Archive for Trevor Nunn
Perhaps because real Broadway news has been slow this week, the rumor mill has been active circulating rumors about new shows.
First – the New York Post reported that the New York Theatre Barn is wooing Lea Michele for a new musical based on the real-life attempts of a high school in Texas to produce Rent. The show, called Speargrove Presents, has a role written for her, but with her Glee filming schedule, taking time out to star in a non-profit’s musical just may not be in the cards. That said, she has been a fan of the Theatre Barn for years. I’m waiting to see whether any other names come on board for the project. Until they do – they can pine for her all they want – were I her agent, I’d tell her to politely decline.
Also rumored, this time by Variety, is that the Jeff Buckley jukebox musical adaptation of Romeo and Juliet called The Last Goodbye is eyeing a Broadway premiere during the 2010-11 season. A concert version of the show was presented this past May at Joe’s Pub with a cast that included Kelli Barrett (The Royal Family, Rock of Ages) and Theo Stockman (Hair, American Idiot). After doing a workshop at Gotham and an out-of-town tryout somewhere yet-to-be announced, they’re hoping to hit the Great White Way. Anyone catch the Joe’s Pub performance? I think this show could either be really good, or do a big old flop.
In other news….
The Matt Stone and Trey Parker Morman Musical, starring Cheyenne Jackson, will officially make an appearance Off-Broadway in the 2009-10 season. I am so on board with this show.
The Lion King officially became the 8th longest show in Broadway history, surpassing Rent, which previously held that position. Julie Taymor’s brilliant puppetry combined with a large Disney budget made this wonderful movie into a truly unique stage experience – and one that just keeps rolling along…
Speaking of Julie Taymor – the now $45 million dollar production of Spider-Man: Turn Off the Dark that was supposed to start previews earlier this month under her direction – “will open before the end of the year” according to U2’s the Edge. They’ve already run into hurdle after hurdle, found an entirely new set of producers, and returned money to those excited fans who bought their tickets months in advance. I really want to think the best of this production, but have to admit, I’ve grown wary. So, the Edge: Thank you for trying to inspire confidence, and I hope for the sake of those who gave you all the $45 million you’ve already spent, that you do, in fact, go up before the end of the year, but I have to tell you – I’ll not be holding my breath.
In West End news – Tony and Olivier Award-winning director Trevor Nunn will direct Aspects of Love, the Andrew Lloyd Webber musical for the Menier Chocolate Factory this summer. This wonderful theatre has contributed a lot to Broadway in recent years (Sunday in the Park with George, La Cage aux Folles, A Little Night Music), so if its a successful revival over there – it’s likely to make its way across the Pacific.
And finally in other redo moves – Variety is reporting that Karen McCulluh and Kirsten Smith, the writers of the film Legally Blonde, are set to create a big screen remake of The Best Little Whorehouse in Texas. The film will be produced by Marty Bowen and Wyck Godfrey, of the “Twilight” franchise. First of all – why redo it? Secondly – what a weird assortment of people. I can only hope this new version will feature vampire prostitutes with chihuahuas!
A Little Night Music, the Sondheim musical starring Catherine Zeta Jones and Angela Lansbury, opened to mixed reviews. The verdict – the show is largely heavy-handed, with stand out performances by the two headliners. Here’s what the major publications had to say:
The most atypical of Ingmar Bergman’s celebrated films, “Smiles of a Summer Night” brought ripe carnality and a delicious sense of irony to its fin-de-siecle gathering of romantically muddled Swedes. Those same intoxicating elements were translated to “A Little Night Music,” Stephen Sondheim and Hugh Wheeler’s exquisite waltz-musical inspired by the film. Reviving the 1973 show, director Trevor Nunn brings a blunt, heavy hand where a glissando touch is required, but the wit and sophistication of the material are sufficient to withstand even this phlegmatic staging. A handful of magnetic leads provides further insurance against the uneven production. Read the full review
Lansbury created roles in two Sondheim shows, the short-lived cult classic Anyone Can Whistle (undone by a messy libretto) and the enduring masterpiece Sweeney Todd. Now, at 84, she is gloriously reviving the part of Madame Armfeldt in director Trevor Nunn’s new production of A Little Night Music (*** out of four), which opened Sunday at the Walter Kerr Theatre. Read the full review
I have always felt that director Trevor Nunn approaches musicals and plays with different palettes: broad and bold for the former, detailed and nuanced for the latter. In this chamber version of “A Little Night Music,” however, he seems to have applied his play palette to a musical. While it’s hard not to miss the romantic sweep and orchestral lushness of Harold Prince’s glorious original production, which I saw on national tour multiple times, what Nunn delivers is a persuasive and entertaining account of a great American musical. Read the full review
The first Broadway revival of “A Little Night Music,” the enchanting, moonstruck musical based on the Ingmar Bergman film “Smiles of a Summer Night,” is a curious affair. There are some lovely moments, most of them supplied by Angela Lansbury, but too much of this adult, sophisticated show, which opened Sunday at the Walter Kerr Theatre, seems forced, boisterous and a little crude. Read the full review
Bottom Line: This uneven but welcome revival of Sondheim’s classic musical features a triumphant Broadway debut by Catherine Zeta-Jones. Read the full review
Nunn’s “Little Night Music,” the first full Broadway revival of the show, may well be a hit too, though not because of any artistic finesse. It has what is a producer’s favorite form of insurance these days: stars known to the public from movies, television and tabloids, of whom people can later say things like “She’s even more beautiful in person” (as they surely will of the lustrous Zeta-Jones) or “She’s amazing for her age” (in reference to the 84-year-old Lansbury). Read the full review
Looking as elegant as the musical she graces, Catherine Zeta-Jones makes a smashing Broadway debut in a wistful revival of “A Little Night Music.” Co-starred with the redoubtable Angela Lansbury as her imperious old mama in a romantic comedy set in early 1900s Sweden, Zeta-Jones portrays Desiree, a middle-aged actress who gets a second chance at true love with a former flame. Read the full review
ALNM is among Sondheim’s near-perfect creations, but it’s not without its challenges, over and above the complexity of the music: Maunder overmuch and the show’s a drag; shine up the comedy and it risks coming off as a yuppie you-can-have-it-all manifesto. Maintaining that balance is the job of Desiree and Frederik, and Zeta-Jones-a tremendous presence here, in great voice-mates up with Hanson perfectly: They play Desiree and Frederik as extremely magnetic, fabulously charming, utterly empty people. I say this admiringly: Yes, they have feelings, deep and complex; yes, despite their many sins, they deserve love as much as anyone. But neither Zeta-Jones-whose “Send in the Clowns” is a shattering cry from the void-nor Hanson nor Nunn makes any excuses for the pair’s intrinsic emotional vacuity or their confessed inability to transcend themselves in any sort of human union. They’re cool, at best, to their children, genially indifferent to their peers, and they see, in one another, smoked-mirror reflections of themselves. They cancel each other-and, in the half-light, that’s good enough. Read the full review
Michael Riedel of the New York Post is reporting that Catherine Zeta-Jones, who took home an Oscar for her portrayal of Velma Kelly in the film version of Chicago, has signed on to play Desiree in Trevor Nunn’s A Little Night Music. She will star alongside Broadway musical superstar Angela Lansbury (Mame, Sweeney Todd, Gypsy, Anyone Can Whistle), who will play Madame Armfeldt.
The cast also includes Bradley Dean, Marissa McGowan, Betsy Morgan, Karen Murphy, Jayne Paterson and Kevin David Thomas. Additional casting will be announced at a later date.
The production, which played very well to London audiences last year, is slated to open on Broadway this December.