The Broadway Musical Blog – Musical theater news and gossip from the Great White Way
Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.Archive for A Little Night Music
2010 Olivier Award Nominations Announced

The West End’s Olivier Awards nominations are out and lots of trans-Pacific transfers are on the list, including the Broadway transfer of Spring Awakening, now on the West End, and the West-End transfers of A Little Night Music and Billy Elliot, now on Broadway.
The official awards ceremony will take place on March 21, and we’ll be announcing winners live on Twitter and on the blog here.
Here are the categories that include musicals (see a full list of this years nominees):
BEST MUSICAL REVIVAL
ANNIE GET YOUR GUN
HELLO DOLLY!
A LITTLE NIGHT MUSIC
OLIVER!
BEST NEW MUSICAL
DREAMBOATS AND PETTICOATS
PRISCILLA QUEEN OF THE DESERT THE MUSICAL
SPRING AWAKENING
SISTER ACT
BEST ACTRESS IN A MUSICAL OR ENTERTAINMENT
Melanie C, BLOOD BROTHERS
Patina Miller, SISTER ACT
Samantha Spiro, HELLO DOLLY!
Hannah Waddingham, A LITTLE NIGHT MUSIC
Charlotte Wakefield, SPRING AWAKENING
BEST ACTOR IN A MUSICAL OR ENTERTAINMENT
Rowan Atkinson, OLIVER!
Aneurin Barnard, SPRING AWAKENING
Bob Golding, MORECAMBE
Alexander Hanson, A LITTLE NIGHT MUSIC
Tony Sheldon, PRISCILLA QUEEN OF THE DESERT THE MUSICAL
BEST SUPPORTING PERFORMANCE IN A MUSICAL OR ENTERTAINMENT
Sheila Hancock, SISTER ACT
Maureen Lipman, A LITTLE NIGHT MUSIC
Kelly Price, A LITTLE NIGHT MUSIC
Iwan Rheon, SPRING AWAKENING
BEST THEATRE CHOREOGRAPHER
Matthew Bourne, OLIVER!
Bill T Jones,r SPRING AWAKENING
Anthony Van Laast, SISTER ACT
Stephen Mear, HELLY DOLLY!
BEST LIGHTING DESIGN
BURNT BY THE SUN, Mark Henderson
ENRON, Mark Henderson
SPRING AWAKENING, Kevin Adams
THREE DAYS OF RAIN, Jon Clark
BEST COSTUME DESIGN
HELLO DOLLY!, Peter McKintosh
MADAME DE SADE, Christopher Oram
THE MISANTHROPE, Amy Roberts
PRISCILLA, QUEEN OF THE DESERT- THE MUSICAL, Tim Chappel and Lizzy Gardiner
BEST SOUND DESIGN
EVERY GOOD BOY DESERVES FAVOUR, Christopher Shutt
JERUSALEM, Ian Dickinson
MOTHER COURAGE AND HER CHILDREN, Andrew Bruce and Nick Lidster
SPRING AWAKENING, Brian Ronan
THE AUDIENCE AWARD FOR MOST POPULAR SHOW
BILLY ELLIOT
THE PHANTOM OF THE OPERA
WAR HORSE
WE WILL ROCK YOU
WICKED
The reviews for A Little Night Music are in …
A Little Night Music, the Sondheim musical starring Catherine Zeta Jones and Angela Lansbury, opened to mixed reviews. The verdict – the show is largely heavy-handed, with stand out performances by the two headliners. Here’s what the major publications had to say:
The most atypical of Ingmar Bergman’s celebrated films, “Smiles of a Summer Night” brought ripe carnality and a delicious sense of irony to its fin-de-siecle gathering of romantically muddled Swedes. Those same intoxicating elements were translated to “A Little Night Music,” Stephen Sondheim and Hugh Wheeler’s exquisite waltz-musical inspired by the film. Reviving the 1973 show, director Trevor Nunn brings a blunt, heavy hand where a glissando touch is required, but the wit and sophistication of the material are sufficient to withstand even this phlegmatic staging. A handful of magnetic leads provides further insurance against the uneven production. Read the full review
Lansbury created roles in two Sondheim shows, the short-lived cult classic Anyone Can Whistle (undone by a messy libretto) and the enduring masterpiece Sweeney Todd. Now, at 84, she is gloriously reviving the part of Madame Armfeldt in director Trevor Nunn’s new production of A Little Night Music (*** out of four), which opened Sunday at the Walter Kerr Theatre. Read the full review
I have always felt that director Trevor Nunn approaches musicals and plays with different palettes: broad and bold for the former, detailed and nuanced for the latter. In this chamber version of “A Little Night Music,” however, he seems to have applied his play palette to a musical. While it’s hard not to miss the romantic sweep and orchestral lushness of Harold Prince’s glorious original production, which I saw on national tour multiple times, what Nunn delivers is a persuasive and entertaining account of a great American musical. Read the full review
The first Broadway revival of “A Little Night Music,” the enchanting, moonstruck musical based on the Ingmar Bergman film “Smiles of a Summer Night,” is a curious affair. There are some lovely moments, most of them supplied by Angela Lansbury, but too much of this adult, sophisticated show, which opened Sunday at the Walter Kerr Theatre, seems forced, boisterous and a little crude. Read the full review
Bottom Line: This uneven but welcome revival of Sondheim’s classic musical features a triumphant Broadway debut by Catherine Zeta-Jones. Read the full review
Nunn’s “Little Night Music,” the first full Broadway revival of the show, may well be a hit too, though not because of any artistic finesse. It has what is a producer’s favorite form of insurance these days: stars known to the public from movies, television and tabloids, of whom people can later say things like “She’s even more beautiful in person” (as they surely will of the lustrous Zeta-Jones) or “She’s amazing for her age” (in reference to the 84-year-old Lansbury). Read the full review
Looking as elegant as the musical she graces, Catherine Zeta-Jones makes a smashing Broadway debut in a wistful revival of “A Little Night Music.” Co-starred with the redoubtable Angela Lansbury as her imperious old mama in a romantic comedy set in early 1900s Sweden, Zeta-Jones portrays Desiree, a middle-aged actress who gets a second chance at true love with a former flame. Read the full review
ALNM is among Sondheim’s near-perfect creations, but it’s not without its challenges, over and above the complexity of the music: Maunder overmuch and the show’s a drag; shine up the comedy and it risks coming off as a yuppie you-can-have-it-all manifesto. Maintaining that balance is the job of Desiree and Frederik, and Zeta-Jones-a tremendous presence here, in great voice-mates up with Hanson perfectly: They play Desiree and Frederik as extremely magnetic, fabulously charming, utterly empty people. I say this admiringly: Yes, they have feelings, deep and complex; yes, despite their many sins, they deserve love as much as anyone. But neither Zeta-Jones-whose “Send in the Clowns” is a shattering cry from the void-nor Hanson nor Nunn makes any excuses for the pair’s intrinsic emotional vacuity or their confessed inability to transcend themselves in any sort of human union. They’re cool, at best, to their children, genially indifferent to their peers, and they see, in one another, smoked-mirror reflections of themselves. They cancel each other-and, in the half-light, that’s good enough. Read the full review
Broadway’s A Little Night Music to star Angela Lansbury and Catherine Zeta-Jones


Michael Riedel of the New York Post is reporting that Catherine Zeta-Jones, who took home an Oscar for her portrayal of Velma Kelly in the film version of Chicago, has signed on to play Desiree in Trevor Nunn’s A Little Night Music. She will star alongside Broadway musical superstar Angela Lansbury (Mame, Sweeney Todd, Gypsy, Anyone Can Whistle), who will play Madame Armfeldt.
The cast also includes Bradley Dean, Marissa McGowan, Betsy Morgan, Karen Murphy, Jayne Paterson and Kevin David Thomas. Additional casting will be announced at a later date.
The production, which played very well to London audiences last year, is slated to open on Broadway this December.
Headed to Broadway, eyeing Broadway and cast albums
A couple new shows are officially headed to Broadway…

Fela!, based on the life of African composer and activist Fela Anikulapo Kuti, played Off Broadway last fall for a limited engagement to great success. Spring Awakening’s Bill T. Jones directs, with a lot of the same cast lined up for the fall 2008 Broadway run at the Eugene O’Neill Theatre. Previews start Oct 19, Opening night is Nov. 23.

Also announced yesterday was Trevor Nunn’s London revival of A Little Night Music, which is on its way to the Jujamcyn Theatre. According to a casting notice, all roles are open for the Broadway run and dates are still “tentative.” Carolyn Humphris, Tom Murray, Lynne Page, who all worked on the West End production will be joining Nunn in NYC. The London cast stars Hannah Waddingham as Desiree, Maureen Lipman as Madame Armfeldt, Alexander Hanson as Fredrik, Kelly Price as Countess Charlotte Malcolm and Jessie Buckley as Anne Egerman.
Eyeing Broadway…

It appears that the Kennedy Center’s Ragtime is eyeing a Broadway run, under the supervision of Marcia Milgrom Dodge, who directed and choreographed the D.C. production and music director James Moore. It will be produced on Broadway by The Kennedy Center, Kevin McCollum, Emanuel Azenberg, Max Cooper, Maberry Theatricals, Jeffrey Sine, Scott Delman, Roy Furman and Roger Berlind. No dates have been announced and the audition notice claims that all roles are currently available.
In cast album land…

The cast album for 9 to 5 will be released on July 14 by Dolly’s own record label.

And according to USA Today, the cast recording for Rock of Ages is doing very well in digital land – entering the digital albums chart at #34 charting at #193 on the Top 200. The non-digital version will be released in stores on July 7, pre-order it now!























Email updates
