the Band
Phelim McDermott, Julian Crouch & Basil Twist, The Addams Family
Derek McLane, Ragtime
Christopher Oram, Red
Jay Rohloff, Underground
Karen Tennent, Hansel and Gretel

Outstanding Costume Design
Antonia Ford-Roberts & Bob Flanagan, The Emperor Jones
Santo Loquasto, Ragtime
Clint Ramos, So Help Me God!
Bobby Frederick Tilley II, Lizzie Borden
Matthew Wright, La Cage Aux Folles
David Zinn, In the Next Room or the vibrator play

Outstanding Lighting Design in a Play
Neil Austin, Hamlet
Neil Austin, Red
Christian M. DeAngelis, Lizzie Borden
Maruti Evans, John Ball’s In the Heat of the Night
Natasha Katz, The Addams Family
Dane Laffrey, The Boys in the Band

Outstanding Sound Design in a Musical
Acme Sound Partners, Ragtime
Jonathan Deans, La Cage Aux Folles
Ashley Hanson, Kurt Eric Fischer & Brian Ronan, Everyday Rapture
Peter Hylenski, The Scottsboro Boys
Scott Lehrer, Finian’s Rainbow
Brian Ronan, Promises, Promises

The reviews for Everyday Rapture are in …

Nearly every critic for Everyday Rapture walked away from the show last night with a large smile plastered across his or her face. In this one-woman showcase, which was a last minute replacement for Lips Together, Teeth Apart, Sherie Rene Scott explodes with energy, charisma, humor and spectacular vocals. The last show to open in the 2009-2010 Broadway season, many are predicting that Scott and her cohorts will steal away more than one award from the competition.

New York Times

Just as the Broadway theater season is drawing to its close, a smashing little show has arrived to remind us of why so many of us keep going back to Broadway, even though it’s broken our heart so many times…. Of course there appears to be a significant overlap between the character and the actress…But in telling the story of Sherie, Ms. Scott embellishes, overstates, understates, bends and weaves the complexities and inconsistencies of one life into the whole-making harmonies of a musical fable. In so doing, she has created a beautiful, funny fiction that is both utterly removed from and utterly true to real life. Which is what I, at least, always hope a musical will do. Read the full review.

Associated Press

Scott and “Everyday Rapture,” her deliciously entertaining mini-musical, have arrived on Broadway, an emergency, end-of-season replacement for the Roundabout Theatre Company’s revival of “Lips Together, Teeth Apart” which imploded during rehearsals…. the bubbly, blond, multitalented Scott has one of those quirky, expansive theater personalities that can really fill a stage…And her story, concocted by Scott and Dick Scanlan, is funny, touching and more than a little melodic. Read the full review.

Backstage

Well, we can use one more theatrical autobiography if it’s as funny, quirky, and offbeat as Sherie Rene Scott’s “Everyday Rapture”…. There’s more than one actor in the cast, the witty script by Scott and Dick Scanlan doesn’t follow a clear chronological line, and Scott…employ[s] a dry, ironic tone [and t]he strong, clear voice and off-center sense of humor that informed her standout performances in “Aida,” “Dirty Rotten Scoundrels,” and “The Little Mermaid”…. Thanks to Scott’s insightful self-examination, razzle-dazzle showmanship, and dynamite vocals, this is a satisfying and enjoyable way to end the 2009-10 Broadway season. Read the full review.

Hollywood Reporter

There’s no denying that the beautiful blonde Scott possesses considerable talent and charm, both of which are on ample display. She delivers her frequently amusing tale with sly, understated humor in a breathy, sexy voice that recalls Marilyn Monroe’s in its disingenuousness…. Scott, accompanied by backup singers Lindsay Menez and Betsy Wolfe, handles the musical and narrative demands of the show in fine fashion. But “Rapture” comes across as overly precious and lacking the thematic heft that would justify its unexpected Broadway berth. Read the full review.

Variety

In the opening scene of the charmingly frenetic philosophical/autobiographical rumination-with-songs, Everyday Rapture, Sherie Rene Scott classifies herself as “one of Broadway’s biggest, brightest semi-stars.” Not anymore, lady. Here is Scott. She is not merely carrying this enchanting carnival — coauthored by herself — on her more than capable shoulders; she is the show. Scott is a force to be reckoned with. Everyday Rapture has provided an entertaining jolt to the season’s less-than-stellar lineup of new musicals. Read the full review.

April News Roundup

An awful lot has happened this month on the Great White Way – numerous shows have opened, squeezing in just in time for award consideration, and there’s been lots of exciting announcements and good old controversy. If you’ve been hiding under a rock, here’s what you’ve missed:

The Addams Family opened to dismal reviews, while the critics ate up the La Cage Aux Folles revival and had mixed things to say about American Idiot, Million Dollar Quartet, Sondheim on Sondheim and Promises, Promises.

Everyday Rapture, the last minute Sherie Rene Scott showcase, opens tomorrow night and released a very fun cast recording pre-opening. The buzz so far is that those who love the woman will adore the production, while others may be left scratching their heads. We’ll see what the critics have to say tomorrow.

There’s quite a break before the next round of shows look to make their way to Broadway. The big official announcements are that Catch Me If You Can, which had an out-of-town-tryout last year in Seattle, is looking at a spring 2011 Broadway opening. However, Jack O’Brien and Jerry Mitchell, who were involved in the Seattle mounting are already tied up in Phantom: Love Never Dies, which was pushed back to the spring in response to Andrew Lloyd Webber’s health problems, so everyone’s wondering which production they’ll stick with.

The other exciting spring openings are How to Succeed in Business Without Really Trying, which will feature Harry Potter star Daniel Radcliffe, The Book of Mormon, from South Park creators Trey Parker and Matt Stone and Avenue Q composer and co-creator Robert Lopez and the Australian/West End transfer of Priscilla, Queen Of The Desert, whose producers are reportedly talking to Matthew Cavanaugh (West Side Story) and Will Swenson (Hair) about joining Tony Sheldon in the production.

The doomed Spider-Man: Turn Off the Dark ran into another hiccup, when it’s only remaining headliner, Alan Cumming, bailed on the production. Originally slotted to open in the fall of last year, then in February of this year, the show now has no official start date or stars, save for the newcomer, Reeve Carney, who Taymor selected to play Spidey…

Plenty of rumors have popped up this month too. Rumor is that Gwyneth Paltrow and her mother Blythe Danner may be taking over for Catherine Zeta Jones and Angela Lansbury in A Little Night Music, when they depart the production in June. And Disney acquired the domain names DumboOnBroadway.com and NewsiesOnBroadway.com. The Post already told us about a potential Dumbo mounting on Broadway, but the Newsies purchase has sparked some positive buzz among our Twitter and Facebook followers.

Another adaptation of film to the stage is officially in the works – as producer Matt Murphy has acquired the stage rights for a musical adaptation of Dances With Wolves. Murphy, who is pulling together a creative team now, is looking to team the composer “with a Native American musical expert to lend authenticity to the score.” And the NFL has invested in their first Broadway show, Lombardi, which will star Dan Lauria (“The Wonder Years”) and is slated to open at Circle in the Square on Oct. 21, 2010.

The biggest controversy this month was that Next to Normal took home the Pulitzer Prize for Drama, even though it was not among the nominees. The board members are reputed to have attended the show the night before making their decision and Charles McNulty of the Los Angeles Times cried foul while others sat wondering “what’s with all the N2N hate?” The show did just recoup its investment – a very exciting achievement that many hope will help producers see they don’t have to rely on Hollywood stars and spectacle to make a success – a good show will get “butts in seats.”

In other award news, nominees for the Outer Critics Circle Awards and Drama League Awards have been announced. The Drama Desk nominees will be out on May 3rd and the Tony Award nominees on May 4th. Here’s when all of the award ceremonies will take place:

Drama League Awards: May 21, 2010
Drama Desk Awards: May 23, 2010
Outer Critics Circle Awards: May 27, 2010
Theatre World Awards: June 8, 2010
Tony Awards: June 13, 2010

Cast albums are out for Everyday Rapture, American Idiot and A Little Night Music and The Addams Family, Fela! and Memphis all recently went into the studio to record their own. The Off-Broadway (and suspected soon-to-transfer-to-Broadway) production of The Scottsboro Boys also ducked into the studio to record an album.

In casting news, Brian d’Arcy James, who originated the role of Dan in Next to Normal‘s original Off-Broadway run, will be rejoining the cast, this time on Broadway.  J. Robert Spencer leaves the show on May 16 and James will start his run in the show the following day.

And the final bit of excitement I’ll leave with you is official confirmation that shooting for the In the Heights movie, directed by Kenny Ortega and starring Lin-Manuel Miranda,  begins this August.

Delays, transfers, replacements, closings and even some happy news!

That’s right, it’s time for another massive news roundup. There’s a lot to catch up on, so without any further ado, here we go…

The Broadway premiere of Andrew Lloyd Webber’s Love Never Dies will open at the Neil Simon Theater in the spring of 2011 due to some health complications of ALW’s part. The show, which was to open on Broadway in November of 2011, has been playing to somewhat mixed reviews on the West End. The big buzz about the delay is in regards to Jack O’Brien (director) and Jerry Mitchell (choreographer) because…

Catch Me If You Can is officially opening on Broadway in the spring of 2011! Producers Hal Luftig and Margo Lion have confirmed that rehearsals for the show that premiered at Seattle’s 5th Avenue will begin in January. A theatre and the exact dates of production have not yet been announced, but O’Brien and Mitchell are on board, and it is assumed that the big names associated with the production (Aaron Tveit, Tom Wopat, Norbert Leo Butz) will be headliners.

Another exciting transfer is that of Yank!, the Off-Broadway hit that just closed at the York Theater Company. Producers Pamela Koslow and Karl Held have announced plans to bring the ‘don’t ask, don’t tell’ G.I. musical to the Great White Way during the 2010-11 season. No news as to whether Bobby Steggert and Ivan Hernandez will repeat the roles they originated on Broadway.

Another Off-Broadway hit, Sherie Rene Scott’s Everyday Rapture is headed to Broadway thanks to Megan Mullally’s sudden and late departure from Lips Together, Teeth Apart. Everyday Rapture will open on April 29, 2010, so it will be in the running for this year’s Tony Awards.

The other sudden departure was that of the show All About Me, which, after being panned harshly by critics, ended its Broadway run after only 20 performances. That, ladies and gentlemen, is what we call a flop.

But enough depressing news…here’s some happy news:

  • Next to Normal officially recouped its investment!
  • Henry Miller’s Theatre was renamed in Stephen Sondheim’s honor!
  • John Cameron Mitchell’s Hedwig and the Angry Inch may be headed to Broadway in the fall!

And yes, it’s not technically Broadway, but since so many Off-Broadway shows are transferring these days, I thought it worth mentioning that Bloody Bloddy Andrew Jackson, a new musical about the guy you talked about in history class is generating nothing but great buzz. If you want to see it while the price is right, get over to the Public Theatre ASAP.

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