The Broadway Musical Blog – Musical theater news and gossip from the Great White Way

Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for Marin Mazzie

The Reviews for Bullets Over Broadway are In…

Bullets Over Broadway, Zach Braff and Marin Mazzie

Well, the critics are in agreement about Bullets Over Broadway, but it’s not the consensus that anyone may have expected. Despite the script by Woody Allen and the formidable direction/choreography by Susan Stroman, the would-be comedy musical, based on the 1994 Woody Allen film of the same name, just isn’t funny.  Sure, they say Zach Braff is okay and that Marin Mazzie performs well, but the problems run deeper.  The musical employs old songs from the 1920s and seems to carry a different, more brash, less sophisticated style of humor in its veins.  Bullets Over Broadway just seems to have an identity crisis, it’s caught between wanting to play with the big-time Broadway musicals and wanting to represent the dry style of the Woody Allen comedy classic.  Consider yourself warned – if you have long anticipated this opening, you may be most in line for disappointment.

NEW YORK TIMES

“Some things were never meant to be shouted through megaphones. On the basis of Bullets Over Broadway: The Musical, the occasionally funny but mostly just loud new show that opened at the St. James Theater on Thursday night, that would include the wit of Woody Allen. This production, directed in heavy italics by Susan Stroman and featuring a score of 1920s standards and esoterica, is inspired by Mr. Allen’s 1994 film of the same title. It features the same story line, most of the same characters and much of the same dialogue. Yet while the movie was a helium-light charmer, this all-talking, all-singing, all-dancing reincarnation is also all but charm-free. The experience of watching the film was like being tickled, gently but steadily, into a state of mounting hysteria. From the get-go, the musical version, which stars a credible Zach Braff (doing Mr. Allen) and a misused Marin Mazzie (doing Norma Desmond), feels more like being head-butted by linebackers. Make that linebackers in blinding sequins.”

Read the Full Review

VARIETY

“Everyone hoped Bullets Over Broadway would be the show to get those flickering Broadway lights blazing again. In certain wonderful ways — Susan Stroman’s happy-tappy dance rhythms, the dazzling design work on everything from proscenium curtain to wigs, and a fabulous chorus line of dancing dolls, molls and gangsters — Woody Allen’s showbiz musical is the answer to a Broadway tinhorn’s prayer. Surprisingly, though, the book (from Allen’s own screenplay for his 1994 film) is feeble on laughs, and certain key performers don’t seem comfortable navigating the earthy comic idiom of burlesque. So, let’s call it close — but no cigar. Bullets is that rarity, a musical without an original score. But the two dozen vintage songs culled from the Tin Pan Alley archives to fit the 1920s timeframe have been chosen with as much intelligence as affection.”

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NEW YORK DAILY NEWS

“Showgirls dressed like frisky tigers shake their moneymakers near the beginning of Woody Allen’s Bullets Over Broadway — and they’re a symbol, for this musical certainly works its tail off to tickle and delight. It’s too bad that the comedy about a playwriting hit man is a bit of a miss. On the plus side, director and choreographer Susan Stroman’s dance numbers pack sure-footed pizzazz. And the good-looking production depicts 1929 New York with wit and grace notes. A theater proscenium decorated with living angels is a lovely little touch. “

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NBC NEW YORK

“A gangster appears at the start of Bullets Over Broadway, firing an automatic weapon into the curtain and slowly revealing the musical’s title in the brightly lit “bullet holes” he’s just carved out. It’s the first of countless attention-seizing moments in the terrific new screwball thriller from perfectionist duo Susan Stroman and Woody Allen. Now open at the St. James Theatre, Bullets Over Broadway is a zany, old-fashioned spectacle that features the Broadway debut of actor-writer Zach Braff and a marvelous turn from three-time Tony nominee Marin Mazzie as an aging diva with a signature plea: “Don’t speak!” While not without some curious choices, Bullets is certainly the best of the musicals to open on Broadway so far this season, though make note … it’s a new musical with old music.”

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HOLLYWOOD REPORTER

“There’s a ton of talent onstage in Bullets Over Broadway, evident in the leggy chorines who ignite into explosive dance routines, the gifted cast, the sparkling design elements and the wraparound razzle-dazzle of director-choreographer Susan Stroman’s lavish production. So why does this musical, adapted by Woody Allen from his irresistible 1994 screen comedy about the tortured path of the artist, wind up shooting blanks? Flat where it should be frothy, the show is a watered-down champagne cocktail that too seldom gets beyond its recycled jokes and second-hand characterizations to assert an exciting new identity.”

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FINANCIAL TIMES

““They go wild, simply wild, over me,” sings Helen Sinclair, an ageing diva, in a deluded attempt to persuade David Shayne, a fledgling playwright, of her enduring appeal. Sinclair, portrayed by the wonderfully self-assured Marin Mazzie, is one of the reasons to see Bullets Over Broadway, the new musical birthed by Woody Allen from his 1994 movie of the same title. The Broadway show makes a Sinclair-sized effort to persuade us of the value of early-20th-century songs shoehorned into a 1929 setting. The attempt is intermittently enjoyable, extremely well crafted by the director/choreographer Susan Stroman, and progressively unthrilling.”

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AM NEW YORK

“In an ideal universe, the new musical Bullets Over Broadway, based on the 1994 Woody Allen film, would shut down for a few months so that a talented songwriter – perhaps David Yazbek (Dirty Rotten Scoundrels or the young team of Benj Pasek and Justin Paul (A Christmas Story) – could pen an original score for it. To its credit, Bullets Over Broadway is mildly entertaining. But given that it has been directed and choreographed by Susan Stroman (The Producers) and has a script by Allen himself, everyone was expecting it to be a knock ‘em dead musical comedy blockbuster.”

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DAILY DEAL ALERT: Carrie Cast Album

Every day, we scour the web to find the best musical theatre deals on cast albums, videos, sheetmusic, tickets, merchandise and more, but many items are available at these great prices for a limited time only, so grab them while you can…

Though this one isn’t a huge price deal, we’re so excited the album is out, we had to include it in the blog here:

Carrie Cast Album

$14.99 on Amazon

Get the deal now!

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Opening, Closing, Cast Changes and Albums: A Summer News Roundup

Summers are generally fairly slow on Broadway, with many recovering or reveling in the Tony Award results, hot weather and summer tourists; there’s still plenty going on, but not much in the way of news. There have been a couple exciting announcements, which are well worth sharing (thus this entry). If you want to get more frequent updates, follow us on Facebook or Twitter; I’ll post the juicy bits there and do another roundup here before the summer is out.

Opening Soon

Anything Goes starring Sutton Foster will officially open on Broadway on April 7th at the Stephen Sondheim Theatre. Directed by two-time Tony Award winner Kathleen Marshall, this old-fashioned dance-heavy musical has the Broadway community buzzing. The revival will feature a new book by Timothy Crouse and John Weidman.

The other big news item is that How to Succeed in Business Without Really Trying will open on Broadway on March 27. The show will star Daniel Radcliffe, who, unless you’ve been hiding under a rock, you know as Harry Potter, and if you’ve been living in a theatre as that kid who got naked last season in Equus. The movie version of this show, starring Robert Morse, continues to be one of my favorites in the genre. Can’t wait to see what Mr. Radcliffe does with the role of Finch.

And then we’ve got the Off-Broadway transfers: Bloody Bloody Andrew Jackson announced that it will hit Broadway on September 21 and The Scottsboro Boys that it will open on October 31. We can only hope they enjoy as much success on Broadway as they did off.

Big Casting Changes

Bernadette Peters and Elaine Stritch have taken over the lead roles in A Little Night Music and everyone is raving about their performances. Check out Peters’ performance of “Send in the Clowns”:

Two others, Marin Mazzie and Jason Danieley, have also stepped into some big shoes – the real life married couple are now playing Diana and Dan Goodman in Next to Normal on Broadway. Yes, they’re big shoes, but if Twitter buzz counts for anything, it sounds as though the show is in more than capable hands.

Closing Soon

In sadder news, Come Fly Away has announced that its final performance will be on September 5. This production, though short-lived on Broadway, does have plans to tour the US, so if you didn’t have the chance to see it on the Great White Way, you’ll have other opportunities.

Cast Albums

The revival cast of La Cage Aux Folles will be recording their work for their fans. The album will be released sometime in September. Pre-order it on amazon.com now.

And I don’t know about you, but I’m loving the newly released albums for Everyday Rapture and Promises, Promises, available online here and here. Trust me – these are albums you won’t regret buying.

Post-Tony Broadway News Recap

Whew … still recovering from the Tony Awards. Everyone thought Sean Hayes did a wonderful job as host (some ranking him higher than NPH), but overall found the ceremony to be a bit soul-less and not as much about Broadway as about celebrity (Hunter Foster has even created a Facebook group called GIVE THE TONYS BACK TO BROADWAY).

And word is out that next year the awards will be booted from the Radio City Music Hall, which they’ve called home for the past 13 years. Back when the Tony Awards were first televised in 1967 (and on through 1996) they were held in actual Broadway houses, rotating through to a different one each year. I’d personally love to see the Tonys return to this system, and the much less elaborate stagings of the musical numbers. Perhaps being kicked to the curb is a good thing and will require producers to rethink the whole event.

The Tonys did feature appearances by a number of the headliners who’ll appear in musicals slated to open next season, including Daniel Radcliff who’ll be starring as Finch in How to Succeed in Business Without Really Trying, Ricky Martin who’ll play Che in the West-End transfer of Evita and Antonio Bandares in the title role in Zorba. Here’s the full list of the musicals on the docket to open soon:

  • The Scottsboro Boys – October 31
  • Women on the Verge of a Nervous Breakdown – November 4
  • Unchain My Heart – November 7
  • The Pee-Wee Herman Show – November 11
  • Spider-Man: Turn Off the Dark – November 2011
  • Elf – November 2011
  • Zorba – Fall 2011
  • Anything Goes – February 2011
  • The Book of Mormon – March 2011
  • Priscilla, Queen of the Desert – March 2011
  • Phantom: Love Never Dies – April 2011
  • How to Succeed in Business Without Really Trying – Spring 2011
  • Catch Me If You Can – Spring 2011
  • Sister Act – Spring 2011
  • Annie – Fall 2012
  • Evita – Spring 2012
  • Yank! – TBA
  • Funny Girl – TBA
  • Godspell – TBA
  • Charlie and the Chocolate Factory – TBA

Meanwhile, Hair and Sondheim on Sondheim both closed their doors on June 27th. Everyday Rapture will be bowing out on July 11 and South Pacific on August 22. Surprisingly no shows have announced closings after suffering losses at the Tonys. Promises, Promises, which was trashed by the critics, got an unexpected boost from Sean’s emceeing and the big on-screen kiss with costar Kristin Chenoweth on the Tony Awards. And Addams Family, which didn’t even get to perform a number at the awards, is also doing very well in the box office. Seems the Tony Awards are no longer the predictor of audiences they used to be…

A number of big casting changes will be taking place next month. The biggest excitement is over the replacements for CZJ and Angela Lansbury in A Little Night Music. Rather than petering out after the stars’ departures, many are now predicting an increase in ticket sales, as their successors will be Broadway favorites Bernadette Peters and Elaine Stritch. Also exciting is that the real life married couple of Marin Mazzie and Jason Danieley will take over the roles of Diana Goodman and Dan in Broadway’s Next to Normal when Alice Ripley departs to join the show on its US Tour and Brian D’Arcy James to perform in Time Stands Still and a new HBO series. Kristin Chenoweth will be leaving Promises, Promises this September (don’t worry, they made sure to record a cast album first). Her replacement has not yet been announced.

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