Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.
An awful lot has happened this month on the Great White Way – numerous shows have opened, squeezing in just in time for award consideration, and there’s been lots of exciting announcements and good old controversy. If you’ve been hiding under a rock, here’s what you’ve missed:
Everyday Rapture, the last minute Sherie Rene Scott showcase, opens tomorrow night and released a very fun cast recording pre-opening. The buzz so far is that those who love the woman will adore the production, while others may be left scratching their heads. We’ll see what the critics have to say tomorrow.
There’s quite a break before the next round of shows look to make their way to Broadway. The big official announcements are that Catch Me If You Can, which had an out-of-town-tryout last year in Seattle, is looking at a spring 2011 Broadway opening. However, Jack O’Brien and Jerry Mitchell, who were involved in the Seattle mounting are already tied up in Phantom: Love Never Dies, which was pushed back to the spring in response to Andrew Lloyd Webber’s health problems, so everyone’s wondering which production they’ll stick with.
The other exciting spring openings are How to Succeed in Business Without Really Trying, which will feature Harry Potter star Daniel Radcliffe, The Book of Mormon, from South Park creators Trey Parker and Matt Stone and Avenue Q composer and co-creator Robert Lopez and the Australian/West End transfer of Priscilla, Queen Of The Desert, whose producers are reportedly talking to Matthew Cavanaugh (West Side Story) and Will Swenson (Hair) about joining Tony Sheldon in the production.
The doomed Spider-Man: Turn Off the Dark ran into another hiccup, when it’s only remaining headliner, Alan Cumming, bailed on the production. Originally slotted to open in the fall of last year, then in February of this year, the show now has no official start date or stars, save for the newcomer, Reeve Carney, who Taymor selected to play Spidey…
Plenty of rumors have popped up this month too. Rumor is that Gwyneth Paltrow and her mother Blythe Danner may be taking over for Catherine Zeta Jones and Angela Lansbury in A Little Night Music, when they depart the production in June. And Disney acquired the domain names DumboOnBroadway.com and NewsiesOnBroadway.com. The Post already told us about a potential Dumbo mounting on Broadway, but the Newsies purchase has sparked some positive buzz among our Twitter and Facebook followers.
Another adaptation of film to the stage is officially in the works – as producer Matt Murphy has acquired the stage rights for a musical adaptation of Dances With Wolves. Murphy, who is pulling together a creative team now, is looking to team the composer “with a Native American musical expert to lend authenticity to the score.” And the NFL has invested in their first Broadway show, Lombardi, which will star Dan Lauria (“The Wonder Years”) and is slated to open at Circle in the Square on Oct. 21, 2010.
The biggest controversy this month was that Next to Normal took home the Pulitzer Prize for Drama, even though it was not among the nominees. The board members are reputed to have attended the show the night before making their decision and Charles McNulty of the Los Angeles Times cried foul while others sat wondering “what’s with all the N2N hate?” The show did just recoup its investment – a very exciting achievement that many hope will help producers see they don’t have to rely on Hollywood stars and spectacle to make a success – a good show will get “butts in seats.”
In other award news, nominees for the Outer Critics Circle Awards and Drama League Awards have been announced. The Drama Desk nominees will be out on May 3rd and the Tony Award nominees on May 4th. Here’s when all of the award ceremonies will take place:
Drama League Awards: May 21, 2010 Drama Desk Awards: May 23, 2010 Outer Critics Circle Awards: May 27, 2010 Theatre World Awards: June 8, 2010 Tony Awards: June 13, 2010
Cast albums are out for Everyday Rapture, American Idiot and A Little Night Music and The Addams Family, Fela! and Memphis all recently went into the studio to record their own. The Off-Broadway (and suspected soon-to-transfer-to-Broadway) production of The Scottsboro Boys also ducked into the studio to record an album.
In casting news, Brian d’Arcy James, who originated the role of Dan in Next to Normal‘s original Off-Broadway run, will be rejoining the cast, this time on Broadway. J. Robert Spencer leaves the show on May 16 and James will start his run in the show the following day.
And the final bit of excitement I’ll leave with you is official confirmation that shooting for the In the Heights movie, directed by Kenny Ortega and starring Lin-Manuel Miranda, begins this August.
Yesterday, Hunter and Sutton Foster announced the nominees for the 60th annual Outer Critics Circle Awards, which honor the best in Broadway and Off-Broadway theatre. Winners will be announced on May 27 here on the blog. Here are this year’s musical theater nominees:
Outstanding Director of a Musical
Christopher Ashley, Memphis
Terry Johnson, La Cage aux Folles
Susan Stroman, The Scottsboro Boys
Alex Timbers, Bloody Bloody Andrew Jackson
Outstanding Choreographer
Rob Ashford, Promises, Promises
Bill T. Jones, Fela!
Susan Stroman, The Scottsboro Boys
Sergio Trujillo, Memphis
Outstanding Set Design (Play or Musical)
John Lee Beatty, The Royal Family
Beowulf Boritt, Sondheim on Sondheim
Phelim McDermott & Julian Crouch, The Addams Family
Donyale Werle, Bloody Bloody Andrew Jackson
Outstanding Costume Design (Play or Musical)
Jane Greenwood, Present Laughter
Martin Pakledinaz, Lend Me a Tenor
Matthew Wright, La Cage aux Folles
Catherine Zuber, The Royal Family
Outstanding Lighting Design (Play or Musical)
Kevin Adams, American Idiot
Kevin Adams, The Scottsboro Boys
Ken Billington, Sondheim on Sondheim
Justin Townsend, Bloody Bloody Andrew Jackson
The 2010 Drama League nominees have been announced. Chosen by a group of theater professionals and patrons, these include both On and Off-Broadway New York productions. Winners will be announced on May 21. Without further ado, here are the musical theater nominees:
The verdict is unanimous: This scaled-down mounting of La Cage Aux Folles, a transfer from London’s Mernier Chocolate Factory, is a lovely, fun and nuanced take on the campy original. Doglass Hodge lived up to all expectations – blowing away every reviewer, particularly in his performance of “I Am What I Am” – and Kelsey Grammer exceeded what had been expected from him – using his voice (which is far better than anyone had supposed) and subtlety to balance Hodge’s (appropriately) over-the-top performance. And the two stars are backed up by a solid ensemble and hilarious supporting cast. As one reviewer said, this show leaves you feeling that “the best of times IS now.”
New York Times
“The ladies of the chorus from “La Cage aux Folles” have never looked more appealing than they do in the warm, winning production that opened Sunday night at the Longacre Theater… This deliberately disheveled show…is a far cry from the high-gloss original production of 1983 or the glamorous, soulless revival that opened less than six years ago… That’s partly because of the stylish yin and yang of its stars… Mr. Hodge, who originated the part [of Albin] in the London revival, brings a fluttery hyperintensity to the role that recharges it… You don’t realize how much pain and anger have gone into this self-construction until you hear him do “I Am What I Am,” the show’s signature anthem, at the end of the first act. Mr. Hodge breathes fire here, his hitherto scratchy, campy voice growing into a white-hot blaze. It is — and who’d a thunk it? — the most electric interpretation of a song on Broadway right now. Mr. Grammer provides the ideal counterpoint to this hysterical creature, in a cool, modest performance that has its own sneaky charm. That his singing voice is correspondingly quiet, with no muscle-flexing baritone bravado, makes Georges’s over-ripe sentimental ballads (“Look Over There,” “Song on the Sand”) palatable and even touching in their unaffected sincerity.” Read the full La Cage Aux Folles review.
Associated Press
“[Douglas Hodge] is giving the most exuberant musical-comedy performance of the season. Hodge is the primary reason this riotously funny and, yes, emotionally affecting revival of the Jerry Herman-Harvey Fierstein musical has returned to Broadway only five years after its last New York appearance. Yet there is more to the show than Hodge’s star-making performance. “La Cage,” which opened Sunday at Broadway’s Longacre Theatre, has been imaginatively reconceived by director Terry Johnson… Grammer has a surprisingly sturdy singing voice and an ingratiating stage manner, just right for the calm — well, relatively calm — voice of reason in the chorus of quirky, high-spirited characters who populate Fierstein’s plot of filial devotion.” Read the full La Cage Aux Folles review.
Variety
“Why bring back “La Cage aux Folles” — a major hit musical of the 1983-84 Broadway season, but certainly not a classic like “Gypsy” or “Fiddler on the Roof” — only five years after its first Broadway revival? Especially when that 2004-05 stint proved a tired and unnecessary affair, suggesting that the original production (with its six Tony Awards) was stronger than the material. The producers of this new edition, which premiered at London’s Menier Chocolate Factory in 2007, have a convincing answer: It’s funny, heartwarming and terrific.” Read the full La Cage Aux Folles review.
USA Today
“Attending a performance of this La Cage, which opened Sunday at the Longacre Theatre, is a bit like spending an afternoon with an overactive but thoroughly charming child. An import of London’s Menier Chocolate Factory, the production retains one of its original stars: the British trouper Douglas Hodge, who won an Olivier Award for his portrayal of Albi… But if Hodge has some beautifully nuanced moments, he can also milk Zaza’s camp value, and that of the show, to distraction… Fortunately, Grammer settles into a more natural, endearing interpretation, and he and Hodge, for all their winking gestures, capably illustrate the affection and devotion binding this couple. They’re abetted, under Terry Johnson’s giddy direction, by a number of entertaining supporting performances… They all seem to be having a swell time, as will you — so long as you can keep up with them.” Read the full La Cage Aux Folles review.
Entertainment Weekly
“The show, newly revived on Broadway under the thoughtful direction of Terry Johnson, proves to be surprisingly sturdy… Hodge is practically perfect as the fey Albin, a tricky role in which an actor could easily slip into caricature or sentimentality. Hodge manages a careful balance, delivering a performance that is both hilarious and heartfelt; his character is admittedly over the top, but he always feels real. As his partner, the La Cage manager Georges, Kelsey Grammer proves to be an equal partner in carrying the show… Hodge and Grammer provide a solid grounding for the show, but the rest of the cast offers all the flourishes you’d expect from a show rooted in drag performance.” Read the full La Cage Aux Folles review.
Bloomberg
“The chorus of six long-limbed drag queens in the latest Broadway revival of Jerry Herman’s “La Cage aux Folles” is half that of two earlier outings… Yet unlike the shrunken revivals of other big Broadway musicals, this one makes sense. Terry Johnson’s smart, tight, rough-edged and slightly tacky production gets closer to the sort of scene one might actually find in a transvestite club on the French Riviera… The box-office draw is Kelsey Grammer, of TV’s “Frasier,” as Georges, the soigne master of ceremonies. The main reason for seeing the show is Douglas Hodge as Albin, the aging headliner and Georges’s partner of 20 years.” Read the full La Cage Aux Folles review.
A huge collection of shows are opening on Broadway in March and April. A lot of them have been covered on the blog here, but a quick round-up of what to look for in the coming months seemed in order.
This Dame Edna and Michael Feinstein spectacle got a lot of buzz when the two stars originally claimed to be mounting similarly titled solo shows, but since then buzz about the show has died down. Written by Christopher Durang and directed by Casey Nicholaw, the show seems to be testing what happens when you put four big personalities in a room together. Having seen each of their creations in the past, hopes are high that together they’ll pull off something wonderfully fun.
There’s been next to no buzz about Twyla Tharp’s Frank Sinatra inspired musical, which will feature a lot of dancing and a 19-piece band. Burn the Floor, which just closed on Broadway, proved that there is an audience for ballroom dance, and Mamma Mia has shown that audiences love a good jukebox musical, so maybe it’ll work; it’ll either flop hard and fast, or go on to become the next Contact. Let’s hope its the latter.
Featuring Broadway vets Nathan Lane and Bebe Neuwirth, writers of this new show penned an original storyline, rather than attempting to adapt the movie or TV show – a very smart move considering the limited successes of some recent adaptations. The musical will likely need to enjoy a long run in order to recoup its investment and from what they’ve shown so far – it looks like they may have a shot.
This Chicago transfer is hoping to capitalize on the jukebox musical phenomenon. Starring the four Broadway newcomers who originated their roles in Chicago, this musical tells the tale of a jam session that included Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins. Audiences and critics in Chicago adored this production largely due to the performances of the four leads – so Broadway theater-goers can count themselves lucky that producers are willing to take a risk on four unknowns.
Douglas Hodge will recreate his Oliver Award-winning performance in this UK transfer alongside Kelsey Grammer. Many were startled to see the show is returning to Broadway so soon (the last production of La Cage aux Folles closed in June of 2005), but the Mernier Chocolate Factory has only sent over great productions in the past, so there’s little doubt this will be anything but a wonderful treat.
After playing to packed houses in Berkley, this show, created by a phenomenal production team of Broadway big hitters, has developed a devoted following and earned a reputation for being something entirely new. With music from the Grammy Award-winning album, a fantastic, youthful cast and an audience among the Next to Normal and Spring Awakening crowd, this show has only to live up to half of the hype to become a success.
A collection of fantastic actors (Barbara Cook, Vanessa Williams, Michael ARden, Leslie Kritzer and more) will be singing some of Sondheim’s best songs in this tribute to the man. Yes, Sondheim has had lots of musical reviews over the years, but this one may be worth it – if only to see some of these performers live again.
Finally Kristin Chenoweth is making her way back to Broadway! Joining her is another star of the small screen, Sean Hayes. This show isn’t likely to change the course of musical theater, but it is nice to know there will be some lighthearted old-fashioned fare on Broadway.
The West End transfer of La Cage Aux Folles, which opens April 18 at the Longacre Theater, previously announced its headliners Kelsey Grammer and Douglas Hodge.
Brian Yorkey, the book writer and lyricist for Broadway’s Next to Normal, told Playbill.com, “A tour is in the works. David Stone’s at work putting it together. I think it will launch later this year, in the fall or winter.” In addition to a national tour here in the US, there is also apparently a group working on translating the show for a Scandinavian production.
Chicago Now Broadway’s 6th Longest Running Show
On Jan. 12, the Tony Award-winning revival of John Kander and Fred Ebb’s Chicago played its 5,462nd performance and became the sixth longest-running production in Broadway history, surpassing Beauty and the Beast, which previously held that position.
Finian’s Rainbow Cast Album Available Feb 2
The critically acclaimed revival of Finian’s Rainbow that just closed its doors on Broadway did have the chance to visit a recording studio before the death knells rang – capturing the beautiful voices of Kate Baldwin and Cheyenne Jackson singing some of the best songs in the Broadway musical cannon. Listen to a sample. The album is available for pre-order now.
Hair holding open casting
With nearly all of the original Broadway cast of Hair off to perform in the west-end transfer, producers are looking to cast a new group of Broadway hopefuls. Open auditions will take place from 10 AM-6 PM at the Public Theater on January 21. Actors are asked to prepare 16 bars of an up-tempo pop or rock song (with sheet music), and to bring a headshot and a resume.
Billy Elliot has Recouped its Investment
Producers of the Tony Award-winning Broadway musical Billy Elliot have announced that it has recouped its $18 million investment. The national tour of the show is set to launch in Chicago on March 18.
La Cage Aux Folles Artwork Revealed
Our Twitter and Facebook followers have had mixed opinions about it. What do you think?
An Obama Musical?
Yes. A company in Germany has created a show based on Obama’s rise to the Presidency. The title: HOPE. The video speaks for itself:
Casting changes
In the Heights
Janet Dacal (who originated Carla) and newcomer David Del Rio will be replacing Mandy Gonzalez (the current Nina) and Robin De Jesus (the current Sonny) when they leave Broadway’s In The Heights next month.
Wicked
Andy Karl (9 to 5, Legally Blonde) will join the Broadway cast of Wicked beginning Feb. 2, succeeding Kevin Kern in the role of Fiyero. Katie Rose Clarke and Jenny Fellner stepped into the roles of Glinda and Nessarose, respectively, on Jan. 14.
Chicago
Former Destiny’s Child member Michelle Williams (Aida) will replace Ashlee Simpson as Roxie Hart in Broadway’s Chicago beginning February 8.
South Pacific
On January 5, Laura Osnes (Grease, Bonnie & Clyde) returned to Broadway’s South Pacific taking over the role of Nellie Forbush from Kelli O’Hara.
Coming soon…
Zorba
The New York Post is reporting that Antonio Banderas (Nine) will be playing the title role in a Broadway production of the John Kander & Fred Ebb musical Zorba, to be directed by Gary Griffin (The Color Purple) and choreographed by Sergio Trujillo (Jersey Boys).
Monsoon Wedding
Mira Nair is working on a stage version of her film Monsoon Wedding hoping to make its Broadway debut a year from now. The show, co-written by Mira Nair and Sabrina Dhawan with music by Vishal Bharadwaj and choreography by Bill T. Jones, will combine circus acrobatics, aerial acting, theatre, music and dance.
Glee – Golden Globe, 2nd Season, Open Casting
The TV show Glee , which has featured show tunes and many Broadway actors, including Matthew Morrison (Hairspray, Light in the Piazza) and Lea Michele (Spring Awakening), took home the Golden Globe Award for Best Television Series (Comedy or Musical) and was picked up for a second season on Fox. Fans will be excited to hear that producers have announced casting for both professionals and amateurs ranging from ages 16-26. Are you enough of a gleek to make the show?
Delays…
All About Me
Previews for All About Me, the Michael Feinstein and Dame Edna show, will begin Feb. 22, three days later than originally announced.
Spider-Man: Turn Off the Dark
Also delayed, not so surprisingly, was Spider-Man: Turn Off the Dark. The show, which producers had vehemently assured patrons would begin previews on Feb 25, will now be open sometime in 2010 – no specific dates have yet been announced.
Broadway on TV!
John Tartaglia (Shrek, Avenue Q) will appear on the February 3rd episode of Ugly Betty.
Catherine Zeta-Jones (A Little Night Music) will guest on “The Late Show with David Letterman” on Jan. 22.
A lot has been happening on Broadway these last few weeks. Here are the biggest of the announcements:
Closing soon
Bye Bye Birdie has offically announced that it will play its final performance on Jan 24. Though technically an extension of its limited run, many had expected this expensive production to run much longer, and producers are definitely walking away with losses.
RUMOR: Michael Riedel of the New York Post is saying things aren’t looking good for Broadway’s Ragtime: “Officially, the producers say, ‘there are no plans to close at this time.’ Unofficially, it’s likely to close Jan. 3 at a total loss, several production sources say.”
Though not Broadway, this one is a big blow for NYC theatre. Altar Boyz, the longest running Off-Broadway musical to open in more than a decade (the 9th longest of all time), will play its final performance at New World Stages on Sunday, January 10th at 7:30 PM.
Opening soon
Million Dollar Quartet will officially begin previews at the Nederlander Theatre on March 13, 2010 and open on April 11, 2010. The Broadway production will be independent of the Chicago company, which will continue there. Broadway casting has not yet been announced.
All About Me, which had announced an opening in a few months at the John Golden Theatre, will instead take over Henry Miller’s Theatre now that Bye Bye Birdie is vacating.
Producer Ken Davenport has announced that Stephen Schwartz’s Godspell, which had been scheduled to begin previews at the Ethel Barrymore Theatre in September 2008, is now aiming for a Broadway bow during the 2010-11 season. The revival will be directed by Daniel Goldstein. No casting has yet been announced.
Cast albums
PS Classics and Nonesuch will team to release the new Broadway cast album of Stephen Sondheim’s A Little Night Music. The cast of the Trevor Nunn-directed revival will record the album Jan. 4, 2010. No release date has yet been announced.
The cast album for the Broadway revival of Finian’s Rainbowwill be available on Feb. 2, 2010 (though the disc will be at the St. James Theatre three weeks before that). The new Broadway cast album will be produced by PS Classics.
Broadway’s Memphis has recorded a cast album with Delray Records. The national release will be announced shortly, but in the meantime fans may purchase it at the Shubert Theatre where the musical opened in October.
Broadway casting announcements
Corbin Bleu of High School Musical fame is going to play the role of Usnavi in In the Heights starting January 25th. Regarding the casting (which has met with a lot of nay-saying online), Lin-Manuel Miranda had this to say:
Javi is amazing. Jon Rua is too.
Michael Balderrama makes the drama ring true.
They’re big footsteps; I wrote a really big shoe.
This one is Lin-approved: Mr. Corbin Bleu.
Producers have announced that the Broadway production of Sondheim on Sondheim, opening April 22, will star Barbara Cook, Vanessa Williams, Tom Wopat, Leslie Kritzer, Norm Lewis, Euan Morton and Matthew Scott.
Kelsey Grammer has signed on to star in the Broadway musical La Cage Aux Folles, as Georges. He will star alongside Douglas Hodge, who will continue in the role of Albin, the drag queen star, which he played to critical acclaim in London. The revival opens on April 18, 2010 at the Longacre Theatre.
Matt Cavenaugh will play his last performance as Tony in West Side Storyon Dec. 13. His understudy Matthew Hydzik will resume the role on Dec. 15.
Broadway’s Mary Poppins welcomes Valerie Boyle to the role of household cook Mrs. Brill Dec. 4 and Tony nominee Jonathan Freeman to the company on Dec. 12 at the New Amsterdam Theatre.
Destiny’s Child member Michelle Williams will join the musical Chicago on Broadway starting Feb. 8. Williams is slated to star as Roxie Hart in the production until mid-April.
Grammy-nominated cast albums
The Grammy Award nominations were announced, and the Best Musical Show Album contained nominations for Ain’t Misbehavin’, Hair, 9 to 5, Shrek and West Side Story.
Wicked sets a new record
Wicked hit a major milestone Thanksgiving weekend, becoming the first Broadway production to report sales of more than $2 million for a single week.
Musicals on the Silver Screen
Variety is reporting that “Shakespeare in Love” director John Madden is in talks to direct the film version of My Fair Lady with a screenplay by Emma Thompson. Keira Knightly and Daniel Craig have been rumored to star in the Cameron Mackintosh and Duncan Kenworthy produced movie musical.
Tony Award-winning actress Donna Murphy (Passion, The King and I) has joined the cast of the new Disney animated musical Rapunzel. Murphy will voice the role of the witch, alongside Mandy Moore and Zachary Levi. Academy Award-winning composer Alan Menken will compose and Byron Howard and Nathan Greno will direct.
Amateur rights available
Rights for the 2008 Tony Award winner for best musical, In the Heights, are now available through R&H Theatricals. For more information or to license the show, click here.
Musicals on Time’s Top Ten of Everything list
Time Magazine unveiled its “The Top 10 Everything of 2009,” rating news, entertainment, pop culture and more. Ragtime, Finian’s Rainbow and Fela! all appeared on the “Top 10 Plays and Musicals” list and Marion Cotillard on the “Top 10 Movie Performances” list for her turn in the film version of Nine.
New equity leadership
Actors’ Equity Association announced Dec. 11 that Mark S. Zimmerman has resigned as president, effective immediately. Equity’s vice president Paige Price will now carry out the duties of the president until a new president is elected.
Touring soon
Dreamgirls concludes its Harlem run Dec. 12 prior to embarking on a national tour. The production, starring Moya Angela, Syesha Mercado, Adrienne Warren, Margaret Hoffman, Chaz Lamar Shepherd, Chester Gregory, Trevon Davis and Milton Craig Nealy was directed by Robert Longbottom (Side Show, Flower Drum Song, Bye Bye Birdie), who co-choreographed with Emmy-nominated hip-hop artist Shane Sparks.
According to the New York Post, Tony Award winner Mandy Patinkin (Evita, Sunday in the Park with George, The Wild Party, The Secret Garden, Falsettos) is looking to take on the role of Georges in the transfer of La Cage Aux Folles.
Harvey Fierstein, who wrote the book for the musical, said of casting the role: “I can think of 20 people who could play Georges, and Mandy is right at the top of that list. First of all, he’ll sing those songs beautifully. Second, he’s a great actor. And third, I know how much he values his family, and that is what La Cage is really about—family.”
Casting is still unofficial … but we can only hope Mandy will be returning to the Great White Way!
The Olivier award winning London revival of La Cage aux Folles just announced plans to transfer to Broadway this spring. The production was created by the same company (The Mernier Chocolate Factory) that brought Sunday in the Park with George to Broadway in 2008.
The production’s original director (Terry Johnson) and choreographer (Lynn Page) will transfer with the production, as will Douglas Hodge, the actor who took home the Olivier award for Best Actor for his portrayal of Albin. La Cage aux Folles is based on the Jean Poiret play of the same name and features music and lyrics by Jerry Herman and a book by Harvey Fierstein.
The original production opened in 1983 and took home six Tony Awards, including Best Musical, and the 2004 Broadway mounting took home the Tony for Best Revival.
The companion site to... The Broadway Musical Home www.broadwaymusicalhome.com A directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.