The Broadway Musical Blog – Musical theater news and gossip from the Great White Way

Dishing out daily (or almost daily) Broadway musical news and gossip. The companion site to The Broadway Musical Home (broadwaymusicalhome.com), a directory of Broadway musicals with the story, songs, merchandise, video clips, lyrics, tickets, rights & awards for almost 200 shows.

Archive for Bullets Over Broadway

AWARDS SEASON 2014: Drama League Awards Nominees

DLAtrophy

Judith Light and Christopher Sieber announced the Drama League Award nominees this morning. The full list of nominees appears below.

Awards Announced: May 16 at 11:30 AM, hosted by Jesse Tyler Ferguson

Follow all of the awards coverage as we live blog,tweetfacebook or view a summary of all things awards at The Broadway Musical Home.

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY PLAY
All That Fall
All The Way
Casa Valentina
Domesticated
Mothers and Sons
Mr. Burns, A Post-Electric Play
The Open House
The Realistic Joneses

OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful: The Carole King Musical
The Bridges of Madison County
Bullets Over Broadway
Fun Home
A Gentleman’s Guide To Love And Murder
Murder For Two
Rocky

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY PLAY
The Cripple of Inishmaan
The Glass Menagerie
Good Person of Szechwan
The Mutilated
Of  Mice and Men
A Raisin in the Sun
Twelfth Night, or What You Will
Waiting For Godot

OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY MUSICAL
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar and Grill
Les Misérables
Violet

DISTINGUISHED PERFORMANCE AWARD
Reed Birney, Casa Valentina
Steven Boyer, Hand to God
Zach Braff, Bullets Over Broadway
Arnie Burton, The Mystery of Irma Vep
Michael Cerveris, Fun Home
Nick Cordero, Bullets Over Broadway
Bryan Cranston, All the Way
Alan Cumming, Cabaret
Tyne Daly, Mothers and Sons
Mary Bridget Davies, A Night With Janis Joplin
Gabriel Ebert, Casa Valentina
Carson Elrod, The Heir Apparent
Jesse Tyler Ferguson, The Comedy of Errors
Sutton Foster, Violet
James Franco, Of Mice and Men
Peter Friedman, The Open House
Michael C. Hall, The Realistic Joneses
Lena Hall, Hedwig and the Angry Inch
Neil Patrick Harris, Hedwig and the Angry Inch
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
LaTanya Richardson Jackson, A Raisin in the Sun
Ramin Karimloo, Les Misérables
Andy Karl, Rocky
Adriane Lenox, After Midnight
Tracy Letts, The Realistic Joneses
Zachary Levi, First Date
Sydney Lucas, Fun Home
Taylor Mac, Good Person of Szechwan
Jefferson Mays, A Gentleman’s Guide To Love And Murder
Idina Menzel, If/Then
Laurie Metcalf, Domesticated
Jessie Mueller, Beautiful: The Carole King Musical
Chris O’Dowd, Of Mice and Men
Kelli O’Hara, The Bridges of Madison County
Estelle Parsons, The Velocity of Autumn
Steven Pasquale, The Bridges of Madison County
Jeremy Pope, Choir Boy
Zachary Quinto, The Glass Menagerie
Daniel Radcliffe, The Cripple of Inishmaan
Ruben Santiago-Hudson, How I Learned What I Learned
Margo Seibert, Rocky
Robert Sella, The Mystery of Irma Vep
Tony Shalhoub, Act One
Jennifer Simard, Disaster!
Brian J. Smith, The Glass Menagerie
Patrick Stewart, Waiting for Godot
John Douglas Thompson, Satchmo at the Waldorf
Denzel Washington, A Raisin in the Sun
Michelle Williams, Cabaret

The Drama League also wishes to acknowledge the previous recipients of the Distinguished Performance Award who appeared in New York productions this season.  As the Award can only be won once in a performer’s lifetime, they are ineligible this season.  Their exemplary work, however, is recognized and applauded.

Eileen Atkins, All That Fall
Norbert Leo Butz, Big Fish
Kathleen Chalfant, Somewhere Fun/Tales From Red Vienna
Cherry Jones, The Glass Menagerie
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Ian McKellen, Waiting For Godot/No Man’s Land
Frank Langella, King Lear
Mary-Louise Parker, The Snow Geese
Mark Rylance, Twelfth Night, Or What You Will/Richard III

DISTINGUISHED ACHIEVEMENT IN MUSICAL THEATRE
Barbara Cook in recognition of her contribution to the musical theatre.

UNIQUE CONTRIBUTION TO THE THEATRE
Key Brand Entertainment/Broadway Across America for their vital work of bringing New York productions to theaters across America.

FOUNDERS AWARD FOR EXCELLENCE IN DIRECTING
John Tiffany

PLEASE NOTE: The Roundabout Theatre Company production of Cabaret received The Drama League’s Outstanding Revival of a Musical Award in 1998, during its original engagement.  Therefore, it is ineligible for a production nomination this season.  However, it was determined that the cast of the production would be eligible for consideration.

AWARDS SEASON 2014: Outer Critics Circle Awards Nominees

occ

Cecily Tyson and Vanessa Williams announced the The Outer Critics Circle Award nominees this morning. Topping the list is A Gentleman’s Guide to Love and Murder with 11 nominations, followed by Aladdin with eight and Rocky with six. The full list of nominees appears below.

Awards Announced: May 13
Awards Dinner: May 22

Follow all of the awards coverage as we live blog, tweet, facebook or view a summary of all things awards at The Broadway Musical Home.

OUTSTANDING NEW BROADWAY MUSICAL
After Midnight
Aladdin
Beautiful – The Carole King Musical
A Gentleman’s Guide to Love & Murder
Rocky

OUTSTANDING NEW BROADWAY PLAY
Act One
All the Way
Casa Valentina
Outside Mullingar
The Realistic Joneses

OUTSTANDING NEW OFF-BROADWAY MUSICAL
Far From Heaven
Fun Home
Murder for Two
Storyville
What’s It All About? Bacharach Reimagined

OUTSTANDING NEW OFF-BROADWAY PLAY
Appropriate
Choir Boy
The Explorer’s Club
The Heir Apparent
Stage Kiss

OUTSTANDING BOOK OF A MUSICAL (Broadway or Off-Broadway)
Aladdin
Beautiful – The Carole King Musical
Fun Home
A Gentleman’s Guide to Love & Murder
Rocky

OUTSTANDING NEW SCORE (Broadway or Off-Broadway)
Aladdin
The Bridges of Madison County
Fun Home
A Gentleman’s Guide to Love & Murder
If/Then

OUTSTANDING REVIVAL OF A PLAY (Broadway or Off-Broadway)
The Cripple of Inishmaan
The Glass Menagerie
Machinal
Twelfth Night
The Winslow Boy

OUTSTANDING REVIVAL OF A MUSICAL (Broadway or Off-Broadway)
Cabaret
Hedwig and the Angry Inch
Lady Day at Emerson’s Bar & Grill
Les Misérables
Violet

OUTSTANDING DIRECTOR OF A PLAY
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
Lindsay Posner, The Winslow Boy
Bill Rauch, All the Way
Lyndsey Turner, Machinal

OUTSTANDING DIRECTOR OF A MUSICAL
Warren Carlyle, After Midnight
Laurence Connor & James Powell, Les Misérables
Sam Gold, Fun Home
Alex Timbers, Rocky
Darko Tresnjak, A Gentleman’s Guide to Love & Murder

OUTSTANDING CHOREOGRAPHER
Warren Carlyle, After Midnight
Peggy Hickey, A Gentleman’s Guide to Love & Murder
Steven Hoggett & Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

OUTSTANDING SET DESIGN (Play or Musical)
Christopher Barreca, Rocky
Beowulf Boritt, Act One
Bob Crowley, Aladdin
Es Devlin, Machinal
Alexander Dodge, A Gentleman’s Guide to Love & Murder

OUTSTANDING COSTUME DESIGN (Play or Musical)
Gregg Barnes, Aladdin
Linda Cho, A Gentleman’s Guide to Love & Murder
William Ivey Long, Bullets Over Broadway
Jenny Tiramani, Twelfth Night
Isabel Toledo, After Midnight

OUTSTANDING LIGHTING DESIGN (Play or Musical)
Kevin Adams, Hedwig and the Angry Inch
Howell Binkley, After Midnight
Paule Constable, Les Misérables
Natasha Katz, Aladdin
Philip S. Rosenberg, A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTOR IN A PLAY
Bryan Cranston, All the Way
Ian McKellen, No Man’s Land
Brían F. O’Byrne, Outside Mullingar
Mark Rylance, Twelfth Night
Tony Shalhoub, Act One

OUTSTANDING ACTRESS IN A PLAY
Tyne Daly, Mothers and Sons
Rebecca Hall, Machinal
Jessica Hecht, Stage Kiss
Cherry Jones, The Glass Menagerie
Estelle Parsons, The Velocity of Autumn

OUTSTANDING ACTOR IN A MUSICAL
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love & Murder
Bryce Pinkham, A Gentleman’s Guide to Love & Murder

OUTSTANDING ACTRESS IN A MUSICAL
Sutton Foster, Violet
Audra McDonald, Lady Day at Emerson’s Bar & Grill
Jessie Mueller, Beautiful – The Carole King Musical
Kelli O’Hara, The Bridges of Madison County
Michelle Williams, Cabaret

OUTSTANDING FEATURED ACTOR IN A PLAY
Paul Chahidi, Twelfth Night
Michael Cyril Creighton, Stage Kiss
John McMartin, All the Way
Alessandro Nivola, The Winslow Boy
Brian J. Smith, The Glass Menagerie

OUTSTANDING FEATURED ACTRESS IN A PLAY
Barbara Barrie, I Remember Mama
Andrea Martin, Act One
Sophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

OUTSTANDING FEATURED ACTOR IN A MUSICAL
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Jarrod Specter, Beautiful – The Carole King Musical

OUTSTANDING FEATURED ACTRESS IN A MUSICAL
Judy Kuhn, Fun Home
Anika Larsen, Beautiful – The Carole King Musical
Sydney Lucas, Fun Home
Marin Mazzie, Bullets Over Broadway
Lisa O’Hare, A Gentleman’s Guide to Love & Murder

OUTSTANDING SOLO PERFORMANCE
Jim Brochu, Character Man
Debra Jo Rupp, Becoming Dr. Ruth
Ruben Santiago-Hudson, How I Learned What I Learned
Alexandra Silber, Arlington
John Douglas Thompson, Satchmo at the Waldorf

JOHN GASSNER AWARD (Presented for an American play)
Scott Z. Burns, The Library
Eric Dufault, Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife

The Reviews for Bullets Over Broadway are In…

Bullets Over Broadway, Zach Braff and Marin Mazzie

Well, the critics are in agreement about Bullets Over Broadway, but it’s not the consensus that anyone may have expected. Despite the script by Woody Allen and the formidable direction/choreography by Susan Stroman, the would-be comedy musical, based on the 1994 Woody Allen film of the same name, just isn’t funny.  Sure, they say Zach Braff is okay and that Marin Mazzie performs well, but the problems run deeper.  The musical employs old songs from the 1920s and seems to carry a different, more brash, less sophisticated style of humor in its veins.  Bullets Over Broadway just seems to have an identity crisis, it’s caught between wanting to play with the big-time Broadway musicals and wanting to represent the dry style of the Woody Allen comedy classic.  Consider yourself warned – if you have long anticipated this opening, you may be most in line for disappointment.

NEW YORK TIMES

“Some things were never meant to be shouted through megaphones. On the basis of Bullets Over Broadway: The Musical, the occasionally funny but mostly just loud new show that opened at the St. James Theater on Thursday night, that would include the wit of Woody Allen. This production, directed in heavy italics by Susan Stroman and featuring a score of 1920s standards and esoterica, is inspired by Mr. Allen’s 1994 film of the same title. It features the same story line, most of the same characters and much of the same dialogue. Yet while the movie was a helium-light charmer, this all-talking, all-singing, all-dancing reincarnation is also all but charm-free. The experience of watching the film was like being tickled, gently but steadily, into a state of mounting hysteria. From the get-go, the musical version, which stars a credible Zach Braff (doing Mr. Allen) and a misused Marin Mazzie (doing Norma Desmond), feels more like being head-butted by linebackers. Make that linebackers in blinding sequins.”

Read the Full Review

VARIETY

“Everyone hoped Bullets Over Broadway would be the show to get those flickering Broadway lights blazing again. In certain wonderful ways — Susan Stroman’s happy-tappy dance rhythms, the dazzling design work on everything from proscenium curtain to wigs, and a fabulous chorus line of dancing dolls, molls and gangsters — Woody Allen’s showbiz musical is the answer to a Broadway tinhorn’s prayer. Surprisingly, though, the book (from Allen’s own screenplay for his 1994 film) is feeble on laughs, and certain key performers don’t seem comfortable navigating the earthy comic idiom of burlesque. So, let’s call it close — but no cigar. Bullets is that rarity, a musical without an original score. But the two dozen vintage songs culled from the Tin Pan Alley archives to fit the 1920s timeframe have been chosen with as much intelligence as affection.”

Read the Full Review

NEW YORK DAILY NEWS

“Showgirls dressed like frisky tigers shake their moneymakers near the beginning of Woody Allen’s Bullets Over Broadway — and they’re a symbol, for this musical certainly works its tail off to tickle and delight. It’s too bad that the comedy about a playwriting hit man is a bit of a miss. On the plus side, director and choreographer Susan Stroman’s dance numbers pack sure-footed pizzazz. And the good-looking production depicts 1929 New York with wit and grace notes. A theater proscenium decorated with living angels is a lovely little touch. “

Read the Full Review

NBC NEW YORK

“A gangster appears at the start of Bullets Over Broadway, firing an automatic weapon into the curtain and slowly revealing the musical’s title in the brightly lit “bullet holes” he’s just carved out. It’s the first of countless attention-seizing moments in the terrific new screwball thriller from perfectionist duo Susan Stroman and Woody Allen. Now open at the St. James Theatre, Bullets Over Broadway is a zany, old-fashioned spectacle that features the Broadway debut of actor-writer Zach Braff and a marvelous turn from three-time Tony nominee Marin Mazzie as an aging diva with a signature plea: “Don’t speak!” While not without some curious choices, Bullets is certainly the best of the musicals to open on Broadway so far this season, though make note … it’s a new musical with old music.”

Read the Full Review

HOLLYWOOD REPORTER

“There’s a ton of talent onstage in Bullets Over Broadway, evident in the leggy chorines who ignite into explosive dance routines, the gifted cast, the sparkling design elements and the wraparound razzle-dazzle of director-choreographer Susan Stroman’s lavish production. So why does this musical, adapted by Woody Allen from his irresistible 1994 screen comedy about the tortured path of the artist, wind up shooting blanks? Flat where it should be frothy, the show is a watered-down champagne cocktail that too seldom gets beyond its recycled jokes and second-hand characterizations to assert an exciting new identity.”

Read the Full Review

FINANCIAL TIMES

““They go wild, simply wild, over me,” sings Helen Sinclair, an ageing diva, in a deluded attempt to persuade David Shayne, a fledgling playwright, of her enduring appeal. Sinclair, portrayed by the wonderfully self-assured Marin Mazzie, is one of the reasons to see Bullets Over Broadway, the new musical birthed by Woody Allen from his 1994 movie of the same title. The Broadway show makes a Sinclair-sized effort to persuade us of the value of early-20th-century songs shoehorned into a 1929 setting. The attempt is intermittently enjoyable, extremely well crafted by the director/choreographer Susan Stroman, and progressively unthrilling.”

Read the Full Review

AM NEW YORK

“In an ideal universe, the new musical Bullets Over Broadway, based on the 1994 Woody Allen film, would shut down for a few months so that a talented songwriter – perhaps David Yazbek (Dirty Rotten Scoundrels or the young team of Benj Pasek and Justin Paul (A Christmas Story) – could pen an original score for it. To its credit, Bullets Over Broadway is mildly entertaining. But given that it has been directed and choreographed by Susan Stroman (The Producers) and has a script by Allen himself, everyone was expecting it to be a knock ‘em dead musical comedy blockbuster.”

Read the Full Review

Awards Roundup and New Shows on the Horizon

Kerry Ingram in Matilda the Musical

All of the nominations are out for the various awards, with most expecting Matilda and Kinky Boots to take home the big prizes this year. It’s always surprising to see flops, like Hands on a Hardbody (which closed after only 28 performances) and Scandalous (which closed after 29) make the lists at all, but there will be a lot of close categories this year. (For a full list of all nominees for all of the various awards, click here.)

Here’s when all of the award ceremonies will take place:

Tony Awards: June 9, 8pm EST
Drama Desk Awards: May 19, 8pm EST
Drama League Awards: May 17, 12pm EST
Outer Critics Circle: Announced May 13
(NOTE: The Theatre World Awards have yet to announce dates…)

And all of the nominated shows…

ChaplinHands on a HardbodyMatildaPippinKinky BootsA Christmas StoryCinderellaAnnieMystery of Edwin DroodMotownBring It OnScandalous

But enough awards talk, on to exciting NEW things!

first

First up is one that is confirmed (and already marquee’d) for Broadway: First Date – a new musical about a horrible blind date. It’s slated to begin previews July 9 and open August 4. The show played well to the Seattle crowd and is still undergoing more changes before hitting, the Great White Way – seems a bit better suited for Off-Broadway, but who knows, maybe it’ll be next season’s runaway hit…

1.185491

The other confirmed musical is Big Fish, an adaptation of the film that’ll star the oh-so-talented Norbert Leo Butz and Kate Baldwin. With Susan Stroman at the helm, there are a lot of big names attached to the project, which is now doing it’s out of town try out in Chicago, so it’s likely going to be a difficult investment to recoup.

patsy-cline-poster

Next up is Always… Patsy Cline, a jukebox musical telling the story of Patsy’s life through the eyes of her most devoted fan. Motown is still doing well box-office-wise, so the jukebox musical isn’t likely to die anytime soon. We’ll see if Patsy’s songs can fare better than some of the more recent attempts in this genre.

PrinceJM200

Prince of Broadway is another jukebox musical looking to open in the fall – celebrating the shows Hal Prince helped make into the big hits they were, this musical will have a bit more self-awareness than other jukebox musicals and a fantastic cast, including: Linda Lavin, Sebastian Arcelus, Sierra Boggess, Daniel Breaker, Josh Grisetti, Shuler Hensley, Richard Kind, Amanda Kloots-Larsen, LaChanze, Caroline O’Connor, David Pittu and Emily Skinner. But apparently that cast is part of the reason the show didn’t open when it was originally slated to do so. Will this one end never making it to opening night? We’ll just have to wait and see…

scrow200

Then we’ve got Diner, with Sheryl Crow penning the score and lyrics and Barry Levinson, the film’s director and writer on the book. Bosting an Academy Award, Emmy Award and Grammy Award between them, this pair is hoping to add some Tony’s to their shelf too.

Beyond that are a number of shows that have tentative and out-of-town announcements, including:

Rocky: The Musical (a German transfer based on the film and directed by Alex Timbers)
Houdini (with music by Stephen Schwartz and starring Hugh Jackman)
Ever After (based on the film and directed by Kathleen Marshall)
Bullets Over Broadway (based on the film and directed by  Susan Stroman)
Les Miserables (with fresh scenic and narrative elements and new orchestrations)
Aladdin (based on the Disney film and directed by Casey Nicholaw)

Some exciting stuff in there…hopefully they all make it to Broadway!

What are you most looking forward to seeing?

We’ll have more news on the way soon (plus some giveaways!), so if you haven’t already – be sure to bookmark, subscribe via rss or sign up for email updates of the blog!

Follow

Get every new post delivered to your Inbox.

Join 25,451 other followers