The Reviews for The King and I Are In…

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Photo by Sara Krulwich

The reviews for The King and I are in, and the critics universally admire this astonishing revival.  Playing at the Vivian Beaumont Theater at the Lincoln Center, this sometimes touchy standard is here crafted by the deft, thoughtful hands of director Bartlett Sher. Instead of hiding behind or overemphasizing the seemingly out-of-touch themes of the musical, Sher builds a world of openness and clarity, one where the story and its innate messages somehow ring as truthfully and broadly as ever. The production is at once lavish and large and intimate and honest, thanks in part to creative collaboration with Catherine Zuber (costumes) and Michael Yeargan (set), comrades from Sher’s 2008 South Pacific.  The cast is led by the stunning Kelli O’Hara who wins hearts and makes the tale all the more compelling. Ken Watanabe also plays a winning turn as the King of Siam, complete with an authentic language barrier at times.  Truth be told, there are dozens of reasons to add The King and I to your shortlist. Simply don’t miss it.

NEW YORK TIMES REVIEW

A big, scrupulously detailed 19th-century ship glides toward the audience in the opening moments of Bartlett Sher’s resplendent production of Rodgers and Hammerstein’s “The King and I,” which opened on Thursday night at the Vivian Beaumont Theater. It’s an impressive sight, worthy of every “oooh” it elicits. But … 

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TIME OUT NEW YORK REVIEW

Lincoln Center Theater’s “The King and I” arrives this spring much like the ship Chow Phya heaves into view of Bangkok on the Vivian Beaumont stage: a majestic vessel of excellent construction, expertly piloted and bringing with it many wonderful things—starting with Kelli O’Hara. What’s more, in a year of bland … 

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HOLLYWOOD REPORTER REVIEW

The mutual fascination and eternal struggle for understanding across the cultural divide between East and West is played out on a magnificent scale in Lincoln Center Theater’s breathtaking revival of “The King and I.” As he did with the company’s transcendent “South Pacific” seven years ago, director Bartlett 

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HUFFINGTON POST REVIEW

In a day and age when producers, directors and author’s executors think nothing of imposing their so-called artistic vision on Broadway masterworks that were pretty good to begin with, it is heartening to see producers, directors and executors just do the show as written. Lincoln Center Theater and director … 

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NBC NEW YORK REVIEW

The astonishing Kelli O’Hara is back on Broadway. This time, she’s leading Lincoln Center’s respectful take on “The King and I,” as schoolteacher Anna Leonowens, who stands up to the ruler of Siam — here, Oscar-nominee and Broadway newcomer Ken Watanabe. The revival of Rodgers and Hammerstein’s classic musical … 

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1 Comment on The Reviews for The King and I Are In…

  1. The truths about Anna Leonowens and King Mongkut are even more fascinating than the musical: she was a mixed race British/Indian girl whose masquerade as English gentry took flight with the death of her Anglo-Irish husband, while the king had avoided assassination by spending 27 years as a Buddhist monk, begging his food around the entire country before he became King.
    You can read more about the adventures and conflicts of the real Anna Leonowens and the real King Mongkhut @ Sakkiselznick123@blogspot.com.

    Like

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