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Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for Lena Hall

AWARDS SEASON 2014: Tony Award Winners

2014 Tony Awards - Show

It finally came and went – the end to an exciting awards season – and the big trophies everyone was hoping to snag.

Thank you once again for joining us as we live updated! Until next year…

Here’s the full list of nominees. Winners are marked by a winner.

Best Musical
After Midnight
Aladdin
Beautiful – The Carole King Musical
winnerA Gentleman’s Guide to Love and Murder

Best Play
Act One
winnerAll the Way
Casa Valentina
Mothers and Sons
Outside Mullingar

Best Revival of a Musical
winnerHedwig and the Angry Inch
Les Miserables
Violet

Best Revival of a Play
The Cripple of Inishmaan
The Glass Menagerie
winnerA Raisin in the Sun
Twelfth Night

Best Performance by an Actor in a Leading Role in a Musical
winnerNeil Patrick Harris, Hedwig and the Angry Inch
Ramin Karimloo, Les Miserables
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love and Murder
Bryce Pinkham, A Gentleman’s Guide to Love and Murder

Best Performance by an Actress in a Leading Role in a Musical
Mary Bridget Davies, A Night with Janis Joplin
Sutton Foster, Violet
Idina Menzel, If/Then
winnerJesse Mueller, Beautiful – The Carole King Musical
Kelly O’Hara, The Bridges of Madison County

Best Performance by an Actor in a Leading Role in a Play
Samuel Barnett, Twelfth Night
winnerBryan Cranston, All the Way
Chris O’Dowd, Of Mice and Men
Mark Rylance, Richard III
Tony Shalhoub, Act One

Best Performance by an Actress in a Leading Role in a Play
Tyne Daly, Mothers and Sons
LaTanya Richardson Jackson, A Raisin in the Sun
Cherry Jones, The Glass Menagerie
winnerAudra McDonald, Lady Day at Emerson’s Bar & Grill
Estelle Parsons, The Velocity of Autumn

Best Performance by an Actor in a Featured Role in a Musical
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
winnerJames Monroe Iglehart, Aladdin
Jarrod Spector, Beautiful – The Carole King Musical

Best Performance by an Actress in a Featured Role in a Musical
Linda Emond, Cabaret
winnerLena Hall, Hedwig and the Angry Inch
Anika Larsen, Beautiful – The Carole King Musical
Adriane Lenox, After Midnight
Lauren Worsham, A Gentleman’s Guide to Love and Murder

Best Performance by an Actor in a Featured Role in a Play
Reed Birney, Casa Valentina
Paul Chahidi, Twelfth Night
Stephen Fry, Twelfth Night
winnerMark Rylance, Twelfth Night
Brian J. Smith, The Glass Menagerie

Best Performance by an Actress in a Featured Role in a Play
Sarah Greene, The Cripple of Inishmaan
Celia Keenan-Bolger, The Glass Menagerie
winnerSophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

Best Book of a Musical
Chad Beguelin, Aladdin
Douglas McGrath, Beautiful – The Carole King Musical
Woody Allen, Bullets Over Broadway
winnerRobert L. Friedman, A Gentleman’s Guide to Love and Murder

Best Original Score (Music and/or Lyrics) Written for the Theater
Aladdin (Music: Alan Menkin; Lyrics: Howard Ashman, Tim Rice and Chad Begeulin)
winnerThe Bridges of Madison County (Music & Lyrics: Jason Robert Brown)
A Gentleman’s Guide to Love and Murder (Music: Steven Lutvak; Lyrics: Robert L. Freedman and Steven Lutvak)
If/Then (Music: Tom Kitt; Lyrics: Brian Yorkey)

Best Choreography
winnerWarren Carlyle, After Midnight
Steven Hoggett and Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

Best Orchestrations
Doug Besterman, Bullets Over Broadway
winnerJason Robert Brown, The Bridges of Madison County
Steve Sidwell, Beautiful – The Carole King Musical
Jonathan Tunick, A Gentleman’s Guide to Love and Murder

Best Scenic Design of a Play
winnerBeowulf Boritt, Act One
Bob Crowley, The Glass Menagerie
Es Devlin, Machinal
Christopher Oram, The Cripple of Inishmaan

Best Scenic Design of a Musical
winnerChristopher Barreca, Rocky
Julian Crouch, Hedwig and the Angry Inch
Alexander Dodge, A Gentleman’s Guide to Love and Murder
Santo Loquasto, Bullets Over Broadway

Best Costume Design of a Play
Jane Greenwood, Act One
Michael Krass, Machinal
Rita Ryack, Casa Valentina
winnerJenny Tiramani, Twelfth Night

Best Costume Design of a Musical
winnerLinda Cho, A Gentleman’s Guide to Love and Murder
William Ivey Long, Bullets Over Broadway
Arianne Philips, Hedwig and the Angry Inch
Isabel Toledo, After Midnight

Best Sound Design of a Play
Alex Baranowski, The Cripple of Inishmaan
winnerSteve Canyon Kennedy, Lady Day at Emerson’s Bar & Grill
Dan Moses Schreier, Act One
Matt Tierney, Machinal

Best Sound Design of a Musical
Peter Hylenski, After Midnight
Tim O’Heir, Hedwig and the Angry Inch
Mick Potter, Les Miserables
winnerBrian Ronan, Beautiful – The Carole King Musical

Best Lighting Design of a Play
Paule Constable, The Cripple of Inishmaan
Jane Cox, Machinal
winnerNatasha Katz, The Glass Menagerie
Japhy Wideman, Of Mice and Men

Best Lighting Design of a Musical
winnerKevin Adams, Hedwig and the Angry Inch
Christopher Akerlind, Rocky
Howell Binkley, After Midnight
Donald Holder, The Bridges of Madison County

Best Direction of a Play
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
winnerKenny Leon, A Raisin in the Sun
John Tiffany, The Glass Menagerie

Best Direction of a Musical
Warren Carlyle, After Midnight
Michael Mayer, Hedwig and the Angry Inch
Leigh Silverman, Violet
winnerDarko Tresnjak, A Gentleman’s Guide to Love and Murder

Special Tony Award for Lifetime Achievement in the Theatre
winnerJane Greenwood

Regional Theatre Award
winnerSignature Theatre

Isabelle Stevenson Award
winnerRosie O’Donnell

Tony Honors for Excellence in the Theatre
winnerJoseph P. Benincasa
winnerJoan Marcus
winnerCharlotte Wilcox

The Reviews for Hedwig and the Angry Inch are In…

hedwig

And now for something completely different!  The reviewers give the Broadway premier of Hedwig and the Angry Inch two emphatic rock ‘n roll horns and one long, outstretched Gene Simmons tongue.  Neil Patrick Harris owns the central role in this hard rock musical about the gender-mysterious lead singer of a German rock band.  His charisma, confidence, and showmanship match the energy of the ultra-crazy tech effects and his adept handling of struggles balances a personality to which almost no one is similar but everyone can relate.  The John Cameron Mitchell and Stephen Trask musical plays at the Belasco Theatre and is nirvana for those seeking a Broadway night out of a totally different (and much more hard rockin’ and glitter-laden) variety.

NEW YORK TIMES

“Do not be alarmed by recent reports that Neil Patrick Harris, an irresistibly wholesome television presence, has fallen deeply and helplessly into the gap that separates men from women, East from West, and celebrity from notoriety. There’s no need to fear for his safety, much less his identity. Quite the contrary. Playing an “internationally ignored song stylist” of undefinable gender in Hedwig and the Angry Inch, Mr. Harris is in full command of who he is and, most excitingly, what he has become with this performance. That’s a bona fide Broadway star, the kind who can rule an audience with the blink of a sequined eyelid.”

Read the Full Review

TIME OUT NEW YORK

“The omnitalented Neil Patrick Harris plays the titular crotch-botched German rock singer in the first Broadway production of John Cameron Mitchell and Stephen Trask’s genre-bending 1998 rock musical. Transitioning from child star to adult gay icon, sitcom prince and social-media wizard, Neil Patrick Harris always seemed to be a cultural rock star. But in his latest reinvention, it turns out that the actor is, y’know, an actual rock star. As the imperious, spurned, fright-bewigged, sweaty glitterbomb at the heart of Hedwig and the Angry Inch, Harris makes Broadway rock harder than it ever has before.”

Read the Full Review

NBC NEW YORK

“If David Belasco’s ghost really does haunt the balcony of his namesake theater off Sixth Avenue, as Neil Patrick Harris declares at the start of Hedwig and the Angry Inch, he is, by now, both deaf and blind. That’s not such a bad thing. If you’ve gotta lose two key senses, I can think of no more auspicious way to bid them auf wiedersehen than via the 95-minute stretch of ear-splitting rock and aggressive strobe-lighting that is the new take on Hedwig, the John Cameron Mitchell and Stephen Trask musical about a rock-and-roll band fronted by an East German singer disfigured in a botched sex change operation.”

Read the Full Review

VARIETY

“The screaming starts when a bespangled Neil Patrick Harris parachutes onstage in Hedwig and the Angry Inch and doesn’t stop until he’s back in his dressing room. That’s the kind of rock-star performance he gives in this spectacular revival — helmed with fabulous flash by Michael Mayer — of the 1998 musical (and later movie) by John Cameron Mitchell (book) and Stephen Trask (music & lyrics). Harris’ Hedwig is an imperfectly transformed transvestite who grew up in East Berlin before the wall came down, resplendent in the punk drag of a nihilistic rocker but still concealing a heap of hurt under her wig.”

Read the Full Review

AM NEW YORK

“Neil Patrick Harris, who appeared on Broadway three times before being scooped up by How I Met Your Mother for nine years, still managed to maintain a regular presence in the theater by hosting the Tony Awards no less than four times. Now that his long-running sitcom has ended, not only is Harris back onstage, he is tackling one of the most outsized, flamboyant and intense musical theater roles ever created in the first Broadway staging of Hedwig and the Angry Inch.”

Read the Full Review

ASSOCIATED PRESS

“It’s obvious from the first moments of Hedwig and the Angry Inch that star Neil Patrick Harris is doing something special. And it’s not just trying on a new role. He is lowered to the stage in a jumpsuit and ferociously feathered blond wig and immediately begins the show’s first rock-punk song, getting down on all fours, grinding into the microphone stand or licking the guitarist’s strings. The crowd inside of the Belasco Theatre, where the show opened Tuesday, loses its mind, and why not? “Thank you! Thank you, you’re so sweet,” Harris says. “I do love a warm hand on my entrance.””

Read the Full Review

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